The Tales of Hoffmann

~ Release by Offenbach; Beverly Sills, Stuart Burrows, Norman Treigle, Susanne Marsee, Nico Castel, London Symphony Orchestra, Julius Rudel (see all versions of this release, 2 available)

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Les Contes d’Hoffmann: Act 3: Et moi, ce n’est pas là
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Et moi, ce n'est pas là, pardieu ! ... Amis, l'amour tendre et rêveur" (Hoffmann, Chœur, Schlemil, Giulietta, Pittichinaccio) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach0:30
2Les Contes d’Hoffmann: Act 3: Amis, l’amour tendre et rêveur, erreur!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Amis ! l'Amour tendre et rêveur" (Hoffmann, Les invités, Schlemil, Pitichinaccio, Giulietta, Un laquais) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:36
3Les Contes d’Hoffmann: Act 3: Je vois qu’on est en fête
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann : Acte IV. No 18 Scène « Je vois qu'on est en fête » (Schlémil, Giulietta, Pitichinaccio, Hoffmann, les invités, Nicklausse, Dapertutto) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach2:51
4Les Contes d’Hoffmann: Act 3: Scintille, diamant
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:28
5Les Contes d’Hoffmann: Act 3: Cher ange
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Cher ange !" (Dapertutto, Giulietta) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach2:04
6Les Contes d’Hoffmann: Act 3: Malheureux, tu ne comprends donc pas
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach5:56
7Les Contes d’Hoffmann: Act 3: Schlémil!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Schlemil ! ... J'en étais sûr !" (Giulietta, Schlemil, Hoffmann, Pittichinaccio, Dapertutto, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach1:34
8Les Contes d’Hoffmann: Act 3: Hélas, mon cœur s’égare encore
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. Septuor “Hélas ! mon cœur s'égare encore !” (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach3:18
9Les Contes d’Hoffmann: Act 3: Ecoutez, messieurs
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
Raimund Herincx (bass-baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d'Hoffmann: Acte III. "Écoutez, messieurs !" (Hoffmann, Dapertutto, Giulietta, Nicklausse, Schlemil, Pittichinaccio, Chœur) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:10
10Les Contes d’Hoffmann: Act 4: Entr’acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann : Acte III. Entr’acte (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte III (Antonia) (Offenbach order; critical Oeser edition)
Jacques Offenbach0:50
11Les Contes d’Hoffmann: Act 4: Elle a fui, la tourtelle
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:28
12Les Contes d’Hoffmann: Act 4: Malheureuse enfant
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Malheureuse enfant !“ (Crespel, Antonia, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:56
13Les Contes d’Hoffmann: Act 4: Jour et nuit je me mets en quatre
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Jour et nuit je me mets en quatre” (Frantz, Hoffmann, Nicklausse) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach3:18
14Les Contes d’Hoffmann: Act 4: Frantz!… C’est ici!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Frantz ! C’est ici !” (Hoffmann, Frantz) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach0:42
15Les Contes d’Hoffmann: Act 4: C’est une chanson d’amour qui s’envole
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach0:57
16Les Contes d’Hoffmann: Act 4: J’ai le bonheur dans l’âme!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
partial recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach6:26
17Les Contes d’Hoffmann: Act 4: Qu’as-tu donc?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Nico Castel (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Qu'as-tu donc ?” (Hoffmann, Antonia, Crespel, Frantz, Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:24
18Les Contes d’Hoffmann: Act 4: Pour conjurer le danger
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Pour conjurer le danger” (Miracle, Hoffmann, Crespel) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach7:13
19Les Contes d’Hoffmann: Act 4: Ne plus chanter!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ne plus chanter !” (Hoffmann, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:56
20Les Contes d’Hoffmann: Act 4: Tu ne chanteras plus?
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Tu ne chanteras plus ?” (Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:58
21Les Contes d’Hoffmann: Act 4: Chère enfant! Que j’appelle
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals:
Patricia Kern (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Ta mère ? Oses-tu l’invoquer ?... Chère enfant ! Que j’appelle” (Miracle, la voix de la mère d'Antonia, Antonia) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:03
22Les Contes d’Hoffmann: Act 4: Mon enfant! Ma fille!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass vocals:
Robert Lloyd (operatic bass) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. Finale “Mon enfant ! ma fille ! Antonia !” (Crespel, Antonia, Hoffmann, Nicklausse, Miracle) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach2:58
23Les Contes d’Hoffmann: Epilogue: Entr’acte
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte IV. Entr’acte (orchestre) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach1:56
24Les Contes d’Hoffmann: Epilogue: Voilà quelle fut l’histoire de mes amours
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
baritone vocals:
John Noble (baritone) (from 1972-07-25 until 1972-08-08)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08) and Bernard Dickerson (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:55
25Les Contes d’Hoffmann: Epilogue: Vidons les tonneaux!
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Messieurs, le souper est servi !” (Luther, Hoffmann, Etudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:10
26Les Contes d’Hoffmann: Epilogue: Et moi? Moi la fidèle amie
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
soprano vocals:
Beverly Sills (soprano) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
tenor vocals:
Stuart Burrows (tenor) (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Et moi ? Moi, la fidèle amie” (La Muse, Hoffmann, Stella) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:48
27Les Contes d’Hoffmann: Epilogue: Non, ivre mort
recording engineer:
Robert Gooch (British classical sound engineer, active from late 1950's) (from 1972-07-25 until 1972-08-08) and Richard Hale (recording engineer) (from 1972-07-25 until 1972-08-08)
producer:
Christopher Bishop (conductor/producer)
bass-baritone vocals:
Norman Treigle (bass-baritone) (from 1972-07-25 until 1972-08-08)
choir vocals:
John Alldis Choir (The John Alldis Choir) (from 1972-07-25 until 1972-08-08)
mezzo-soprano vocals [Nicklausse]:
Susanne Marsee (mezzo-soprano) (from 1972-07-25 until 1972-08-08)
spoken vocals [Muse]:
Thamilla Mesbah (from 1972-07-25 until 1972-08-08)
orchestra:
London Symphony Orchestra (from 1972-07-25 until 1972-08-08)
conductor:
Julius Rudel (conductor) (from 1972-07-25 until 1972-08-08)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1972-07-25 until 1972-08-08)
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Jusqu'au matin remplis, remplis, mon verre !” (Les étudiants) (from 1972-07-25 until 1972-08-08)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach0:47