Bacobens Rock Top 500

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Daniel
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Davey Johnstone
Bassgitarre:
Dee Murray
Hybrid-Piano und mellotron und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug und Maracas / Rumba-Rasseln:
Nigel Olsson
Synthesizer:
Ken Scott (UK record producer & engineer)
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1973)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Daniel
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Songs of PolyGram International, Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal–Songs of PolyGram International, Inc.
Elton John3.53:54
2Revolution
recording of:
Revolution (Beatles song)
geschrieben in:
Rishikesh, Uttarakhand, Indien (von 1968-02 bis 1968-05-30)
Verfasser(in):
John Lennon (The Beatles) (von 1968-02 bis 1968-05-30) und Paul McCartney (The Beatles) (von 1968-02 bis 1968-05-30)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
The Beatles3:22
3For Your Love
recording of:
For Your Love
Texter und Komponist(in):
Graham Gouldman
publisher:
EMI Blackwood Music Inc., Francis, Day & Hunter, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Screen Gems–EMI Music Ltd.
The Yardbirds2:29
4You Ain’t Seen Nothing Yet
recording engineer und Mix:
Mark K. Smith (Canadian engineer)
assistierende(r) Techniker(in):
Buzz Richmond
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
assistierende(r) Mix:
Richard Dashut
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974)
aufgenommen bei:
Kaye–Smith Studios in Seattle, Washington, Vereinigte Staaten
mixed at:
Sound City Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.653:55
5Band on the Run
recording engineer:
Geoff Emerick (British recording engineer) (von 1973-09-01 bis 1973-10)
assistierende(r) Techniker(in):
Monday (engineer) (von 1973-09-01 bis 1973-11) und Pete Swettenham (von 1973-09-01 bis 1973-11)
Produzent(in):
Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Mix:
Geoff Emerick (British recording engineer) (von 1973-10 bis 1973-11)
Akustikgitarre und E-Gitarre:
Denny Laine (von 1973-09-01 bis 1973-10) und Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Bassgitarre, Hybrid-Piano, Schlagzeug, Synthesizer und Sologesang:
Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Horn und Saiteninstrumente:
Beaux Arts Orchestra (von 1973-09-01 bis 1973-10)
Moog:
Linda McCartney (von 1973-09-01 bis 1973-10)
Hintergrundgesang:
Denny Laine (von 1973-09-01 bis 1973-10), Linda McCartney (von 1973-09-01 bis 1973-10) und Paul McCartney (The Beatles) (von 1973-09-01 bis 1973-10)
Orchestrator(in):
Tony Visconti
phonographisches Urheberrecht (℗) von:
MPL Communications Inc/Ltd (Paul McCartney‐related, NYC‐based company)
zusätzlich aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1973-11)
recording of:
Band on the Run (von 1973-09-01 bis 1973-10)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
ATV Music Corp. und McCartney Music, Inc.
Paul McCartney & Wings45:13
6Moondance
recording of:
Moondance
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, Caledonia Soul Music (von 1970 bis 1971), WB Music Corp. (1929–2019) (von 1970 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Van Morrison4:36
7(Don’t Fear) The Reaper
recording of:
(Don’t Fear) The Reaper
Texter und Komponist(in):
Donald Roeser (singer, lead guitarist and songwriter)
publisher:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP) (in 1976)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4:55
8Ruby Tuesday
recording of:
Ruby Tuesday
Verfasser(in):
Mick Jagger (The Rolling Stones) und Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
The Rolling Stones3:20
9China Grove
Techniker(in):
Donn Landee
Produzent(in):
Ted Templeman
Becken, Conga und Timbales:
Michael Hossack
Gast-Synthesizer:
Malcolm Cecil und Robert Margouleff
Gitarre:
Jeff “Skunk” Baxter, Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
Keyboard, Klavier und Orgel:
Bill Payne
membranophone:
John Hartman (drummer for the Doobie Brothers) und Michael Hossack
Mundharmonika:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
Perkussion:
John Hartman (drummer for the Doobie Brothers) und Ted Templeman
Steel-Gitarre:
Jeff “Skunk” Baxter
Synthesizer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”) und Patrick Simmons
vocals:
John Hartman (drummer for the Doobie Brothers), Tom Johnston (guitarist and vocalist with “The Doobie Brothers”), Tiran Porter und Patrick Simmons
Bass arranger:
Tiran Porter
Saiteninstrumente arranger:
Nick de Caro
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
Warner Brothers Studios, North Hollywood in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
China Grove
Texter und Komponist(in):
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.653:17
10Karn Evil 9
Emerson, Lake & Palmer4:46
11Squeeze Box
recording of:
Squeeze Box
Texter und Komponist(in):
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Spirit One Music, Spirit Services Holdings SARL, Towser Tunes, Inc. und Windswept Pacific
The Who2:40
12Jessica
recording of:
Jessica
Komponist(in):
Dickey Betts
publisher:
F.R. Betts Music Co., No Exit Music Co., Inc., Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
The Allman Brothers Band7:30
13Time of the Season
The Zombies3:33
14Welcome to the Machine
recording engineer:
Brian Humphries
assistierende(r) Techniker(in):
Peter James (sound engineer)
Produzent(in):
Pink Floyd
Akustikgitarre, zwölfsaitige Gitarre [12-string acoustic guitar] und Sologesang:
David Gilmour (Pink Floyd) (von 1975-01 bis 1975-07)
Analoger Synthesizer [ARP String Ensemble], Hammond-Orgel und Minimoog:
Richard Wright (Pink Floyd keyboardist) (von 1975-01 bis 1975-07)
Analoger Synthesizer [EMS VCS 3]:
Roger Waters (von 1975-01 bis 1975-07) und Richard Wright (Pink Floyd keyboardist) (von 1975-01 bis 1975-07)
Becken und Pauke:
Nick Mason (of Pink Floyd) (von 1975-01 bis 1975-07)
E-Bass:
Roger Waters (von 1975-01 bis 1975-07)
Hintergrundgesang:
Venetta Fields, Carlena Williams und David Gilmour (Pink Floyd) (von 1975-01 bis 1975-07)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975), Pink Floyd Music Ltd. (in 1975, in 1980, in 1992, in 2011, in 2016) und Pink Floyd (1987) Ltd. (in 2011)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-01 bis 1975-07)
recording of:
Welcome to the Machine (von 1975-01-06 bis 1975-07-19)
Texter und Komponist(in):
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, BMG Platinum Songs US, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Pink Floyd4.057:31
15Come Together
Techniker(in):
Geoff Emerick (British recording engineer) und Phil McDonald (engineer and producer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass [1964 Rickenbacker 4001 S]:
Paul McCartney (The Beatles) (am 1969-07-21)
E-Gitarre:
John Lennon (The Beatles) (von 1969-07-21 bis 1969-07-30)
E-Gitarre [1957 Gibson Les Paul Standard]:
George Harrison (The Beatles) (am 1969-07-21, am 1969-07-22)
Händeklatschen und Hybrid-Piano [1968 Fender Rhodes Seventy-Three Sparkle Top]:
John Lennon (The Beatles) (am 1969-07-22)
Maracas / Rumba-Rasseln:
Ringo Starr (The Beatles) (am 1969-07-22)
Schlagzeug [1968 Ludwig Hollywood Maple]:
Ringo Starr (The Beatles) (am 1969-07-21)
Tamburin:
John Lennon (The Beatles) (am 1969-07-21)
Hintergrundgesang:
Paul McCartney (The Beatles) (am 1969-07-23, am 1969-07-25)
Hintergrundgesang und Sologesang:
John Lennon (The Beatles) (am 1969-07-23)
Sologesang:
John Lennon (The Beatles) (von 1969-07-22 bis 1969-07-23, am 1969-07-25)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969, in 1987, in 2009) und The Gramophone Co., Ltd. (UK record company) (in 1969)
aufgenommen bei:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-21, am 1969-07-22, am 1969-07-23, am 1969-07-29, am 1969-07-30) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-07-25)
Musikvideos:
Come Together von The Beatles (UK rock band, “The Fab Four”)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 202)
recording of:
Come Together (von 1969-07-21 bis 1969-07-30)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI-Songs Musikverlag, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
basiert auf:
You Can’t Catch Me
The Beatles4.14:20
16Going to California
Techniker(in) und Mix:
Andy Johns
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971)
aufgenommen bei:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, Vereinigtes Königreich
mixed at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Going to California
Verfasser(in):
Jimmy Page und Robert Plant (of Led Zeppelin)
Led Zeppelin3.353:31
17Hello, I Love You
Techniker(in) und Mix:
Bruce Botnick
Produzent(in):
Bruce Botnick und Paul A. Rothchild
Bassgitarre:
Doug Lubahn (rock bassist)
Gitarre:
Robby Krieger (American guitarist, member of The Doors)
Keyboard:
Ray Manzarek
Schlagzeug:
John Densmore
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
Hello, I Love You
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. und Nipper Music Co., Inc. (in 1968)
The Doors3.552:14
18American Woman
Produzent(in):
Nimbus 9 und Jack Richardson
phonographisches Urheberrecht (℗) von:
RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (in 1970) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 3) und Huffington Post: 100 Best Canadian Songs Ever (Nummer: 4)
recording of:
American Woman (von 1969-08 bis 1969-11)
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.15:05
19Sweet Emotion
recording of:
Sweet Emotion
Verfasser(in):
Tom Hamilton (bassist for Aerosmith) und Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Songs LLC und Vindaloo Productions, Inc.
Aerosmith17:27
20Ohio
Techniker(in):
Bill Halverson
Produzent(in):
David Crosby, Graham Nash, Stephen Stills und Neil Young (Canadian singer, songwriter & musician)
Bass:
Calvin Samuels (am 1970-05-21)
Gitarre:
David Crosby (am 1970-05-21), Stephen Stills (am 1970-05-21) und Neil Young (Canadian singer, songwriter & musician) (am 1970-05-21)
Schlagzeug:
John Barbata (am 1970-05-21)
vocals:
David Crosby (am 1970-05-21), Graham Nash (am 1970-05-21), Stephen Stills (am 1970-05-21) und Neil Young (Canadian singer, songwriter & musician) (am 1970-05-21)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-05-21)
Teil von:
Paste: The 25 Best Songs About Ohio Ever Made (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 385)
recording of:
Ohio (am 1970-05-21)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music und Broken Arrow Music Pub, Co.
Crosby, Stills, Nash & Young3.752:58
21In‐A‐Gadda‐Da‐Vida
recording engineer und Produzent(in):
Jim Hilton
Bassgitarre:
Lee Dorman
Gitarre:
Erik Brann (guitarist for Iron Butterfly)
Orgel:
Doug Ingle
Schlagzeug:
Ron Bushy
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Ultrasonic Studios in Hempstead, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 24) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly4.2517:02
22Eleanor Rigby
recording of:
Eleanor Rigby
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1965) und Weybridge, Surrey, England, Vereinigtes Königreich (von 1965 bis 1966)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Music Publishing (do not use as a release label!), Maclen Publishing Co. (U.S. based publisher for Lennon–McCartney), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC und Sony/ATV Tunes LLC (ASCAP)
geschrieben bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1966)
The Beatles2:07
23Old Man
recording engineer:
Elliot Mazer (am 1971-02-06)
Produzent(in):
Elliot Mazer und Neil Young (Canadian singer, songwriter & musician)
Akustikgitarre und Sologesang:
Neil Young (Canadian singer, songwriter & musician) (am 1971-02-06)
Banjo:
James Taylor (singer-songwriter and guitarist) (am 1971-02-06)
Bass:
Tim Drummond (am 1971-02-06)
Klavier:
Andy McMahon (am 1971-02-06)
Pedal-Steel-Gitarre:
Ben Keith (am 1971-02-06)
Schlagzeug:
Kenny Buttrey (am 1971-02-06)
Gast Hintergrundgesang:
Linda Ronstadt (am 1971-02-06) und James Taylor (singer-songwriter and guitarist) (am 1971-02-06)
Gast-Interpret(in):
The Stray Gators
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Reprise Records (in 2022)
aufgenommen bei:
Quadrafonic Sound Studio in Nashville, Tennessee, Vereinigte Staaten (am 1971-02-06)
recording of:
Old Man (am 1971-02-06)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Fiddle Music (music publisher associated with Neil Young) (in 1971)
Neil Young4.33:22
24The Logical Song
Sound-Engineering:
Russel Pope
assistierende(r) Techniker(in):
Lenise Bent und Jeff Harris (recording engineer)
Techniker(in):
Peter Henderson (English sound engineer)
Produzent(in):
Peter Henderson (English sound engineer) und Supertramp
Bassgitarre:
Dougie Thomson
Gitarre und Keyboard:
Roger Hodgson
Holzblasinstrumente:
John Helliwell
Keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
Schlagzeug:
Bob Siebenberg
vocals:
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
phonographisches Urheberrecht (℗) von:
A&M Records (in 2010)
aufgenommen bei:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Crystal Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Logical Song
Verfasser(in):
Rick Davies (UK keyboardist, member of Supertramp) und Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music und Rondor Music
Supertramp4.154:10
25Life’s Been Good
Techniker(in):
Ed Mashal und Bill Szymczyk
Produzent(in):
Bill Szymczyk for Pandora Productions, Ltd.
Hintergrundgesang:
Jody Boyer, Bill Szymczyk und Joe Vitale
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978)
aufgenommen bei:
Bayshore Recording Studios in Coconut Grove, Miami, Florida, Vereinigte Staaten
recording of:
Life’s Been Good
Texter und Komponist(in):
Joe Walsh (Eagles/James Gang)
publisher:
Wow & Flutter Music
Joe Walsh38:56
26Don’t Stop
assistierende(r) Techniker(in):
Chris Morris (LA engineer & producer (late ’70s))
Techniker(in):
Ken Caillat und Richard Dashut
Produzent(in):
Ken Caillat, Richard Dashut und Fleetwood Mac
zusätzliche(r) Produzent(in):
Ken Caillat und Richard Dashut
Bassgitarre:
John McVie
Gitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
Keyboard und Synthesizer:
Christine McVie
Schlagzeug und Perkussion:
Mick Fleetwood
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie und Stevie Nicks
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) und Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Don’t Stop
Texter und Komponist(in):
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) und Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:12
27Telephone Line
recording of:
Telephone Line
Texter und Komponist(in):
Jeff Lynne
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra4:24
28Crossroads
recording engineer:
Tom Dowd und Bill Halverson
Techniker(in):
Adrian Barber (producer/engineer)
Produzent(in):
Felix Pappalardi
E-Bass:
Jack Bruce (am 1968-03-10)
E-Gitarre:
Eric Clapton (am 1968-03-10)
Schlagzeug:
Ginger Baker (am 1968-03-10)
vocals:
Eric Clapton (am 1968-03-10)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1968) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
aufgenommen bei:
Winterland Ballroom in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1968-03-10)
Teil von:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 26) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 409)
live cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (am 1968-03-10)
Texter und Komponist(in):
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Cream44:16
29Day Tripper
recording of:
Day Tripper
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Beatles2:49
30Legs
Techniker(in):
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Sologesang:
Billy Gibbons
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten
recording of:
Legs
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three, Songs of Mosaic und Hamstein Music Co. (publisher) (in 1983)
ZZ Top4.354:34
31Rock ’n’ Roll Fantasy
Bad Company3:19
32Honky Tonk Women
recording of:
Honky Tonk Women
geschrieben in:
Mato Grosso, Brasilien (in 1968-12)
Verfasser(in):
M. Vickery, Mick Jagger (The Rolling Stones) (in 1968-12) und Keith Richards (Rolling Stones guitarist) (in 1968-12)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) und Westminster Music Ltd.
The Rolling Stones3:06
33The Low Spark of High Heeled Boys
Produzent(in):
Steve Winwood
aufgenommen bei:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1971-09)
recording of:
The Low Spark of High Heeled Boys
Verfasser(in):
Jim Capaldi und Steve Winwood
Traffic11:39
34Help!
Techniker(in):
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
zusätzliche(r) Techniker(in):
Phil McDonald (engineer and producer) und Ken Scott (UK record producer & engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
E-Bass:
Paul McCartney (The Beatles) (am 1965-04-13)
E-Gitarre [lead guitar]:
George Harrison (The Beatles) (am 1965-04-13)
Schlagzeug und Tamburin:
Ringo Starr (The Beatles) (am 1965-04-13)
zwölfsaitige Gitarre [rhythm guitar] und Sologesang:
John Lennon (The Beatles) (am 1965-04-13)
Hintergrundgesang:
George Harrison (The Beatles) (am 1965-04-13) und Paul McCartney (The Beatles) (am 1965-04-13)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1965)
aufgenommen bei:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-04-13)
mixed at:
Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1965-06-18)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 29), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 447)
recording of:
Help! (am 1965-04-13)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
The Beatles4.22:21
35Crocodile Rock
Techniker(in):
Ken Scott (UK record producer & engineer)
Produzent(in):
Gus Dudgeon
Bassgitarre:
Dee Murray
E-Gitarre:
Davey Johnstone
Farfisa-Orgel und Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Nigel Olsson
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder) (in 1972, in 1973) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
aufgenommen bei:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Frankreich
recording of:
Crocodile Rock
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
PolyGram Music Publishing, Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:55
36Let It Rain
Techniker(in):
Bill Halverson
Produzent(in):
Delaney Bramlett
Mix:
Tom Dowd
Bass:
Carl Radle (von 1969-11 bis 1970-03)
Gitarre:
Delaney Bramlett (von 1969-11 bis 1970-03), Eric Clapton (von 1969-11 bis 1970-03) und Stephen Stills (von 1969-11 bis 1970-03)
Klavier:
Leon Russell (von 1969-11 bis 1970-03)
Orgel:
Bobby Whitlock (von 1969-11 bis 1970-03)
Saxophon:
Bobby Keys (American saxophonist) (von 1969-11 bis 1970-03)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1969-11 bis 1970-03)
Trompete:
Jim Price (horn session musician) (von 1969-11 bis 1970-03)
Hintergrundgesang:
Bonnie Bramlett, Delaney Bramlett und Rita Coolidge
vocals:
Jerry Allison (von 1969-11 bis 1970-03), Bonnie Bramlett (von 1969-11 bis 1970-03), Delaney Bramlett (von 1969-11 bis 1970-03), Eric Clapton (von 1969-11 bis 1970-03), Rita Coolidge (von 1969-11 bis 1970-03), Sonny Curtis (von 1969-11 bis 1970-03) und Stephen Stills (von 1969-11 bis 1970-03)
arranger:
Delaney Bramlett
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1970)
aufgenommen bei:
The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1969-11 bis 1970-03)
recording of:
Let It Rain (von 1969-11 bis 1970-03)
Verfasser(in):
Bonnie Bramlett, Delaney Bramlett und Eric Clapton
publisher:
Casserole Music Corp., Cotillion Music Inc. (BMI) und Delbon Publishing Co.
Eric Clapton35:03
37What Is Life
recording of:
What Is Life
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
Essex Music, Harrisongs Ltd. und Wixen Music Publishing, Inc.
George Harrison4:16
38Down on the Corner
aufgenommen bei:
Oakland–Alameda County Coliseum in Oakland, California (Kalifornien), Vereinigte Staaten (am 1970-01-31)
live recording of:
Down on the Corner (am 1970-01-31)
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) und Jondora Music
recording of:
Down on the Corner
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) und Jondora Music
Creedence Clearwater Revival2:44
39Feels Like the First Time
Partner-Techniker(in):
Jimmy Douglass (engineer), Michael Getlin, Kevin Herron und Randy Mason
Techniker(in):
Gary Lyons (UK engineer & producer)
Koproduzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Produzent(in):
Gary Lyons (UK engineer & producer) und John Sinclair (engineer)
Mix:
Jimmy Douglass (engineer), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Bassgitarre:
Ed Gagliardi (bass player (Foreigner))
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Horn:
Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Keyboard:
Al Greenwood und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Schlagzeug:
Dennis Elliott
Synthesizer:
Al Greenwood
Hintergrundgesang:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France), Ian Lloyd (of Stories) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
vocals:
Ed Gagliardi (bass player (Foreigner)), Mick Jones (Foreigner/Spooky Tooth, worked in France) und Ian McDonald (UK multi‐instrumentalist, formerly of King Crimson and Foreigner)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und Rhino Entertainment Company (not for release label use!) (in 2009)
recording of:
Feels Like the First Time
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Music (publisher) (in 1981) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner4.23:50
40Ziggy Stardust
recording of:
Ziggy Stardust
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
BMG RM Chrysalis Music France, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, Éditer à Paris, EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), Fleur Music Ltd. (publisher), Jones Music America, Mainman Saag (New York), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, フジパシフィックミュージック (Fujipacific Music, Inc.), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
David Bowie3:16
41Home by the Sea
Techniker(in):
Hugh Padgham
Produzent(in):
Genesis (English rock band) und Hugh Padgham
Bass und Gitarre:
Mike Rutherford (in 1983)
Perkussion, Schlagzeug und Sologesang:
Phil Collins (of Genesis) (in 1983)
Hintergrundgesang:
Tony Banks (Genesis) (in 1983) und Mike Rutherford (in 1983)
phonographisches Urheberrecht (℗) von:
Anthony Banks Ltd., Michael Rutherford Ltd. und Philip Collins Ltd.
aufgenommen bei:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich (in 1983)
mixed at:
The Farm (of Genesis fame) in Surrey, England, Vereinigtes Königreich
recording of:
Home by the Sea (in 1983)
Texter:
Tony Banks (Genesis)
Komponist(in):
Tony Banks (Genesis), Phil Collins (of Genesis) und Mike Rutherford
publisher:
Imagem CV, Imagem Sounds Banks, Imagem Sounds Collins und Imagem Sounds Rutherford
Genesis34:52
42Life in the Fast Lane
recording of:
Life in the Fast Lane
Verfasser(in):
Glenn Frey (US musician/singer/songwriter, member of the Eagles), Don Henley und Joe Walsh (Eagles/James Gang)
publisher:
Cass County Music, Chappell Music Ltd., Red Cloud Music, Songs of Universal, Inc. (BMI), Sony/ATV Smash Hits, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Wow & Flutter Music
Eagles4:48
43Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.62:52
44Come Sail Away
Techniker(in):
Rob Kingsland und Barry Mraz
assistierende(r) Produzent(in):
Barry Mraz
Produzent(in):
Styx (rock band from Chicago)
Akustikgitarre und E-Gitarre [lead] und zwölfsaitige Gitarre:
Tommy Shaw (of Styx)
Bassgitarre:
Chuck Panozzo
Gitarre und Synthesizer [ARP Odyssey]:
James Young (member of Styx, guitarist, singer and songwriter)
Keyboard und Synthesizer und Sologesang:
Dennis DeYoung
Schlagzeug und Perkussion:
John Panozzo
vocals:
Chuck Panozzo, John Panozzo, Tommy Shaw (of Styx) und James Young (member of Styx, guitarist, singer and songwriter)
remixer:
Rob Kingsland, Barry Mraz und Styx (rock band from Chicago)
aufgenommen bei und remixed at:
Paragon Studios in Chicago, Illinois, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 56)
recording of:
Come Sail Away
Texter und Komponist(in):
Dennis DeYoung
publisher:
Rondor Music International (merged into UMG 2019), Almo Music Corp. (USA, affiliated with ASCAP) (in 1977) und Stygian Songs (publishing company for the rock band Styx) (in 1977)
Styx3.556:05
45Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
arranger:
Pete Seeger
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season) (am 1965-09-10)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.653:57
46Glory Days
recording engineer:
Toby Scott (am 1982-05-05)
assistierende(r) Techniker(in):
John R. Davenport (engineer), Jeff Hendrickson (sound engineer), Bruce Lampcov, Billy Straus und Zoë Yanakas
Mix:
Bob Clearmountain
Akustikgitarre, Mandoline und Chorgesang [harmony vocals]:
Little Steven (am 1982-05-05)
Bassgitarre:
Garry Tallent (am 1982-05-05)
Gitarre und Sologesang:
Bruce Springsteen (am 1982-05-05)
Glockenspiel und Orgel:
Danny Federici (am 1982-05-05)
Klavier und Synthesizer:
Roy Bittan (am 1982-05-05)
Perkussion und Saxophon:
Clarence Clemons (am 1982-05-05)
Schlagzeug:
Max Weinberg (am 1982-05-05)
Chorgesang:
Roy Bittan (am 1982-05-05), Garry Tallent (am 1982-05-05) und Max Weinberg (am 1982-05-05)
phonographisches Urheberrecht (℗) von:
Bruce Springsteen (in 1984)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984, in 1985)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (am 1982-05-05)
mixed at:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
Glory Days (video shoot, 1985‐05‐27: Maxwell’s, Hoboken, NJ, USA) von Bruce Springsteen
recording of:
Glory Days (am 1982-05-05)
publisher:
Bruce Springsteen (in 1984)
Texter und Komponist(in):
Bruce Springsteen (von 1981 bis 1982)
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Bruce Springsteen4.54:18
47Free Ride
recording of:
Free Ride
Texter und Komponist(in):
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und Silver Steed Music
The Edgar Winter Group4.653:08
48When We Was Fab
recording of:
When We Was Fab
Verfasser(in):
George Harrison (The Beatles) und Jeff Lynne
publisher:
EMI April Music Inc. und Umlaut
George Harrison3:56
49Never Been Any Reason
Produzent(in):
Roger Boyd
phonographisches Urheberrecht (℗) von:
A&M Records (in 1975)
recording of:
Never Been Any Reason
Texter und Komponist(in):
Mike Somerville (guitarist for Head East)
Head East5:12
50Domino
Techniker(in):
Elliot Scheiner
assistierende(r) Produzent(in):
Dahaud Elias Shaar (drummer)
Produzent(in):
Van Morrison
E-Bass:
John Klingberg (in 1970)
Sologesang:
Van Morrison (in 1970)
phonographisches Urheberrecht (℗) von:
Exile Productions Ltd. (not for Label Release) (in 1970) und Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1970)
recording of:
Domino (in 1970)
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Caledonia Soul Music, Chappell Music (UK), Van-Jan Music, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America und WB Music Corp. (1929–2019)
Van Morrison3.63:05
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