| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Fastlove | George Michael | | 4:45 |
| 2 | Breakfast at Tiffany’s | Deep Blue Something | | 4:17 |
| 3 | Say What You Want | Texas | | 3:51 |
| 4 | Virtual Insanity (single version) | Jamiroquai | | 4:06 |
| 5 | Breathe (edit) | The Prodigy | 3.95 | 4:00 |
| 6 | You Got the Love (Now Voyager radio version) | The Source feat. Candi Staton | | 3:32 |
| 7 | I Wanna be the Only One | Eternal feat. BeBe Winans | 2.5 | 3:35 |
| 8 | Mmmbop (original mix) | Hanson | 3.2 | 4:00 |
| 9 | Tubthumping- Techniker(in):
- Neil Ferguson
- Produzent(in):
- Chumbawamba
- phonographisches Urheberrecht (℗) von:
- Chumbawamba (in 1997)
- phonographisches Urheberrecht (℗) von:
- EMI Electrola GmbH & Co KG (in 1997)
- aufgenommen bei:
- Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-02)
- mixed at:
- Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Vereinigtes Königreich (in 1997-09)
- Bearbeitung von:
- Tubthumping von Chumbawamba
- Teil von:
- Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 23)
- recording of:
- Tubthumping (in 1997-02)
- publisher:
- Chumbawamba (in 1997)
- Verfasser(in):
- Jude Abbott, Dunstan Bruce, Paul Greco , Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts und Boff Whalley
- publisher:
- EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. und Leosong (in 1997)
| Chumbawamba | 3.65 | 3:32 |
| 10 | Barbie Girl | Aqua | 3.75 | 3:16 |
| 11 | Never Ever | All Saints | 3.65 | 3:58 |
| 12 | Torn | Natalie Imbruglia | 4.1 | 4:06 |
| 13 | Angels (remastered 2004) | Robbie Williams | 3.65 | 4:27 |
| 14 | Feel It (Blunt edit) | The Tamperer feat. Maya | | 3:16 |
| 15 | Dreams (Tee's radio mix)- recording engineer:
- Oliver Leiber und Barry Rudolph
- Gitarre-Programmierung:
- Oliver Leiber
- Programmierung:
- Peter Rafelson
- assistierendes Sound-Engineering:
- Stuart Grusin und Matt Silva
- Audio-Engineering:
- Phillip Begley (Sologesang, Hintergrundgesang)
- zusätzliche(r) Produzent(in):
- Todd Terry
- Mix:
- Rob Chiarelli
- Geige / Violine:
- Sharon Corr
- Gitarre:
- Jim Corr
- Schlagzeug:
- Caroline Corr
- tin whistle und Sologesang:
- Andrea Corr
- Hintergrundgesang:
- Caroline Corr, Jim Corr und Sharon Corr
- remixer:
- Todd Terry
- aufgenommen bei:
- Ollywood Studios in Hollywood, Los Angeles, California , Vereinigte Staaten, Rafelson Recording in Los Angeles, California , Vereinigte Staaten und Westland Studios in Dublin, County Dublin, Leinster, Irland
- mixed at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- cover recording of:
- Dreams
- Texter und Komponist(in):
- Stevie Nicks
- publisher:
- Gentoo Music, Inc., Kobalt Music Publishing Ltd. und Welsh Witch Music (in 1977)
| The Corrs | 2.5 | 3:54 |
| 16 | No Matter What | Boyzone | | 4:37 |
| 17 | Praise You (radio edit) | Fatboy Slim | | 3:48 |
| 18 | Believe | Cher | 3.8 | 3:59 |
| 19 | 9PM (Till I Come) (UK radio mix) | ATB | | 2:43 |
| 20 | I Want It That Way- Produzent(in):
- Kristian Lundin (in 1999) und Max Martin (in 1999)
- Mix:
- Kristian Lundin und Max Martin
- E-Bass [bass]:
- Tomas Lindberg
- Gitarre:
- Esbjörn Öhrwall
- vocals:
- Alexander James “A.J.” McLean , Brian “B-Rok” Littrell , Nick Carter , Howard “Howie D.” Dorough und Kevin Richardson
- phonographisches Urheberrecht (℗) von:
- RCA Records (in 1998, in 2025) und Zomba Recording Corporation (in 1999)
- produced for:
- Cheiron Productions (in 1999)
- aufgenommen bei:
- Cheiron Studios in Stockholm, Stockholms län , Schweden
- mixed at:
- Cheiron Studios in Stockholm, Stockholms län , Schweden (in 1999)
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 4), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 240)
- recording of:
- I Want It That Way
- Texter, Verfasser(in) und Komponist(in):
- Andreas Carlsson und Max Martin
- publisher:
- Grantsville Publishing Ltd., Zomba Enterprises, Inc. und Zomba Music Publishers Ltd.
| Backstreet Boys | 3.75 | 3:33 |