Die grosse Klassik-Gala

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
2CD
#TitleArtistRatingLength
1Ombra mai fu (Serse, 1. Akt) aus Serse (Xerxes)
tenor vocals:
Peter Seiffert (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Heinz Wallberg (conductor)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
Georg Friedrich Händel3:52
2The Indian Queen: Ye twice ten hundred deities - by the croaking of the toad (Ismeron, 3. Akt)
baritone vocals:
Gerald Finley (bass-baritone)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
partial recording of:
The Indian Queen, Z. 630: Act III
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630
Henry Purcell4:50
3The Indian Queen: I attempt from Love's sickness to fly in vain (Zempolla, 3. Akt)
soprano vocals:
Emma Kirkby (soprano)
orchestra:
Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
recording of:
The Indian Queen, Z. 630: Act III: 17h. "I Attempt From Love's Sickness to Fly"
lyricist:
John Dryden (English poet)
composer:
Henry Purcell (Baroque composer)
part of:
The Indian Queen, Z. 630: Act III
Henry Purcell3:16
4Te Deum C-dur Hob. XXIIIc-2 für Maria Theresia
instruments:
Tafelmusik (Canadian Baroque orchestra)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
conductor:
Bruno Weil (conductor)
recording of:
Te Deum in C major, Hob. XXIIIc:2
composer:
Joseph Haydn (composer)
part of:
Hoboken-Verzeichnis (number: Hob. XXIIIc:2)
Joseph Haydn7:45
5Miserere C-Moll, ZWV 57: I. Miserere: I. AdagioJan Dismas Zelenka3:11
6Miserere C-Moll, ZWV 57: II. Miserere: I. Andante ma non troppoJan Dismas Zelenka5:14
7Troilus and Cressida: At the haunted en of the day (Cressida, 2. Akt)
soprano vocals:
Judith Howarth (British soprano)
orchestra:
English Northern Philharmonia (English Northern Philharmonia)
conductor:
Richard Hickox (conductor)
partial recording of:
Troilus and Cressida: Act II
composer:
William Walton (British composer and conductor)
librettist:
Christopher Hassall
part of:
Troilus and Cressida
Sir William Walton3:06
8Troilus and Cressida: Now hold me close... (Duett Cressida - Troilus, 2. Akt)
soprano vocals:
Judith Howarth (British soprano)
tenor vocals:
Arthur Davies (tenor)
orchestra:
English Northern Philharmonia (English Northern Philharmonia)
conductor:
Richard Hickox (conductor)
partial recording of:
Troilus and Cressida: Act II
composer:
William Walton (British composer and conductor)
librettist:
Christopher Hassall
part of:
Troilus and Cressida
Sir William Walton1:31
9Troilus and Cressida: The Storm (Sturmmusik, 2. Akt)
orchestra:
English Northern Philharmonia (English Northern Philharmonia)
conductor:
Richard Hickox (conductor)
partial recording of:
Troilus and Cressida: Act II
composer:
William Walton (British composer and conductor)
librettist:
Christopher Hassall
part of:
Troilus and Cressida
Sir William Walton3:01
10Sinfonie Nr. 1 "Versuch eines Requiems": I. Introduktion: Elend
alto vocals:
Cornelia Kallisch (German mezzo-soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Ingo Metzmacher (conductor)
recording of:
Symphony no. 1 "Versuch eines Requiems": I. Introduktion: Elend
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Karl Amadeus Hartmann (German composer) (in 1955)
part of:
Symphony no. 1 "Versuch eines Requiems"
Karl Amadeus Hartmann3:01
11Adriana Lecouvreur: Io son l'umile ancella (Adriana, 1. Akt)
soprano vocals:
Montserrat Caballé (soprano)
orchestra:
Orquestra Simfònica de Barcelona i Nacional de Catalunya (Barcelona Symphony and Catalonia National Orchestra)
conductor:
Gianfranco Masini
recording of:
Adriana Lecouvreur: Atto I. Aria “Ecco: respiro appena” … “Io son l'umile ancella“ (Adriana)
composer:
Francesco Cilea (composer)
librettist:
Arturo Colautti
publisher:
Ascherberg, Hopwood & Crew and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Adriana Lecouvreur: Atto I
Francesco Cilea4:00
12Madama Butterfly: Un bel di vedremo (Cio-Cio-San, 2. Akt)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Butterfly]:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Sir Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-03-31 until 1970-04-10)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini5:25
13Die Walküre: Winterstürme wichen dem Wonnemond (Siegmund, 1. Akt)
tenor vocals:
Peter Seiffert (tenor)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany)
conductor:
Dietrich Fischer‐Dieskau (baritone)
recording of:
Die Walküre, WWV 86B: Akt I, Scene III. “Ein Schwert verhieß mir der Vater“
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt I
Richard Wagner3:12
14Toccata und Fuge d-moll, BWV 565
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
oboe:
Dick Morgan (US banjoist/guitarist) and Dick Morgan (Oboist) (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
trumpet:
Maurice Murphy (trumpet player) (from 1993 until 1994)
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mike Batt
arrangement of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach3.57:48