Cold Feet

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Long Hot Summer
recording of:
Long Hot Summer
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Stylist Music Ltd.
The Style Council3:49
2While You See a Chance
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher), Warner Bros. Music Co., Ltd. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Steve Winwood5:09
3Nothing's Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:26
4The Boys Are Back in Town
Assistent recording engineer:
Neil Hornby
Techniker(in):
Will Reid-Dick
Produzent(in):
John Alcock (producer)
Akustikgitarre und Bassgitarre und Sologesang:
Phil Lynott
Gitarre:
Scott Gorham (Thin Lizzy guitarist) und Brian Robertson (Thin Lizzy & Motörhead)
Schlagzeug:
Brian Downey (Thin Lizzy drummer)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 272) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 499)
recording of:
The Boys Are Back in Town
Texter und Komponist(in):
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:23
5Hold the Line
recording engineer:
Dana Latham, Gabe Veltri und Tom Knox
assistierende(r) Techniker(in):
Dana Latham (Aufgabe: assistant) und Gabe Veltri (Aufgabe: assistant)
Techniker(in) und Mix:
Tom Knox
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate (in 1978-08)
E-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08)
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Keyboard:
David Paich (in 1978-08) und Steve Porcaro (in 1978-08)
Klavier:
David Paich (in 1978-08)
Perkussion:
Jeffrey Porcaro und Lenny Castro (in 1978-08)
Schlagzeug:
Jeffrey Porcaro (in 1978-08)
Hintergrundgesang:
Bobby Kimball (in 1978-08), Steve Lukather (guitarist, vocalist, composer, producer and arranger) (in 1978-08) und David Paich (in 1978-08)
Sologesang:
Jean-Michel Byron und Bobby Kimball (in 1978-08)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977, in 1978), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1978)
aufgenommen bei:
Studio 55 in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Teil von:
BILLIONS CLUB
recording of:
Hold the Line (in 1978-08)
Texter und Komponist(in):
David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony/ATV Music Publishing Ltd. und Spirit Two Music
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.253:56
6Born to Be Wild
Produzent(in):
Gabriel Mekler
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1968), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 53) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 129)
recording of:
Born to Be Wild
Texter und Komponist(in):
Mars Bonfire
publisher:
Duchess Music Corporation (BMI-affiliated), Manitou Music, Manitou Music Canada, MCA Music Canada, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Steppenwolf4.153:27
7Is She Really Going Out with Him
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:37
8Up in the Junction
Produzent(in):
Squeeze (UK new wave band) und John Wood (UK producer)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Musikvideos:
Up the Junction von Squeeze (UK new wave band)
recording of:
Up the Junction
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Deptford Songs
Squeeze4.53:08
9Poison Arrow
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Sologesang:
Martin Fry
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
The Downloader’s Music Source Book (Nummer: 76)
recording of:
Poison Arrow
Verfasser(in):
Martin Fry, Mark Lickley, Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. und Virgin Music (Publishing) Ltd.
Teil von:
Mantrap (ABC long-form film)
ABC4.43:23
10Teardrops
Produzent(in):
Chris Blackwell (Island Records), Lee Hamblin und The Gypsy Wave Power Co.
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Teardrops
Verfasser(in):
Cecil Womack und Linda Womack
publisher:
Zomba Music Publishing Ltd. und Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack33:51
11Get a Life
Produzent(in):
Nellee Hooper und Jazzie B
recording of:
Get a Life
Verfasser(in):
Hayden MacLaren Browne und Beresford Romeo
Soul II Soul33:41
12Help Yourself
recording of:
Help Yourself
Texter:
Mogul (Italian lyricist)
Verfasser(in):
Jack Fishman
Komponist(in):
Carlo Donida
basiert auf:
Gli Occhi Miei
Tom Jones2:51
13Can't Get Enough of Your Love
phonographisches Urheberrecht (℗) von:
PolyGram Records (in 1974)
recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:02
14The Tracks of My Tears
Produzent(in):
Bill “Smokey” Robinson
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 50) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 54)
recording of:
The Tracks of My Tears (am 1965-05-19)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
recording of:
The Tracks of My Tears (am 1971-05-06)
Verfasser(in):
Warren “Pete” Moore, Smokey Robinson und Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson4.252:59
15Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.653:57
16Feeling Good
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-15)
Produzent(in):
Hal Mooney
Gitarre:
Rudy Stevenson (am 1965-01-15)
Klavier:
Nina Simone (am 1965-01-15)
vocals:
Nina Simone (am 1965-01-15)
conductor:
Hal Mooney (am 1965-01-15)
arranger:
Hal Mooney
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (am 1965-01-15)
Verfasser(in):
Leslie Bricusse und Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd und Musical Comedy Prods.
Teil von:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.12:52
17May You Never
Techniker(in):
John Wood (UK producer)
Produzent(in):
John Wood (UK producer) und John Martyn (British singer‐songwriter and guitarist) (von 1972-11 bis 1972-12)
Akustikgitarre und E-Gitarre:
John Martyn (British singer‐songwriter and guitarist) (von 1972-11 bis 1972-12)
Bass:
Dave Pegg (von 1972-11 bis 1972-12)
Clavinet, Orgel und Klavier:
John “Rabbit” Bundrick (von 1972-11 bis 1972-12)
Conga:
Neemoi Acquaye (von 1972-11 bis 1972-12)
Kontrabass:
Danny Thompson (English double bass player) (von 1972-11 bis 1972-12)
Schlagzeug:
Dave Mattacks (von 1972-11 bis 1972-12)
vocals:
John Martyn (British singer‐songwriter and guitarist) (von 1972-11 bis 1972-12)
recording of:
May You Never
Texter und Komponist(in):
Iain David McGeachy (British singer‐songwriter and guitarist)
publisher:
Intersong Music Ltd. und Intersong U.S.A. (publisher)
John Martyn4.253:41
18Dream a Little Dream of Me
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
The Mamas & the Papas4.153:11