Synth & Electro

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Fade to Grey
tecnico:
John Hudson (producer, recording and mixing engineer)
produttore:
Midge Ure e Visage (new romantic band from London)
esecutore:
Billy Currie, Rusty Egan, Dave Formula, John McGeoch, Steve Strange (Welsh pop singer, Visage) e Midge Ure
arrangiatore:
Visage (new romantic band from London)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1980)
registrata presso:
Genetic Studios in West Berkshire, England, Regno Unito
mixata presso:
Mayfair Sound (England) in London (Greater London), England, Regno Unito
registrazione di:
Fade to Grey
autore:
Billy Currie, Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis) e Midge Ure
editore:
Hot Food Music Ltd., Island Music Ltd., Mood Music Ltd. (publisher) e Performance Music Ltd
Visage4.13:51
2I.O.U (maxi)
diritti fonografici (℗) detenuti da:
Beggars Banquet (nel 1983)
registrazione di:
I.O.U.
autore:
Arthur Baker (American record producer and DJ) e John Robie
editore:
Shakin’ Baker Music
Freeez8:43
3Nowhere Girl (maxi)
tecnico:
Colin Green (producer, engineer)
produttore:
Sam Brown (production music composer)
parte di:
Cachitos Nochevieja 2022 (numero: 106)
registrazione di:
Nowhere Girl
autore:
Rick Holliday e Steve Hovington
B‐Movie46:29
4Feels Like Heaven
produttore:
Peter Wilson (UK Producer)
arrangiatore:
Chic Medley e Kevin Patterson (songwriter)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1983)
registrazione di:
(Feels Like) Heaven
paroliere e compositore:
Eddie Jordan (songwriter) e Kevin Patterson (songwriter)
editore:
Carlin Music Corp.
Fiction Factory43:32
5You Spin Me Round (Like a Record a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:16
6Funkytown
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:00
7I Like Chopin
diritti fonografici (℗) detenuti da:
BMG Music (nel 1983)
registrazione di:
I Like Chopin
paroliere:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”)
compositore:
Pierluigi Giombini (arranger ,composer and producer)
editore:
Abramo Allione Ed Mus SRL, Shinko Music Entertainment Co., Ltd., Televis Edizioni Musicali S.R.L. (publisher), Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Gazebo3.54:08
8Fotonovela (Chapter 1)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Spain) S.A. (not for release label use!) (nel 1984)
registrazione di:
Fotonovela
paroliere e autore:
Luis Gómez Escolar
compositore:
Pedro Vidal
Iván4:32
9Call Me
registrazione di:
Call Me
autore:
Ivana Spagna, Larry Pignagnoli e Giorgio Spagna
Spagna4:07
10Precious Little Diamond (maxi)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (nel 1984, nel 1989)
registrazione di:
Precious Little Diamond
paroliere:
Silhouette Musmin
compositore:
Berth Tamaëla
editore:
Colgems-EMI Music Inc. e Foxhole Music
Fox the Fox45:03
11Rockit
registrata a:
Stati Uniti (nel 1983)
tecnico di registrazione:
Martin Bisi (nel 1983)
produttore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Material (group and producer team led by Bill Laswell)
tecnico di missaggio:
Dave Jerden
basso :
Bill Laswell (US bass guitarist and record producer) (nel 1983)
tastiera :
Michael Beinhorn (nel 1983) e Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (nel 1983)
esecutore:
DXT (US 80s hip hop, aka Grandmixer D.ST) (nel 1983)
registrata presso:
OAO Studio in Brooklyn, New York, New York, Stati Uniti (nel 1983)
mixata presso:
Eldorado Recording Studios in Burbank, California, Stati Uniti
video musicali:
Rockit di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
registrazione di:
Rockit (nel 1983)
autore:
Michael Beinhorn, Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Bill Laswell (US bass guitarist and record producer)
editore:
Ensign Music Corporation
Herbie Hancock45:25
12Ain’t Talkin’ ’Bout Dub
tecnico aggiunto:
Will O'Donovan
produttore:
@440 (electronic rock band)
voce:
Mary Mary (performance name of Ian Hoxley)
arrangiatore:
Noko (Norman Fisher Jones)
registrata presso:
Apollo Control in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
mixata presso:
Apollo Control in Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito e Whitfield Street Studios (operating under this name from 2004–2008, see annotation for history) in London (Greater London), England, Regno Unito
campionamenti:
Ain’t Talkin’ ’Bout Love di Van Halen (American hard rock band)
registrazione cover di:
Ain’t Talkin’ ’Bout Love
paroliere e compositore:
Michael Anthony (US bassist, formerly of Van Halen), Edward Van Halen, David Lee Roth e Alex Van Halen
editore:
Iconic Roth Anthems, Mugambi Publishing, Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Diamond Dave Music (nel 1978), Van Halen Music (nel 1978) e WC Music Corp. (dal 2019-05-28 a oggi)
Apollo 44054:31
13Magic Fly
produttore:
Jean-Philippe Iliesco
registrazione di:
Magic Fly (original Ecama version)
compositore:
Ecama
Space54:16
14Sultana (maxi)
Tarracco7:04
15The Eve of the War
produttore e tecnico di missaggio:
Ben Liebrand
remixer:
Ben Liebrand
arrangiatore:
Ben Liebrand
registrazione di:
The Eve of the War
paroliere e compositore:
Jeff Wayne (musician)
librettista:
Doreen Wayne
editore:
April Music Ltd.
si basa su:
The War of the Worlds: Book 1, Chapter 1: The Eve of the War
parte di:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Ben Liebrand3:50
161980‐F
tecnico, produttore e tecnico di missaggio:
Mack (German rock producer/engineer Reinhold Mack)
tecnico aggiunto:
Pete Hammond (UK producer aka “Mixmaster”)
produttore aggiunto:
Tony Mansfield (producer & songwriter)
batteria :
Pete King (UK drummer for After the Fire/BAP)
chitarra :
John Russell (British guitarist, member of After The Fire)
chitarra basso e voce principale:
Andy Piercy
sintetizzatore :
Memory Banks (keyboard player)
voce di accompagnamento:
Memory Banks (keyboard player) e John Russell (British guitarist, member of After The Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1980)
mixata presso e lavorazione tecnica effettuata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
lavorazione tecnica effettuata in aggiunta presso:
TMC Studios (Recording studio, active in the 1970s and 80s in Tooting, London) in Tooting, Wandsworth, London (Greater London), England, Regno Unito
prodotta presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
registrazione di:
1980-F
compositore:
Peter Banks (keyboard player)
After the Fire2:32
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