Weihnachtsoratorium BWV 248

~ Release by Johann Sebastian Bach; Amsterdam Baroque Orchestra, Amsterdam Baroque Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 37. Fallt mit Danke, fallt mit Loben
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
performer:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20) and Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
phonographic copyright (℗) by:
Erato Disques S.A. (not for release label use, for copyrights use only) (in 1996)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:02
2Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 38. Und da acht Tage um waren
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:32
3Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 39. Immanuel, mein süsses Wort
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:22
4Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 40. Flösst mein Heiland, flösst mein Namen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:29
5Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 41. Wohlan, dein Name soll sein
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
6Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 42. Ich will nur Dir zu Ehren leben
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:37
7Weihnachtsoratorium, BWV 248: Vierte Kantate an Neujahr: 43. Jesu richte mein Beginnen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:51
8Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 44. Ehre sei Dir, Gott, gesungen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:43
9Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 45. Da Jesus geboren war zu Bethlehem
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
10Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 46. Wo ist der neugeborene König der Juden
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-04-12 until 1996-04-20)
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
11Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 47. Dein Glanz all' Finsternis verzehrt
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:49
12Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 48. Erleuchte auch meine finstre Sinnen
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:22
13Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 49. Da das der König Herodes hörte
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:10
14Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 50. Warum wollt ihr erschrecken
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:27
15Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 51. Und liess versammeln alle Hohenpriester
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:15
16Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 53. Ach wann wird die Zeit erscheinen
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:36
17Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 54. Mein liebster herrschet schon
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:31
18Weihnachtsoratorium, BWV 248: Fünfte Kantate am ersten Sonntag nach Neujahr: 55. Zwar ist solche Herzenssache
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
19Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 56. Herr, wenn die stolzen Feinde schnauben
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
20Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 57. Da berief Herodes die Weisen heimlich
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:47
21Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 58. Du Falscher, suche nur den Herren zu fällen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:53
22Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 59. Nur ein Wink von seinen Händen
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:06
23Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 60. Als sie nun den König gehöret hätten
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:09
24Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 61. Ich steh' an Deiner Krippe hier
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:03
25Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 62. Und Gott befahl Ihnen im Traum
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
26Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 63. So geht - Genug mein Schatz
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:47
27Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 64. Nun mögt ihr stolzen Feinde schrecken
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:19
28Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 65. Was will der Höhe schrecken
alto vocals:
Elisabeth von Magnus (mezzo‐soprano / alto) (from 1996-04-12 until 1996-04-20)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 1996-04-12 until 1996-04-20)
soprano vocals:
Lisa Larsson (soprano) (from 1996-04-12 until 1996-04-20)
tenor vocals:
Christoph Prégardien (tenor) (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:45
29Weihnachtsoratorium, BWV 248: Sechste Kantate an Epiphanias: 66. Nun seid ihr wohl gerochen
choir vocals:
Amsterdam Baroque Choir (from 1996-04-12 until 1996-04-20)
orchestra:
Amsterdam Baroque Orchestra (from 1996-04-12 until 1996-04-20)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1996-04-12 until 1996-04-20)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-12 until 1996-04-20)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (from 1996-04-12 until 1996-04-20)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:10