Die Jahreszeiten

~ Release by Joseph Haydn; Elfride Trötschel, Walther Ludwig, Josef Greindl, RIAS‐Kammerchor, Chor der St. Hedwigs‐Kathedrale, RIAS‐Symphonie‐Orchester Berlin, Ferenc Fricsay (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 1. Einleitung. Largo - Vivace / Rezitativ: »Seht wie der strenge Winter flieht« (Simon, Lukas, Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: I. Einleitung: Largo. Vivace und Rezitativ: "Seht, wie der strenge Winter flieht!" (Simon, Lukas, Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn5:41
2Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 2. Chor: »Komm, holder Lenz!«
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: II. Chor des Landvolkes: Allegretto: "Komm, holder Lenz!" (Chor) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn3:51
3Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 3. Rezitativ: »Vom Widder strahlet jetzt« (Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: III. Rezitativ: "Vom Widder strahlet jetzt" (Simon) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn0:35
4Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 4. Arie: »Schon eilet froh der Ackermann« (Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: IV. Aria: Allegretto: "Schon eilet froh der Ackermann" (Simon) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn4:15
5Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 5. Rezitativ: »Der Landmann hat sein Werk vollbracht« (Lukas)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: V. Rezitativ: "Der Landmann hat sein Werk vollbracht" (Lukas) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn0:36
6Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 6. Terzett & Chor: »Sei nun gnädig, milder Himmel!« (Lukas, Chor, Simon, Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: VI. Bittgesang: Terzett mit Chor: poco Adagio: "Sei uns gnädig, milder Himmel!" (Lukas, Chor, Simon, Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn6:48
7Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 7. Rezitativ: »Erhört ist unser Flehn« (Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: VII. Rezitativ: "Erhört ist unser Flehn!" (Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn1:08
8Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 8. Freudenlied: »O wie lieblich ist der Anblick« (Hanne, Lukas, Chor, Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Frühling: VIII. Freudenlied: Andante: "Oh, wie lieblich ist der Anblick" (Hanne, Lukas, Chor, Simon) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Frühling
Joseph Haydn5:39
9Die Jahreszeiten, Hob. XXI:3: Der Frühling. Nr. 9. Chor & Soli: »Ewiger, mächtiger, gütiger Gott!« (Chor, Hanne, Lukas, Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
partial recording of:
Die Jahreszeiten, Der Sommer: IX. Einleitung und Rezitativ: Adagio: "In grauem Schleier rückt heran" (Lukas, Simon) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn5:11
10Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 10. Rezitativ: »In grauem Schleier rückt heran« (Lukas, Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
partial recording of:
Die Jahreszeiten, Der Sommer: IX. Einleitung und Rezitativ: Adagio: "In grauem Schleier rückt heran" (Lukas, Simon) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:39
11Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 11. Arie: »Der munt're Hirt versammelt nun« (Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: X. Aria: "Der munt're Hirt versammelt nun" (Simon), Rezitativ: "Die Morgenröte bricht hervor" (Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn3:45
12Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 12. Terzett & Chor: »Sie steigt herauf, die Sonne« (Hanne, Lukas, Simon, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XI. Terzett mit Chor: Largo. Allegro: "Sie steigt herauf, die Sonne" (Hanne, Lukas, Simon, Chor) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:58
13Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 13. Rezitativ: »Nun regt und bewegt sich alles umher« (Simon)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XII. (a) Rezitativ: "Nun regt und bewegt sich alles umher" (Simon, Lukas) / (b) Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn0:38
14Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 14. Rezitativ: »Die Mittagssonne brennet jetzt« (Lukas)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XIIb. Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten, Der Sommer: XII. (a) Rezitativ: "Nun regt und bewegt sich alles umher" (Simon, Lukas) / (b) Rezitativ. "Die Mittagssonne brennet jetzt" (Lukas)
Joseph Haydn1:21
15Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 15. Kavatine: »Dem Druck erlieget die Natur« (Lukas)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XIII. Cavatina: Largo: "Dem Druck erlieget die Natur" (Lukas) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:31
16Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 16. Rezitativ: »Willkommen jetzt, o dunkler Hain« (Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XIV. Rezitativ: poco Adagio: "Willkommen jetzt, o dunkler Hain" (Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:20
17Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 17. Arie: »Welche Labung für die Sinne!« (Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XV. Aria. Adagio. Allegro assai: "Welche Labung für die Sinne!" (Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn5:14
18Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 18. Rezitativ: »O seht! Es steiget in der schwülen Luft« (Simon, Lukas, Hanne)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XVI. Rezitativ: "O seht! Es steiget in der schwülen Luft" (Simon, Lukas, Hanne) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn2:54
19Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 19. Chor: »Ach, das Ungewitter naht!«
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XVII. Chor: Allegro assai: "Ach, das Ungewitter naht!" (Chor) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:44
20Die Jahreszeiten, Hob. XXI:3: Der Sommer. Nr. 20. Terzett & Chor: »Die düstren Wolken trennen sich« (Lukas, Hanne, Simon, Chor)
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Dr. Fred Hamel
bass vocals [Simon]:
Josef Greindl (operatic bass) (from 1952-01-21 until 1952-01-28)
choir vocals:
Chor der St. Hedwigs-Kathedrale (from 1952-01-21 until 1952-01-28) and RIAS-Kammerchor (German chamber choir) (from 1952-01-21 until 1952-01-28)
soprano vocals [Hanne]:
Elfride Trötschel (soprano) (from 1952-01-21 until 1952-01-28)
tenor vocals [Lukas]:
Walther Ludwig (tenor) (from 1952-01-21 until 1952-01-28)
orchestra:
RIAS-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1952-01-21 until 1952-01-28)
conductor:
Ferenc Fricsay (conductor) (from 1952-01-21 until 1952-01-28)
balance engineer:
Heinrich Keilholz (from 1952-01-21 until 1952-01-28)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1952-01-21 until 1952-01-28)
recording of:
Die Jahreszeiten, Der Sommer: XVIII. Terzett mit Chor: Allegretto: "Die düst'ren Wolken trennen sich" (Lukas, Hanne, Simon, Chor) (from 1952-01-21 until 1952-01-28)
composer:
Joseph Haydn (composer)
part of:
Die Jahreszeiten: Der Sommer
Joseph Haydn4:43
2▶Digital Media

Credits

Release

purchase for download:https://itunes.apple.com/qa/album/id317557924 [info]
https://play.google.com/store/music/album?id=Bnybeia2nma3nm2zzyqsi42laym [info] (until 2020-10-12)
ASIN:DE: B00419IKKI [info]
stream for free:https://open.spotify.com/album/4cxFmZjEjg9Hscq1PN2n3I [info]
discography entry:http://www.deutschegrammophon.com/en/cat/4457852 [info]