Swings Both Ways (deluxe edition)

~ Veröffentlichung von Robbie Williams (alle Versionen dieser Veröffentlichung ansehen, 10 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Shine My Shoes
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Bassgitarre:
Nathan East
Bassposaune:
Craig Gosnell
Clavinet [clavinet C6], Hammond-Orgel [B3 Hammond organ] und Klavier:
Jim Cox (US keyboard player, composer)
Conga und Tamburin:
Frank Ricotti (percussionist)
Gitarre:
George Doering
Posaune [trombones]:
Andy Martin (jazz trombonist), Charlie Morillas (trombonist) und Francisco Torres (trombone)
Saxophon [saxophones]:
Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist), Brian Scanlon (woodwind) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeremy Stacey
Trompete [trumpets]:
Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player), Dan Fornero und Gary Grant (brass)
Hintergrundgesang:
David Catlin‐Birch (UK bassist and guitarist), Donna Harley-Peters, Ayda Field, Andrea Grant, Lorraine Cato-Price, Gary Nuttall und Robbie Williams
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
Shine My Shoes
Verfasser(in):
Guy Chambers (English songwriter and record producer), Chris Heath (journalist, songwriter) und Robbie Williams
publisher:
Farrell Music Limited und Kobalt Music (publisher)
Robbie Williams43:23
2Go Gentle
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Isabel Seeliger-Morley
Mix:
Richard Flack (producer/engineer)
Akustikgitarre:
George Doering
Bass:
Nathan East
Bassposaune:
Craig Gosnell
Conga, Glockenspiel, shakers [shaker], Tamburin und Vibraphon:
Frank Ricotti (percussionist)
Hammond-Orgel [Hammond B3 organ] und Klavier:
Jim Cox (US keyboard player, composer)
Posaune [trombones]:
Andy Martin (jazz trombonist), Charlie Morillas (trombonist) und Francisco Torres (trombone)
Saiteninstrumente:
London Session Orchestra
Saxophon [saxophones]:
Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist), Brian Scanlon (woodwind) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Bernie Dresel
Trompete [trumpets]:
Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player), Dan Fornero und Gary Grant (brass)
Hintergrundgesang:
Chloe Askew, David Catlin‐Birch (UK bassist and guitarist), Ren Harvieu, Gary Nuttall und Robbie Williams
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
RAK Studios 3 in London (Greater London), England, Vereinigtes Königreich
recording of:
Go Gentle
Verfasser(in):
Guy Chambers (English songwriter and record producer), Chris Heath (journalist, songwriter) und Robbie Williams
publisher:
Farrell Music Limited und Kobalt Music (publisher)
Robbie Williams44:31
3I Wan’na Be Like You
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Bass:
Trey Henry
Bassposaune:
Craig Gosnell
flute und Okarina:
Sal Lozano (saxophonist)
Klarinette [clarinets]:
Jay Mason (saxophonist) und Brian Scanlon (woodwind)
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Joey De Leon, Brad Kilgore und Pete Korpela
Posaune [trombones]:
Andy Martin (jazz trombonist), Charlie Morillas (trombonist) und Francisco Torres (trombone)
Saxophon [saxophones]:
Jeff Driskill, Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist) und Brian Scanlon (woodwind)
Schlagzeug [drums]:
Bernie Dresel
Trompete [trumpets]:
Jeff Bunnell, Dan Fornero, Gary Grant (brass) und Larry Hall (trumpet player)
Hintergrundgesang:
Alvin Chea, Rick Logan, Lorraine Cato-Price und Olly Murs
Sologesang:
Olly Murs und Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Wan’na Be Like You (The Monkey Song)
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1966)
adaptations:
Être un homme comme vous
Teil von:
The Jungle Book (1967 Disney film soundtrack)
Robbie Williams & Olly Murs53:31
4Swing Supreme
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Isabel Seeliger-Morley
Mix:
Richard Flack (producer/engineer)
Bassposaune:
Craig Ware (trombonist)
Conga:
Frank Ricotti (percussionist)
E-Kontrabass:
Paul Morin (bass player)
Gitarre:
Andrew Synowiec
Hammond-Orgel [Hammond B3 organ] und Klavier:
Jim Cox (US keyboard player, composer)
Posaune [trombones]:
Alan Kaplan, Charlie Morillas (trombonist) und Dave Ryan (trombonist)
Saxophon [saxophones]:
Kevin Gareen, Jay Mason (saxophonist), Brian Scanlon (woodwind), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) und Bob Sheppard (US jazz musician)
Schlagzeug [drums]:
Bernie Dresel
Trompete [trumpets]:
Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player), Dan Fornero und Larry Hall (trumpet player)
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
RAK Studios 3 in London (Greater London), England, Vereinigtes Königreich
recording of:
Swing Supreme
Verfasser(in):
Guy Chambers (English songwriter and record producer), Dino Fekaris, Freddie Perren und Robbie Williams
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), Kobalt Music (publisher) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Arrangement von:
Supreme
Robbie Williams3:17
5Swings Both Ways
recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Bass [jazz bass]:
Sam Burgess
Gitarre:
John Parricelli
Klavier:
James Pearson
Perkussion:
Gary Kettel (percussionist), Frank Ricotti (percussionist) und Stephen Henderson (classical percussionist)
Schlagzeug [drums]:
Ralph Salmins
Vibraphon [vibes]:
Frank Ricotti (percussionist)
Chorgesang:
Capital Voices
Sologesang:
Rufus Wainwright (Canadian‐American singer‐songwriter and composer) und Robbie Williams
Orchester:
London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
chorus master:
Annie Skates
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Capitol Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Swings Both Ways
Verfasser(in):
Guy Chambers (English songwriter and record producer), Rufus Wainwright (Canadian‐American singer‐songwriter and composer) und Robbie Williams
publisher:
Farrell Music Limited, Kobalt Music (publisher) und Rock N Roll Credit Card Music
Robbie Williams & Rufus Wainwright43:58
6Dream a Little Dream
recording engineer:
Richard Flack (producer/engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Isabel Seeliger-Morley
Mix:
Richard Flack (producer/engineer)
Akustikgitarre:
Mitch Dalton
Bassgitarre:
David Catlin‐Birch (UK bassist and guitarist)
Marimba und Tamburin:
Frank Ricotti (percussionist)
Schlagzeug [drums]:
Jeremy Stacey
tack piano:
Dave Hartley (pianist)
Chorgesang:
Capital Voices
Sologesang:
Lily Allen und Robbie Williams
Orchester:
London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
chorus master:
Annie Skates
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
RAK Studios 3 in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Robbie Williams & Lily Allen43:33
7Soda Pop
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Akustikgitarre und Gitarre:
George Doering
Bassposaune [bass trombones]:
Ade Hallowell und Craig Gosnell
Conga, Glockenspiel und xylophone:
Frank Ricotti (percussionist)
Hammond-Orgel [Hammond B3 organ] und Händeklatschen:
Guy Chambers (English songwriter and record producer)
Klavier:
Jim Cox (US keyboard player, composer)
Kontrabass:
Alec Dankworth
Posaune [trombones]:
Alaistair White, Andy Martin (jazz trombonist), Charlie Morillas (trombonist), Mark Nightingale (trombonist), Francisco Torres (trombone) und Andy Wood (trombonist)
Saiteninstrumente:
London Session Orchestra
Saxophon [saxophones]:
Iain Ballamy, Dave Bishop (saxophonist), Ben Castle, Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist), Brian Scanlon (woodwind), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch), Jamie Talbot (English jazz alto saxophonist) und Martin Williams (reeds)
Schlagzeug [drums]:
Jeremy Stacey
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player), Dan Fornero, Simon Gardner (trumpet player), Jean-Paul Gervasoni, Paul Spong (trumpetist) und Craig Wild (British trumpeter)
Hintergrundgesang:
Kelvin Andrews, Donna Harley-Peters, Andrea Grant, Lorraine Cato-Price, Cael Ralph, Scott Ralph (multi-instrumentalist, producer, songwriter), Richard Scott (worked on various Robbie Williams albums) und Danny Spencer (UK acid house producer)
Sologesang:
Michael Bublé und Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Dave Pierce (pop arranger/keyboardist) und Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
Soda Pop
Verfasser(in):
Kelvin Andrews, Scott Ralph (multi-instrumentalist, producer, songwriter), Richard Scott (worked on various Robbie Williams albums), Danny Spencer (ex-Rogue Traders guitarist) und Robbie Williams
publisher:
Chrysalis (music publisher, ASCAP-affiliated), Farrell Music Limited und Notting Hill Music (publisher)
Robbie Williams & Michael Bublé4.53:19
8Snowblind
recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
Snowblind
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Farrell Music Limited und Kobalt Music (publisher)
Robbie Williams43:19
9Puttin’ On the Ritz
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Bassposaune:
Craig Gosnell
Gitarre:
George Doering
Klavier:
Jim Cox (US keyboard player, composer)
Kontrabass [upright bass]:
Trey Henry
Posaune [trombones]:
Alan Kaplan, Charlie Morillas (trombonist) und Francisco Torres (trombone)
Saiteninstrumente:
London Session Orchestra
Saxophon [saxophones]:
Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist), Brian Scanlon (woodwind) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Bernie Dresel
Trompete [trumpets]:
Wayne Bergeron, Jeff Bunnell, Chuck Findley (trumpet, trombone, horn player) und Dan Fornero
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Capitol Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Puttin’ On the Ritz
Texter und Komponist(in):
Irving Berlin (in 1929)
publisher:
Berlin Irving Music Corp und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Teil von:
Idiot’s Delight (film)
Robbie Williams42:32
10Little Green Apples
recording engineer:
Richard Flack (producer/engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Akustikgitarre:
Andrew Synowiec und Carl Verheyen
Clavinet [Clavinet C6], Hammond-Orgel [Hammond B3 organ] und Rhodes Piano [Fender Rhodes]:
Jim Cox (US keyboard player, composer)
E-Kontrabass [electric bass]:
Paul Morin (bass player)
Oboe:
Jay Mason (saxophonist)
Perkussion:
Brian Kilgore
Saiteninstrumente:
London Session Orchestra
Schlagzeug [drums]:
Bernie Dresel
Sologesang:
Kelly Clarkson und Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Little Green Apples
Texter und Komponist(in):
Bobby Russell
publisher:
Peter Maurice (publisher) und Peter Maurice Music Co. Ltd.
Robbie Williams & Kelly Clarkson3:16
11Minnie the Moocher
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Steve Genewick
Mix:
Al Schmitt
Akustikgitarre und Gitarre:
George Doering
Bassposaune:
Craig Gosnell
Klavier:
Jim Cox (US keyboard player, composer)
Kontrabass [upright bass]:
Trey Henry
Posaune [trombones]:
Andy Martin (jazz trombonist), Charlie Morillas (trombonist) und Francisco Torres (trombone)
Saxophon [saxophones]:
Jeff Driskill, Eric Marienthal, Jay Mason (saxophonist), Sal Lozano (saxophonist) und Brian Scanlon (woodwind)
Schlagzeug [drums]:
Bernie Dresel
Trompete [trumpets]:
Jeff Bunnell, Dan Fornero, Gary Grant (brass) und Larry Hall (trumpet player)
Hintergrundgesang:
Alvin Chea, Rick Logan und Oren Waters
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Capitol Studio C in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Minnie the Moocher
Texter und Komponist(in):
Cab Calloway und Irving Mills
publisher:
Big Bad Voodoo Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und J. Albert & Son Pty. Ltd.
basiert auf:
Willie the Weeper
Robbie Williams3:41
12If I Only Had a Brain
recording engineer:
Richard Flack (producer/engineer), Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente) und Al Schmitt
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Klavier:
Mike Lang (American pianist and composer)
Saiteninstrumente:
London Session Orchestra
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
zusätzlich arranger:
Mike Lang (American pianist and composer)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
cover recording of:
If I Only Had a Brain
Texter:
Yip Harburg
Komponist(in):
Harold Arlen
publisher:
Leo Feist, Inc.
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
Robbie Williams33:52
13No One Likes a Fat Pop Star
recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) (Saiteninstrumente)
zusätzlich recording engineer:
Richard Flack (producer/engineer) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
Bassgitarre:
David Catlin‐Birch (UK bassist and guitarist)
elektronische Orgel [Lowrey organ] und Klavier:
Guy Chambers (English songwriter and record producer)
elektronische Orgel [Wurlitzer organ]:
Dave Hartley (pianist)
Gitarre:
John Parricelli
Perkussion:
Gary Kettel (percussionist), Frank Ricotti (percussionist) und Stephen Henderson (classical percussionist)
Schlagzeug [drums]:
Ralph Salmins
Chorgesang:
Capital Voices
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
chorus master:
Annie Skates
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
No One Likes a Fat Pop Star
Verfasser(in):
Guy Chambers (English songwriter and record producer), Chris Heath (journalist, songwriter) und Robbie Williams
publisher:
Farrell Music Limited und Kobalt Music (publisher)
Robbie Williams22:52
14Where There’s Muck
recording engineer:
Andrew Dudman (UK recording engineer and mixer, early 21c) (Saiteninstrumente)
zusätzlich recording engineer:
Richard Flack (producer/engineer) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
accordion:
Eddie Hession
Cembalo, Klavier und Hintergrundgesang:
Guy Chambers (English songwriter and record producer)
E-Bass [electric bass]:
David Catlin‐Birch (UK bassist and guitarist)
Gitarre:
John Parricelli
Perkussion:
Gary Kettel (percussionist), Frank Ricotti (percussionist) und Stephen Henderson (classical percussionist)
Schlagzeug [drums]:
Ralph Salmins
Chorgesang:
Capital Voices
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
conductor:
Steve Sidwell (English composer & wind instrumentalist)
chorus master:
Annie Skates
arranger:
Guy Chambers (English songwriter and record producer)
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
recording of:
Where There’s Muck
Verfasser(in):
Guy Chambers (English songwriter and record producer) und Robbie Williams
publisher:
Farrell Music Limited und Kobalt Music (publisher)
Robbie Williams54:09
1516 Tons
recording engineer:
Richard Flack (producer/engineer) und Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente)
Produzent(in):
Guy Chambers (English songwriter and record producer)
assistierende(r) Mix:
Josh Green (recording and mixing engineer)
Mix:
Richard Flack (producer/engineer)
E-Kontrabass:
Paul Morin (bass player)
Gitarre:
Carl Verheyen
Klarinette [clarinets]:
Jay Mason (saxophonist) und Bob Sheppard (US jazz musician)
Klavier:
Jim Cox (US keyboard player, composer)
Perkussion:
Brian Kilgore
Posaune:
Charlie Morillas (trombonist)
Schlagzeug [drums]:
Bernie Dresel
Trompete:
Dan Fornero
Hintergrundgesang:
Alvin Chea, Rick Logan und Oren Waters
Sologesang:
Robbie Williams
conductor:
Steve Sidwell (English composer & wind instrumentalist)
arranger:
Steve Sidwell (English composer & wind instrumentalist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
mixed at:
Konk Studios in Hornsey, Haringey, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Sixteen Tons
Texter und Komponist(in):
Merle Travis
arranger:
Paul Brody
publisher:
American Music, Inc. und Campbell Connelly & Co. Ltd.
Robbie Williams4.52:36
16Wedding Bells
recording engineer:
Steve Price (UK recording engineer/producer/orchestrator/arranger) (Saiteninstrumente)
Techniker(in):
Ryan Carline und Rohan Onraet
Produzent(in) und Mix:
Steve Power
Akustikgitarre:
Ben Mark
Bassgitarre:
Samuel Dixon
Klavier und Hintergrundgesang:
Gary Barlow
Schlagzeug [drums]:
Jeremy Stacey
Sologesang:
Robbie Williams
Orchester:
London Session Orchestra
arranger:
Simon Hale
concertmaster:
Everton Nelson (violinist)
phonographisches Urheberrecht (℗) von:
Farrell Music Limited (in 2013)
recording of:
Wedding Bells
Verfasser(in):
Gary Barlow und Robbie Williams
publisher:
Farrell Music Limited und Sony/ATV Music Publishing UK Ltd.
Robbie Williams34:35

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://www.7digital.com/artist/robbie-williams/release/swings-both-ways-1/ [Info]
http://www.starzik.com/mp3/produits/Swings-Both-Ways-1570418.html [Info] (bis 2017)