| # | Title | Artist | Rating | Length |
|---|
| 1 | Jesus schläft, was soll ich hoffen, BWV 81: No. 1. Aria “Jesus schläft, was soll ich hoffen” | Johann Sebastian Bach | | 3:54 |
| 2 | Brandenburg Concerto no. 4 in G major, BWV 1049: Allegro | Johann Sebastian Bach | | 6:48 |
| 3 | Brandenburg Concerto no. 4 in G major, BWV 1049: Andante | Johann Sebastian Bach | | 3:21 |
| 4 | Brandenburg Concerto no. 4 in G major, BWV 1049: Presto | Johann Sebastian Bach | | 4:35 |
| 5 | Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 1. Aria “Vergnügte ruh, beliebte Seelenlust” | Johann Sebastian Bach | | 5:53 |
| 6 | Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 2. Recitativo “Die Welt, das Sündenhaus” | Johann Sebastian Bach | | 1:12 |
| 7 | Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 3. Aria “Wie jammern mich doch die verkehrten Herzen” | Johann Sebastian Bach | | 7:44 |
| 8 | Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 4. Recitativo “Wer sollte sich demnach wohl hier zu leben wünschen” | Johann Sebastian Bach | | 1:06 |
| 9 | Vergnügte ruh, beliebte Seelenlust, BWV 170: No. 5. Aria “Mir ekelt mehr zu leben” | Johann Sebastian Bach | | 5:34 |
| 10 | Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: (Allegro) | Johann Sebastian Bach | | 3:40 |
| 11 | Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: Largo | Johann Sebastian Bach | | 2:34 |
| 12 | Concerto for Fourth Flute, Strings and Basso Continuo after the Harpsichord Concerto in F minor, BWV 1056: Presto | Johann Sebastian Bach | | 3:21 |
| 13 | Himmelskönig, sei willkommen, BWV 182: No. 1. Sonata. Grave – Adagio- assistant recording engineer:
- Rainer Kraft
- recording engineer:
- Bastian Schick
- producer:
- Lutz Wildner
- instruments:
- Ensemble 1700 (from 2017-01-14 until 2017-01-17)
- conductor:
- Dorothee Oberlinger (from 2017-01-14 until 2017-01-17)
- recorded at:
- Reitstadel in Neumarkt in der Oberpfalz, Bayern , Germany (from 2017-01-14 until 2017-01-17)
- recording of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata (from 2017-01-14 until 2017-01-17)
- premiered in:
- Weimar, Thüringen , Germany (on 1714-03-25)
- composer:
- Johann Sebastian Bach (in 1714)
- librettist:
- [anonymous]
- version of:
- Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
- part of:
- Kantate, BWV 182 „Himmelskönig, sei willkommen“
| Johann Sebastian Bach | | 2:06 |
| 14 | Himmelskönig, sei willkommen, BWV 182: No. 5. Aria “Leget euch dem Heiland unter” | Johann Sebastian Bach | | 7:47 |
| 15 | Brandenburg Concerto no. 2 in F major, BWV 1047: (Allegro) | Johann Sebastian Bach | | 4:52 |
| 16 | Brandenburg Concerto no. 2 in F major, BWV 1047: Andante | Johann Sebastian Bach | | 3:28 |
| 17 | Brandenburg Concerto no. 2 in F major, BWV 1047: Allegro assai | Johann Sebastian Bach | | 2:37 |
| 18 | Preise, Jerusalem, den Herrn, BWV 119: No. 5. Aria “Die Obrigkeit ist Gottes Gabe”- assistant recording engineer:
- Rainer Kraft
- recording engineer:
- Bastian Schick
- producer:
- Lutz Wildner
- instruments:
- Ensemble 1700 (from 2017-01-14 until 2017-01-17)
- contralto vocals:
- Andreas Scholl (from 2017-01-14 until 2017-01-17)
- conductor:
- Dorothee Oberlinger (from 2017-01-14 until 2017-01-17)
- recorded at:
- Reitstadel in Neumarkt in der Oberpfalz, Bayern , Germany (from 2017-01-14 until 2017-01-17)
- recording of:
- Kantate, BWV 119 "Preise, Jerusalem, den Herrn": V. Aria (Alt) "Die Obrigkeit ist Gottes Gabe" (from 2017-01-14 until 2017-01-17)
- composer:
- Johann Sebastian Bach (in 1723)
- premiered at:
- Thomaskirche in Leipzig, Sachsen , Germany (on 1723-08-30)
- part of:
- Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
| Johann Sebastian Bach | | 2:46 |
| 19 | Herz und Mund und Tat und Leben, BWV 147: No. 10. Choral “Jesus bleibet meine Freude” | Johann Sebastian Bach | | 2:21 |
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