Transformers: Age of Extinction: The Score

~ Release by Steve Jablonsky (see all versions of this release, 2 available)

Annotation

Matrix Number: CDV/CA 15010912 LLLCD 1311 Transformers Age of Extinction

SID Codes on one medium: {
? SID Code: IFPI ALJ09
? SID Code: IFPI IW44
}

Limited edition of 3000 units.

Annotation last modified on 2016-01-05 01:52 UTC.

Tracklist

1CD
#TitleRatingLength
1Decision
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Decision
composer:
Steve Jablonsky (American score composer)
4:20
2Best Thing That Ever Happened
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Best Thing That Ever Happened
composer:
Steve Jablonsky (American score composer)
2:06
3I’m an Autobot
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
I’m an Autobot
composer:
Steve Jablonsky (American score composer)
5:06
4Optimus Is Alive
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Optimus Is Alive
composer:
Steve Jablonsky (American score composer)
2:17
5Cemetery Wind
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Cemetery Wind
composer:
Steve Jablonsky (American score composer)
5:53
6His Name Is Shane and He Drives
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
His Name Is Shane and He Drives
composer:
Steve Jablonsky (American score composer)
5:17
7Hacking the Drone
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Hacking the Drone
composer:
Steve Jablonsky (American score composer)
2:05
8Transformium
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Transformium
composer:
Steve Jablonsky (American score composer)
3:24
9Galvatron Is Online
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Galvatron Is Online
composer:
Steve Jablonsky (American score composer)
1:56
10Your Creators Want You Back
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Your Creators Want You Back
composer:
Steve Jablonsky (American score composer)
3:26
11The Final Knight
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
The Final Knight
composer:
Steve Jablonsky (American score composer)
4:07
12Punch Hold Slide Repeat
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Punch Hold Slide Repeat
composer:
Steve Jablonsky (American score composer)
2:12
13The Presence of Megatron
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
The Presence of Megatron
composer:
Steve Jablonsky (American score composer)
2:51
14Galvatron Is Active
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Galvatron Is Active
composer:
Steve Jablonsky (American score composer)
4:13
15Have Faith Prime
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Have Faith Prime
composer:
Steve Jablonsky (American score composer)
1:29
16Hong Kong Chase
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Hong Kong Chase
composer:
Steve Jablonsky (American score composer)
1:43
17The Legend Exists
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
The Legend Exists
composer:
Steve Jablonsky (American score composer)
1:16
18Dinobot Charge
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Dinobot Charge
composer:
Steve Jablonsky (American score composer)
6:37
19That’s a Big Magnet
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
That’s a Big Magnet
composer:
Steve Jablonsky (American score composer)
2:51
20Drive Backwards
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Drive Backwards
composer:
Steve Jablonsky (American score composer)
2:05
21Honor to the End
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Honor to the End
composer:
Steve Jablonsky (American score composer)
5:18
22Leave Planet Earth Alone
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
Leave Planet Earth Alone
composer:
Steve Jablonsky (American score composer)
3:47
23The Knight Ship
recording engineer and mixer:
Jeff Biggers
producer:
Steve Jablonsky (American score composer) and Randy Spendlove (American record producer, songwriter and music executive)
editor:
David Channing and Alex Gibson (musician/editor)
conductor:
Nick Glennie‐Smith
orchestrator:
Bruce Fowler (trombone, composer, arranger, orchestrator)
phonographic copyright (℗) by:
Paramount Pictures
mixed at:
Arata Music in Santa Monica, California, United States
recording of:
The Knight Ship
composer:
Steve Jablonsky (American score composer)
3:21