1000 Years of Classical Music

~ Parution par Various Artists (afficher toutes les versions de cette parution, 2 proposées)

Liste de pistes

1▼Support numérique
noTitreArtisteÉvaluationDurée
1Crux fidelis
interprète :
Neil McEwan et David Russell (classical guitarist)
[anonymous]4:00
2Sumer is icumen in (live)
voix :
The Song Company (Australian vocal ensemble)
conductor :
Roland Peelman (Belgian-born Australian conductor)
[anonymous]2:56
3Spem in alium
chœurs :
Cantillation
conductor :
Antony Walker (Australian conductor)
recording of :
Spem in alium
compositeur :
Thomas Tallis (composer)
Thomas Tallis9:40
4Lachrimae
luth :
Rosemary Hodgson (lutenist)
interprète :
Justin Burwood (tenor)
recording of :
Lachrimae Pavan (catch-all for unspecified version)
compositeur :
John Dowland (English Renaissance composer, lutenist, and singer)
John Dowland5:50
5Vespers of the Blessed Virgin Mary: 3. Nigra sum
instruments :
Tommie Andersson et Daniel Yeadon (cello and viol player)
voix de ténor :
Paul McMahon (Australian tenor)
recording of :
Vespro della Beata Vergine, SV 206: III. Motetto "Nigra sum"
compositeur :
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
partie de :
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi4:04
6Dido and Aeneas, Z. 626: Act III: “Thy hand, Belinda… When I am laid in earth”
voix de mezzo-soprano :
Sally-Anne Russell (Australian mezzo-soprano vocalist)
orchestre :
Adelaide Symphony Orchestra
conductor :
Nicholas Milton (conductor)
recording of :
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido)
compositeur :
Henry Purcell (Baroque composer)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
recording of :
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido)
compositeur :
Henry Purcell (Baroque composer) (le 1689)
librettiste :
Nahum Tate
partie de :
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:36
7Rosary Sonatas: No. 10 “Crucifixio”, C 99: 3. Variatio
clavecin et orgue :
Linda Kent (harpsichordist / organist)
violon :
Elizabeth Wallfisch (violinist)
violoncelle :
Rosanne Hunt
partiel recording of :
The Mystery Sonatas: The Five Sorrowful Mysteries: 10. The Crucifixion
compositeur :
Heinrich Ignaz Franz von Biber (composer)
partie de :
The Church Music of Heinrich Biber (numéro : C 99)
adaptations :
Violin Sonata in A minor “Victori der Christen”
partie de :
The Mystery Sonatas
Heinrich Ignaz Franz von Biber4:04
8Lidio e Clori: Ah! si, purtroppo è vero (Ah yes, alas it is true)
instruments :
Chacona
voix de contreténor [Lidio] :
James Sanderson (counter-tenor)
voix de soprano [Clori] :
Jane Edwards (Australian soprano)
conductor :
Rosalind Halton (harpsichordist)
partiel recording of :
Dove fuggi, o bella Clori, H. 210 "Lidio e Clori"
compositeur :
Alessandro Scarlatti (composer)
partie de :
Alessandro Scarlatti’s Cantate da Camera (numéro : H. 210)
Alessandro Scarlatti3:53
9The Four Seasons: “Spring” (Violin Concerto in E major), op. 8 no. 1, RV 269: I. Allegro
violon [baroque violin] :
Elizabeth Wallfisch (violinist) (du 1996-08-20 au 1996-08-26)
orchestre :
Australian Brandenburg Orchestra (du 1996-08-20 au 1996-08-26)
conductor :
Paul Dyer (conductor) (du 1996-08-20 au 1996-08-26)
arrangeur :
Ernest Pätzold (arranger)
enregistré à :
Eugene Goossens Hall, ABC Centre (ABC Studio 200) dans Sydney, New South Wales, Australie (du 1996-08-20 au 1996-08-26)
recording of :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (du 1996-08-20 au 1996-08-26)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:31
10Dardanus, Act III: “Paix favorable, paix adorable”
voix de basse :
David Greco (baritone)
voix de soprano :
Anna Fraser (soprano)
orchestre :
Orchestra of the Antipodes
conductor :
Antony Walker (Australian conductor)
recording of :
Dardanus, RCT 35 : Acte III, Scène 3. « Paix favorable, paix adorable » (Une Phrigienne, Un Phrigien)
compositeur :
Jean‐Philippe Rameau (French composer of the Baroque era)
partie de :
Dardanus, RCT 35 : Acte III
Jean‐Philippe Rameau2:05
11Stabat Mater, P. 77: 1. Stabat Mater Dolorosa
voix de mezzo-soprano :
Sally-Anne Russell (Australian mezzo-soprano vocalist)
voix de soprano :
Sara Macliver (soprano)
orchestre :
Orchestra of the Antipodes
conductor :
Antony Walker (Australian conductor)
recording of :
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
compositeur :
Giovanni Battista Pergolesi (composer)
partie de :
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:29
12Brandenburg Concerto no. 3 in G major, BWV 1048: 1. Allegro
orchestre :
Orchestra of the Antipodes
conductor :
Anna McDonald (Australian violinist and conductor)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:33
13Concerto for Two Violins in D minor, BWV 1043: 1. Vivace
ingénieur du son et producteur :
Virginia Read (engineer/editor/producer) (le 2005-10)
violon :
Helena Rathbone (violinist) (du 2005-10-20 au 2005-10-24) et Richard Tognetti (violinist & conductor) (du 2005-10-20 au 2005-10-24)
orchestre :
Australian Chamber Orchestra (Australian orchestra founded in 1975) (du 2005-10-20 au 2005-10-24)
conductor :
Richard Tognetti (violinist & conductor)
enregistré à :
Eugene Goossens Hall, ABC Centre (ABC Studio 200) dans Sydney, New South Wales, Australie (du 2005-10-20 au 2005-10-24)
recording of :
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (du 2005-10-20 au 2005-10-24)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach3:26
14Lobet den Herrn, BWV 230
instruments :
Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist) et Daniel Yeadon (cello and viol player)
conductor :
Antony Walker (Australian conductor)
recording of :
Lobet den Herrn, alle Heiden, BWV 230
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Bach-Werke-Verzeichnis (numéro : BWV 230) et Bach Compendium (numéro : BC C 6)
Johann Sebastian Bach6:57
15The Well‐Tempered Clavier, Book I, BWV 846: Prelude in C major
clavecin :
Erin Helyard
recording of :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1722)
partie de :
Notebook for Anna Magdalena Bach (Petits livres de notes d'Anna Magdalena Bach, 1725) (numéro : 29)
partie de :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
révision de :
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
16Water Music Suite in D major, HWV 349: 2. Alla Hornpipe
orchestre :
Tasmanian Symphony Orchestra
conductor :
Graham Abbott
recording of :
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1717)
partie de :
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel3:12
17Messiah, HWV 56: Pt. 1: 4. “And the Glory of the Lord”
chœurs :
Cantillation
orchestre :
Orchestra of the Antipodes
conductor :
Antony Walker (Australian conductor)
recording of :
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
partie de :
Messiah, HWV 56: Part I
George Frideric Handel2:28
18Julius Caesar in Egypt, HWV 17: Piangerò la sorte mia (I shall weep at my fate)
voix de soprano :
Yvonne Kenny (Australian soprano)
orchestre :
Australian Brandenburg Orchestra
conductor :
Paul Dyer (conductor)
recording of :
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1724)
librettiste :
Nicola Francesco Haym
partie de :
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:41
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