| # | Title | Artist | Rating | Length |
|---|
| 1 | You’re My Best Friend- additional sound engineer:
- Gary Lyons
- additional engineer:
- Kris Fredriksson
- executive engineer:
- Mike Stone
- executive producer:
- Brian May and Roger Taylor
- producer:
- Roy Thomas Baker and Queen
- bass guitar and electric piano:
- John Deacon
- drums (drum set):
- Roger Taylor
- guitar:
- Brian May
- handclaps:
- John Deacon, Brian May , Freddie Mercury and Roger Taylor
- background vocals:
- Brian May , Freddie Mercury and Roger Taylor
- lead vocals:
- Freddie Mercury
- phonographic copyright (℗) by:
- EMI Records Ltd. (in 1975) and Queen Productions Ltd. (in 1975, in 2011)
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom
- recording of:
- You’re My Best Friend
- lyricist and composer:
- John Deacon
- publisher:
- B. Feldman & Co. Ltd. , EMI Music , EMI Music Publishing , EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. and Queen Music Ltd.
| Queen | 3.75 | 2:52 |
| 2 | Faith | George Michael | 3.5 | 3:14 |
| 3 | Rockstar | Nickelback | 3.8 | 4:15 |
| 4 | Just Like a Pill | P!nk | 3.75 | 3:57 |
| 5 | Let Me Entertain You | Robbie Williams | 2.15 | 3:45 |
| 6 | Walking on Sunshine | Katrina and the Waves | 3.6 | 3:40 |
| 7 | I’ll Be There for You | The Rembrandts | 4 | 3:06 |
| 8 | Love Shack- assistant engineer:
- Martin Kunitz
- engineer:
- Dave Cook
- producer:
- Don Was
- mixer:
- Tom Durack
- guest bass guitar:
- Sara Lee
- guest drums (drum set):
- Charley Drayton
- guest horn:
- Uptown Horns
- guitar:
- Keith Strickland
- keyboard:
- Kate Pierson
- vocals:
- Kate Pierson, Fred Schneider and Cindy Wilson
- phonographic copyright (℗) by:
- Reprise Records (in 1989)
- recorded at:
- Dreamland Studios in Hurley, New York, United States
- mixed at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States
- additionally produced at:
- Bearsville Studios in Bearsville, New York, United States
- music videos:
- Love Shack by The B‐52’s
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 40), Billboard: The 500 Best Pop Songs (number: 41) and Rolling Stone: 500 Greatest Songs of All Time (number: 243)
- recording of:
- Love Shack
- writer:
- Kate Pierson, Fred Schneider , Keith Strickland and Cindy Wilson
- publisher:
- Man-Woman Together, Now!
| The B‐52s | 4.2 | 5:22 |
| 9 | Bohemian Like You | The Dandy Warhols | 3.85 | 3:33 |
| 10 | Danger Zone- synthesizer [synth] programming:
- Hans Zimmer
- engineer:
- Dave Concors, Dave Connors and Tom Whitlock
- executive producer:
- Michael Dilbeck
- producer:
- Giorgio Moroder and Tom Whitlock
- mixer:
- Giorgio Moroder and Brian Reeves
- drums (drum set):
- John Robinson
- guitar:
- Dann Huff and Kenny Loggins
- keyboard:
- Giorgio Moroder
- saxophone:
- Tom Scott
- synthesizer:
- Tom Whitlock
- lead vocals:
- Kenny Loggins
- phonographic copyright (℗) by:
- CBS Inc. (in 1986), Columbia Records (in 1986), Sony Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- recorded at:
- Oasis Recording Studios in North Hollywood, Los Angeles, California, United States
- a cappella versions:
- Danger Zone by Tufts Beelzebubs
- recording of:
- Danger Zone
- lyricist:
- Thomas Whitlock
- composer:
- Giorgio Moroder
- publisher:
- Budde Music Inc. , Neue Welt Musikverlag GmbH , Sony/ATV Harmony, Sony/ATV Harmony UK, Sony/ATV Music Publishing (Germany) GmbH , Warner Chappell Overseas Holdings Ltd., Warner/Chappell North America, WB Music Corp. , ソニー・ミュージックパブリッシング A事業部 , ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 , Famous Music Corporation (in 1986) and GMPC (in 1986)
| Kenny Loggins | 4.3 | 3:31 |
| 11 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:30 |
| 12 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
| Huey Lewis & the News | 4 | 3:54 |
| 13 | Rush Hour | Jane Wiedlin | | 4:05 |
| 14 | Heaven Is a Place on Earth- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman , Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- piano [acoustic piano]:
- Charles Judge
- synthesizer [Fairlight]:
- Rhett Lawrence
- vocals:
- Beth Anderson , Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- Artist Management Services Ltd. (in 1987), MCA Records, Inc. (in 1987), Virgin Records Ltd (in 1987) and Demon Music Group Ltd. (in 2019)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 400)
- recording of:
- Heaven Is a Place on Earth
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- BMG Bumblebee , BMG Rights Management , Bug Music Ltd., EMI Music Publishing , EMI Virgin Music Publishing Australia P/L, EMI Virgin Music Publishing Australia Pty Ltd, Spirit Music Publishing Limited, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
- sub-publisher:
- Fujipacific Music, Inc.
| Belinda Carlisle | 4.15 | 3:53 |
| 15 | Let’s Stick Together | Bryan Ferry | | 2:57 |
| 16 | Simply Irresistible | Robert Palmer | 3.6 | 4:13 |
| 17 | White Wedding- producer:
- Keith Forsey
- bass:
- Phil Feit (in 1982)
- drums (drum set):
- Steve Missal (in 1982)
- guitar:
- Billy Idol (in 1982) and Steve Stevens (in 1982)
- lead vocals:
- Billy Idol (in 1982)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1982) and Chrysalis Records, Inc. (in 1982)
- edit of:
- White Wedding, Part 1 by Billy Idol
- music videos:
- White Wedding, Pt. 1 by Billy Idol
- part of:
- VH1: 100 Greatest Songs of the 80’s (number: 53)
- recording of:
- White Wedding (in 1982)
- lyricist and composer:
- Billy Idol
- publisher:
- Boneidol Music, Chrysalis Music , Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH , Chrysalis Music Ltd. , Chrysalis Music Publishing Ltd., Copyright Control and Rare Blue Music Inc
| Billy Idol | 2.65 | 3:33 |
| 18 | Ready to Go | Republica | 2.45 | 3:39 |
| 19 | I’m Gonna Be (500 Miles) | The Proclaimers | 4 | 3:35 |
| 20 | My Sharona- bass:
- Prescott Niles (in 1979-04)
- drums (drum set):
- Bruce Gary (in 1979-04)
- guitar [lead guitar]:
- Berton Averre (in 1979-04)
- guitar [rhythm guitar] and lead vocals:
- Doug Fieger (in 1979-04)
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1979, in 2002), Capitol Records, LLC (in 1979), Union Square Music Ltd. (in 2018) and Universal Music Operations Ltd. (in 2018)
- recording of:
- My Sharona (in 1979-04)
- writer:
- Berton Averre and Douglas Fieger
- publisher:
- Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control , Eighties Music, Music Sales Corporation , Small Hill Music, Universal Music Publishing , Universal Music Publishing MGB Australia and Wise Brothers Music LLC
| The Knack | 3.9 | 4:01 |
| 21 | Hi Ho Silver Lining | Jeff Beck | 2 | 2:54 |
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