Mass in B minor

~ Release by Johann Sebastian Bach; Alarie, Merriman, Simoneau, Neidlinger, Vienna Academy Chamber Choir, Vienna State Opera Orchestra, Hermann Scherchen (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
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1Mass in B minor, BWV 232: Credo in Unum Deum
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:03
2Mass in B minor, BWV 232: Patrem Omnipotentem
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:47
3Mass in B minor, BWV 232: Et in Unum Dominum
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
solo soprano vocals:
Pierrette Alarie (French Canadian coloratura soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
4Mass in B minor, BWV 232: Et Incarnatus Est
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:26
5Mass in B minor, BWV 232: Crucifixus
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:09
6Mass in B minor, BWV 232: Et Resurrexit
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:01
7Mass in B minor, BWV 232: Et in Spiritum Sanctum
solo bass-baritone vocals:
Gustav Neidlinger (German bass-baritone) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:46
8Mass in B minor, BWV 232: Confiteor Unum Baptisma
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:21
9Mass in B minor, BWV 232: Et Expecto Resurrectionem
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:55
10Mass in B minor, BWV 232: Sanctus
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:14
11Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:51
12Mass in B minor, BWV 232: Benedictus
solo tenor vocals:
Léopold Simoneau (tenor) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach7:10
13Mass in B minor, BWV 232: Osanna in Excelsis
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:50
14Mass in B minor, BWV 232: Agnus Dei
solo mezzo-soprano vocals:
Nan Merriman (mezzo-soprano) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:29
15Mass in B minor, BWV 232: Dona Nobis Pacem
choir vocals:
Wiener Kammerchor (Vienna Chamber Choir, choir) (from 1959-04 until 1959-06)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (from 1959-04 until 1959-06)
conductor:
Hermann Scherchen (conductor) (from 1959-04 until 1959-06)
recorded at:
Konzerthaus: Mozart‐Saal in Landstraße, Wien (Vienna), Austria (from 1959-04 until 1959-06)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1959-04 until 1959-06)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:59