Mastermix Classic Cuts: The Sixties Box 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Spanish Flea
phonographic copyright (℗) by:
Herb Alpert Presents (Herb Alpert label) (in 2015)
instrumental recording of:
Spanish Flea
lyricist:
Cissy Wechter
composer:
Julius Wechter
publisher:
Burlington Music
recording of:
Spanish Flea
lyricist:
Cissy Wechter
composer:
Julius Wechter
publisher:
Burlington Music
Herb Alpert42:08
2My Boyfriend’s Back
recording of:
My Boyfriend’s Back
writer:
Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) and Richard Gottehrer (American songwriter and music executive)
publisher:
EMI Blackwood Music Inc. and EMI Music (do not use as release label! this is a music publisher)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
The Angels2:39
3Don’t Let Me Be MisunderstoodThe Animals2:28
4What a Wonderful World
recorded in:
New York, United States (on 1967-08-16)
engineer:
Eddie Brackett and Bob Simpson (US jazz engineer/producer)
producer:
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
baritone saxophone:
Raymond Stanfield (on 1967-08-16)
clarinet:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16) and Jerome Richardson (on 1967-08-16)
double bass:
Russ Savakus (on 1967-08-16)
drums (drum set):
Grady Tate (on 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (on 1967-08-16), Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
guitar:
Allen Hanlon (jazz guitarist) (on 1967-08-16), Art Ryerson (on 1967-08-16) and Willard Suyker (on 1967-08-16)
percussion:
Warren Hard (on 1967-08-16)
piano:
Hank Jones (piano) (on 1967-08-16)
tenor saxophone:
Jerome Richardson (on 1967-08-16) and Daniel Trimboli (on 1967-08-16)
trombone:
Urbie Green (on 1967-08-16) and J.J. Johnson (jazz/bop trombonist/session leader) (on 1967-08-16)
trumpet:
Louis Armstrong (on 1967-08-16), Clark Terry (American swing trumpeter) (on 1967-08-16) and Joe Wilder (on 1967-08-16)
lead vocals:
Louis Armstrong (on 1967-08-16)
orchestra:
Louis Armstrong’s Orchestra and Chorus (on 1967-08-16)
conductor and chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (on 1967-08-16)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) and Project 3 Records Inc. (in 1988)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 171) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 283)
recording of:
What a Wonderful World (on 1967-08-16)
writer:
George Douglas (producer & songwriter) and George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. and Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
part of:
12 Monkeys Soundtrack
part of:
Freaky Friday (2003)
Louis Armstrong3.952:21
5Soul Finger
The Bar‐Kays2:21
6Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:52
7Good Vibrations
producer:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
recording of:
Good Vibrations (Love/Wilson lyrics, common version)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.63:41
8I Get Around
recording of:
I Get Around
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
sub-publisher:
ビクターミュージックアーツ株式会社, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys2:12
9All You Need Is Love
recording of:
All You Need Is Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd. and Sony/ATV Tunes LLC (ASCAP)
quotes lyrics from:
She Loves You
quotes lyrics from:
Yesterday (original by The Beatles)
quotes music from:
Greensleeves (generic entry for traditional and unknown arrangements)
quotes music from:
In the Mood
quotes music from:
Inventio Nr. 8 F-Dur, BWV 779
quotes music from:
La Marseillaise (national anthem of France)
The Beatles3:48
10I Want to Hold Your Hand
recording of:
I Want to Hold Your Hand
writer:
John Lennon (The Beatles) (in 1963-09) and Paul McCartney (The Beatles) (in 1963-09)
publisher:
Duchess Music Corporation (BMI-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Songs of Universal, Inc. (BMI), Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Tunes LLC (ASCAP)
part of:
Sailor Moon (1995 DiC dub soundtrack)
The Beatles2:27
11MassachusettsBee Gees32:25
12Words
producer:
Bee Gees and Robert Stigwood
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) and Robert Stigwood Organisation Ltd. (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (on 1967-10-03)
recording of:
Words (on 1967-10-03)
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
live recording of:
Words
written in:
London (Greater London), England, United Kingdom
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Publishing, Careers–BMG Music Publishing, Inc., Casserole Music, Inc., Chappell Music Ltd., Crompton Songs, Gibb Brothers Music, Nemperor, Songs of Universal, Inc. (BMI) and Universal Music Careers
Bee Gees3.23:16
13Got to Get You Into My Life
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963, in 1966) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1966)
cover recording of:
Got to Get You Into My Life
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:34
14No Particular Place to Go
recording of:
No Particular Place to Go
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:45
15The Crying Game
recording of:
The Crying Game
lyricist and composer:
Geoff Stephens
publisher:
Peermusic (UK) Limited and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Dave Berry2:45
16Stranger on the Shore
Acker Bilk3:09
17Je t’aime moi non plus
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11) and Serge Gainsbourg (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Je t’aime… Moi non plus (in 1968-11)
lyricist and composer:
Serge Gainsbourg
publisher:
Heath Levy Music Co. Ltd. and Shapiro Bernstein & Co. Ltd.
Jane Birkin & Serge Gainsbourg44:26
18Harlem Shuffle
phonographic copyright (℗) by:
HHO Licensing Ltd. and HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster of:
Harlem Shuffle by Bob & Earl
recording of:
Harlem Shuffle
writer:
Earl Nelson and Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) and Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:50
19Space Oddity
producer:
Gus Dudgeon
12 string guitar and handclaps, Dubreq Stylophone, background vocals and lead vocals:
David Bowie (English singer‐songwriter) (in 1969-06)
bass:
Herbie Flowers (in 1969-06)
cello:
Paul Buckmaster (in 1969-06)
drums (drum set):
Terry Cox (UK rock drummer) (in 1969-06)
electric guitar:
Mick Wayne (in 1969-06)
mellotron:
Rick Wakeman (in 1969-06)
arranger:
David Bowie (English singer‐songwriter) and Paul Buckmaster
phonographic copyright (℗) by:
Jones/Tintoretto Entertainment Company LLC (in 1969, in 2009), Jones/Tintoretto Entertainment Co. LLC. (in 1976) and Valerian S.A.S. (in 2017)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1969-06)
music videos:
Space Oddity (1973, Bowie with red hair & acoustic guitar) by David Bowie (English singer‐songwriter) and Space Oddity (1969, Bowie with round glasses & cap) by David Bowie (English singer‐songwriter)
a cappella versions:
Space Oddity / Major Tom (Coming Home) by Tufts Beelzebubs (Tufts University all-male a cappella group)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 53) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 189)
recording of:
Space Oddity (in 1969-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. and Westminster Music Ltd.
David Bowie4.255:16
20The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
The Box Tops4.151:54
21I Got You (I Feel Good)
cover recording of:
I Found You (a.k.a. I Got You (I Feel Good))
lyricist and composer:
James Brown (The Godfather of Soul)
publisher:
Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
James Brown2:48
22You’re Sixteen
Johnny Burnette1:58
23Rhythm of the Rain
The Cascades2:33
24Jesamine
cover recording of:
When Jesamine Goes
writer:
Frere Manston and Jack Gellar (a British pop music promoter, group manager and songwriter)
recording of:
When Jesamine Goes
writer:
Frere Manston and Jack Gellar (a British pop music promoter, group manager and songwriter)
The Casuals23:30
25Hey Baby
Bruce Channel2:25
26Hit the Road Jack
recording of:
Hit the Road Jack
lyricist and composer:
Percy Mayfield
publisher:
Tangerine Music, Tangerine Music Corp. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Ray Charles1:55
27Sweet Talkin’ Guy
recording of:
Sweet Talking Guy
writer:
Baer, Greenberg, Morris (record executive) and Schwartz (songwriter for and co-founder of Laurie Records)
The Chiffons2:26
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