Top 40 Hitdossier 70s

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1You’re the One That I Want (from “Grease”)
Techniker(in) und Mix:
David J. Holman
Produzent(in):
John Farrar
E-Bass:
David Hungate
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Organisation Ltd. (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Karaokeversion von:
You’re the One That I Want (sing‐a‐long version) von John Farrar
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 13) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 250)
recording of:
You’re the One That I Want (Grease, 1978 film)
Texter und Komponist(in):
John Farrar
publisher:
Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13), Sony/ATV Melody, Unichappell Music, Inc., Ensign Music, Inc. (publisher) (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
Grease (1978 film)
John Travolta & Olivia Newton‐John42:51
2Rivers of Babylon
cover recording of:
Rivers of Babylon (Boney M. version)
Texter:
Brent Dowe und Trevor McNaughton
Komponist(in):
Brent Dowe, Frank Farian, Trevor McNaughton und George Reyam
publisher:
Blue Mountain Music und FAR Music (publisher for Frank Farian)
basiert auf:
Rivers of Babylon
Boney M.4:09
3Non, non, rien n’a changéLes Poppys3:10
4Soley Soley
arranger:
Giosy Capuano und Mario Capuano
phonographisches Urheberrecht (℗) von:
BMG Ariola Hamburg GmbH (in 1973)
recording of:
Soley Soley (1971 song)
Texter und Komponist(in):
Fernando Arbex
publisher:
Universal Music Publishing S.L. (Spain)
Middle of the Road3:05
5Paloma blanca
phonographisches Urheberrecht (℗) von:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
6’t Is weer voorbij die mooie zomer
recording of:
’t Is weer voorbij, die mooie zomer
Texter und Komponist(in):
Steve Goodman (folk musician)
Übersetzer:
Gerard Cox
übersetzte Version von:
City of New Orleans
Gerard Cox4:28
7El condor pasa (If I Could)
recording engineer:
Ted Brosnan (am 1969-11-02)
Techniker(in):
Roy Halee
Produzent(in):
Arthur Garfunkel, Roy Halee und Paul Simon (of Simon & Garfunkel)
Bassgitarre:
Joe Osborn (American bass guitar player, session musician and songwriter) (am 1969-11-02)
Gitarre:
Fred Carter, Jr. (am 1969-11-02) und Paul Simon (of Simon & Garfunkel) (am 1969-11-02)
Keyboard:
Larry Knechtel (am 1969-11-02)
Saiteninstrumente:
Ernie Freeman (am 1969-11-02) und Jimmie Haskell (am 1969-11-02)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1969-11-02)
vocals:
Art Garfunkel und Paul Simon (of Simon & Garfunkel)
Interpret(in):
Los Incas (am 1969-11-02)
arranger:
Paul Simon (of Simon & Garfunkel)
phonographisches Urheberrecht (℗) von:
Charing Cross Music, Inc. (Paul Simon’s publishing company) (in 1970)
recording of:
El cóndor pasa (If I Could) (Simon & Garfunkel version) (am 1969-11-02)
Texter:
Paul Simon (of Simon & Garfunkel)
Komponist(in):
Jorge Milchberg, Paul Simon (of Simon & Garfunkel) und Daniel Alomía Robles (in 1913)
publisher:
Pattern Music Ltd (publisher) und Paul Simon Music
Version von:
El cóndor pasa (The Condor Passes)
Simon & Garfunkel4.153:08
8Back Home
recording engineer:
Albert Kos (engineer/editor) (in 1970-07)
Produzent(in):
Fred Haayen
E-Bass, Keyboard, Klavier und mellotron:
Rinus Gerritsen (bass player) (in 1970-07)
E-Gitarre:
Barry Hay (in 1970-07) und George Kooymans (in 1970-07)
Perkussion und Schlagzeug:
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring) (in 1970-07)
Sologesang:
Barry Hay (in 1970-07)
vocals:
George Kooymans (in 1970-07)
phonographisches Urheberrecht (℗) von:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1970) und Red Bullet Productions B.V. (in 1970)
produced for:
Red Bullet Productions
aufgenommen bei:
Phonogram Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1970-07)
recording of:
Back Home (in 1970-07)
Texter und Komponist(in):
George Kooymans
Verfasser(in):
Barry Hay und George Kooymans
publisher:
Dayglow Music, Inc. und New Dayglow B.V.
Golden Earring3.53:52
9How Do You Do?
recording of:
How Do You Do (english version)
Texter:
Harry van Hoof
Komponist(in):
Hans van Hemert
Mouth & MacNeal4:06
10Huilen is voor jou te laat
recording of:
Huilen is voor jou te laat
Texter und Komponist(in):
Pierre Kartner
Corry & De Rekels3:05
11We Were All Wounded at Wounded KneeRedbone43:30
12Ich hab’ die Liebe geseh’n
recording of:
Ich hab' die Liebe geseh'n (in 1972)
Texter:
Demetre Christodoulou (Poet & lyricist)
Komponist(in):
Mikis Theodorakis (Greek composer and lyricist)
Übersetzer:
Ralf Arnie
übersetzte Version von:
Καημός
Vicky Leandros14:27
13Un canto a Galicia
phonographisches Urheberrecht (℗) von:
CBS Grammofoonplaten B.V. (not for release label use! NL subsidiary of CBS Records, Inc.) (vom 1989 bis heute)
recording of:
Un canto a Galicia (in 1971)
Texter:
Julio Iglesias
Komponist(in):
Julio Iglesias und Benito Lauret
Julio Iglesias44:16
14’t Smurfenlied
recording of:
’t Smurfenlied
Texter und Komponist(in):
Petrus Antonius Laurentius Kartner
Vader Abraham3:09
15Let’s Dance
recording of:
Let’s Dance
Texter und Komponist(in):
Piet Veerman
The Cats3:28
16I Was Made for Lovin’ You
recording engineer und Mix:
Jay Messina
assistierende(r) Techniker(in):
Jim Galante und Jon Mathias (engineer)
Produzent(in):
Vini Poncia
Keyboard und Hintergrundgesang:
Vini Poncia
Schlagzeug:
Anton Fig
Sologesang:
Paul Stanley (KISS frontman)
phonographisches Urheberrecht (℗) von:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1979) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
I Was Made for Lovin’ You
Verfasser(in):
Desmond Child, Vini Poncia und Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) und Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music, Universal Music Publishing France (not for release label use!), Universal Music Publishing GmbH (Universal Music Publishing Group Germany) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
KISS4.454:31
17Manuela
cover recording of:
Manuela
Verfasser(in):
Hans-Georg Moslener und Harry Topel
Übersetzer:
Toon Gispen (Former Dutch Songwriter/Politician) und Pierre Kartner
übersetzte Version von:
Manuela
Jacques Herb3:10
18Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.654:28
19Proud Mary
recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4:56
20Sugar Baby Love
Techniker(in):
John Mackswith (English sound engineer)
Produzent(in):
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes3:25
21Waarheen, waarvoor…
cover recording of:
Waarheen, waarvoor (Mieke Telkamp song)
Texter:
Karel Hille
Medley von:
Amazing Grace (popular hymn first published 1779, catch‐all)
Mieke Telkamp en de Hi-Five3:45
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