Silvester 2021

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Countries excluded (Spotify + Deezer)

(As of 2020-09-14).

  • Caribbean: 🇦🇬 Antigua and Barbuda (ag) 🇦🇮 Anguilla (ai) 🇧🇧 Barbados (bb) 🇩🇲 Dominica (dm) 🇬🇩 Grenada (gd) 🇯🇲 Jamaica (jm) 🇰🇳 Saint Kitts and Nevis (kn) 🇰🇾 Cayman Islands (ky) 🇱🇨 Saint Lucia (lc) 🇲🇸 Montserrat (ms) 🇹🇨 Turks and Caicos Islands (tc) 🇻🇨 Saint Vincent and Grenadines (vc) 🇻🇬 Virgin Islands, British (vg)
  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk)
  • Western Europe: 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Southern Europe: 🇦🇩 Andorra (ad)
  • Eastern Europe: 🇲🇩 Moldova (md)
  • Northern Africa: 🇱🇾 Libyan Arab Jamahiriya (ly)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇲 Gambia (gm) 🇬🇳 Guinea (gn) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇸🇱 Sierra Leone (sl) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇷🇼 Rwanda (rw) 🇸🇨 Seychelles (sc) 🇸🇴 Somalia (so) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇲 Zambia (zm) 🇿🇼 Zimbabwe (zw)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇫 Central African Republic (cf) 🇨🇬 Congo (cg) 🇬🇦 Gabon (ga) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st) 🇹🇩 Chad (td)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇱🇸 Lesotho (ls) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz)
  • Western Asia: 🇯🇴 Jordan (jo) 🇵🇸 Palestinian Territory, Occupied (ps) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇾🇪 Yemen (ye)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇧🇹 Bhutan (bt) 🇲🇻 Maldives (mv) 🇳🇵 Nepal (np) 🇵🇰 Pakistan (pk)
  • Eastern Asia: 🇲🇳 Mongolia (mn)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇱🇦 Lao People’s Democratic Republic (la) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇵🇳 Pitcairn (pn) 🇹🇰 Tokelau (tk) 🇹🇴 Tonga (to) 🇹🇻 Tuvalu (tv) 🇼🇸 Samoa (ws)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm) 🇰🇮 Kiribati (ki) 🇲🇭 Marshall Islands (mh) 🇳🇷 Nauru (nr) 🇵🇼 Palau (pw)

Countries where available (Spotify + Deezer)

(As of 2020-09-14).

  • Northern America: 🇨🇦 Canada (ca) 🇲🇽 Mexico (mx) 🇺🇸 United States (us)
  • Central America: 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
  • Caribbean: 🇩🇴 Dominican Republic (do)
  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
  • Southern Europe: 🇦🇱 Albania (al) 🇧🇦 Bosnia and Herzegovina (ba) 🇨🇾 Cyprus (cy) 🇪🇸 Spain (es) 🇬🇷 Greece (gr) 🇭🇷 Croatia (hr) 🇮🇹 Italy (it) 🇲🇪 Montenegro (me) 🇲🇰 Macedonia (mk) 🇲🇹 Malta (mt) 🇵🇹 Portugal (pt) 🇷🇸 Serbia (rs) 🇸🇮 Slovenia (si)
  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇲🇦 Morocco (ma) 🇹🇳 Tunisia (tn)
  • Western Africa: 🇨🇮 Cote D’Ivoire (ci) 🇬🇭 Ghana (gh) 🇳🇬 Nigeria (ng) 🇸🇳 Senegal (sn)
  • Eastern Africa: 🇰🇪 Kenya (ke)
  • Middle Africa: 🇨🇲 Cameroon (cm)
  • Southern Africa: 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr)
  • Southern Asia: 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk)
  • Eastern Asia: 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇹🇼 Taiwan (tw) 🇰🇷 Korea (kr)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇰🇭 Cambodia (kh)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
Annotazione modificata l'ultima volta il 2020-09-14 11:58 UTC.

Elenco tracce

1▼Supporto digitale
#TitoloArtistaValutazioneDurata
1You Give Love a Bad Name
assistente tecnico:
Tim Crich
tecnico e tecnico di missaggio:
Bob Rock
produttore:
Bruce Fairbairn
basso elettrico [Bass] e voce di accompagnamento:
Alec John Such
batteria e percussione :
Tico Torres
chitarra acustica , chitarra elettrica , chitarra synth [IVL Guitar Synths] e talk box :
Richie Sambora
tastiera [Keyboards, Noises] :
Dave Bryan (keyboardist for Bon Jovi)
voce di accompagnamento [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora e Alec John Such
voce principale:
Jon Bon Jovi
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2011)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 20) e BILLIONS CLUB
registrazione di:
You Give Love a Bad Name
autore:
Jon Bon Jovi, Desmond Child e Richie Sambora
editore:
Aggressive Music (A) 301, CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing, Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (nel 1986), Bon Jovi Publishing (nel 1986), Desmobile Inc. (nel 1986) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1986)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.33:43
2Summer of ’69
assistente tecnico:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov e Michael Sauvage
tecnico:
Bob Clearmountain (dal 1984-03-27 al 1984-09-22)
produttore:
Bryan Adams (Canadian singer/songwriter) e Bob Clearmountain
produttore associato:
Jim Vallance
tecnico di missaggio:
Bob Clearmountain (il 1984-09-22)
basso elettrico [bass] :
Dave (Bass player (Bryan Adams) and engineer) (dal 1984-03-27 al 1984-09-22)
batteria [drums] :
Pat (dal 1984-03-27 al 1984-09-22)
chitarra [lead guitar] :
Keith (Canadian guitarist) (dal 1984-03-27 al 1984-09-22)
chitarra [rhythm guitar] e voce di accompagnamento [harmony vocal]:
BA (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
percussione :
Jim (dal 1984-03-27 al 1984-09-22)
voce principale:
Bryan Adams (Canadian singer/songwriter) (dal 1984-03-27 al 1984-09-22)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1984), A&M Records, Inc. (nel 1984, nel 1999) e Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (nel 1999)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada (dal 1984-03-27 al 1984-09-22)
mixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (il 1984-09-22)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 8), Huffington Post: 100 Best Canadian Songs Ever (numero: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 10) e The Downloader’s Music Source Book (numero: 179)
registrazione di:
Summer of ’69 (dal 1984-03-27 al 1984-09-22)
scritta a:
Vancouver, British Columbia (Columbia Britannica), Canada (il 1984-01-25)
autore:
Bryan Adams (Canadian singer/songwriter) (il 1984-01-25) e Jim Vallance (il 1984-01-25)
editore:
Adams Communications Inc. (nel 1984), Almo Music Corp. (USA, affiliated with ASCAP) (nel 1984), Calypso Toonz (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984) e Testatyme Music (nel 1984)
Bryan Adams4.43:34
3Blurred Lines
produttore:
Pharrell Williams
campionamenti:
Got to Give It Up di Marvin Gaye
video musicali:
Blurred Lines di Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 2), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2014) e Billboard Year-End Hot 100 singles of 2014 (numero: 83)
registrazione di:
Blurred Lines
autore:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke e Pharrell Williams
editore:
Deyjah’s Daddy Muzik (conclusa), EMI April Music, Inc., I Like ’em Thicke Music e More Water From Nazareth
Robin Thicke2.54:23
4Say It First
B‐OK3:10
5Dance Like Nobody’s Watching
Marija3:15
6Auf Uns
tecnico di registrazione, produttore e tecnico di missaggio:
Peter “Jem” Seifert
tecnico di registrazione aggiunto:
Tom Olbrich
programmazione:
Jem
co-produttore:
Andreas Bourani, Julius Hartog (songwriter and producer), Andreas Herbig e Tom Olbrich
basso e percussione :
Jem
batteria :
Tim Lorenz e Jürgen Stiehle
chitarra e pianoforte :
Julius Hartog (songwriter and producer)
sintetizzatore :
Andreas Herbig
tastiera :
Tom Olbrich
viola e violino :
Stefan Pintev e Rodrigo Reichel
violoncello :
Boris Matchin
voce:
Andreas Bourani
diritti fonografici (℗) detenuti da:
Andreas Bourani (nel 2014)
parte di:
SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 10)
registrazione di:
Auf uns
paroliere e compositore:
Andreas Bourani, Julius Hartog (songwriter and producer) e Tom Olbrich
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) e Edition Viertelkind
Andreas Bourani3.53:59
7Nobody but You
parte di:
Austria in the Eurovision Song Contest (Austria all'Eurovision Song Contest) (numero: 2018)
registrazione di:
Nobody but You
Cesár Sampson3:04
8Astronaut
voce principale:
Sido (German rapper)
voce principale ospite:
Andreas Bourani
diritti fonografici (℗) detenuti da:
Goldzweig Berlin GmbH (nel 2018)
Sido3:58
9Marie
diritti fonografici (℗) detenuti da:
Tonladen (nel 2020, nel 2022)
Alle Achtung3:31
10Ey Katharina
Zweikanalton2:41
11Ich lebe (radio version)
programmazione:
Alex Kahr e Harald Hanisch
co-produttore:
Harald Hanisch
produttore e tecnico di missaggio:
Alex Kahr
basso :
Walter Cikan (Austrian bass player)
chitarra :
Harald Hanisch
tastiera :
Alex Kahr e Harald Hanisch
diritti fonografici (℗) detenuti da:
Universal Music Austria GmbH (not for release label use!) (nel 2003)
registrata presso:
A1 Music Studios e Bits and Notes in Brunn am Gebirge, Niederösterreich (Lower Austria), Austria
mixata presso:
Bits and Notes in Brunn am Gebirge, Niederösterreich (Lower Austria), Austria
registrazione di:
Ich lebe
paroliere:
Harald Hanisch, Alexander Kahr, Eva Kraus e Leopold Zillinger
compositore:
Harald Hanisch, Alexander Kahr e Eva Kraus
Christina Stürmer3:25
12Wannabe
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Richard Stannard e Matt Rowe
editore:
SSO
video musicali:
Wannabe (video) di Spice Girls
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 36)
registrazione di:
Wannabe
autore:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls3.852:53
13Der Kommissar 2000
produttore:
Thorsten Börger
produttore esecutivo:
George Glueck
diritti fonografici (℗) detenuti da:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (dal 1998 a oggi)
prodotta presso:
Flash & Fly Studios
registrazione di:
Der Kommissar 2000 (dal 1996 al 1997)
paroliere:
Johann Hölzel (Austrian pop & rock musician)
paroliere aggiunto:
Alex Dowis
compositore:
Robert Ponger
revisione di:
Der Kommissar
Falco3:49
14Wake Me Up (radio edit)
tecnico di registrazione:
Chris Cheney (engineer) e Kyle VandeKerkhoff
tecnico aggiunto:
Mike Einziger
produttore e tecnico di missaggio:
Tim Bergling
chitarra :
Mike Einziger
tastiera [keys] :
Peter Dyer (keyboardist & writer Avicii and Cam)
voce:
Aloe Blacc
diritti fonografici (℗) detenuti da:
Avicii Music AB (holding company - do not use as release label) (nel 2013)
registrata presso:
Interscope Studios in Santa Monica, California, Stati Uniti
lavorazione tecnica effettuata in aggiunta presso:
Casa Chica in Malibu, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2013 (numero: 19), Billboard Year-End Hot 100 singles of 2014 (numero: 22) e BILLIONS CLUB
registrazione di:
Wake Me Up
autore:
Aloe Blacc, Mike Einziger e Tim Bergling
editore:
Aloe Blacc Publishing Inc., Elementary Particle Music, EMI Blackwood Music Inc., EMI Music Publishing Scandinavia AB, Kobalt Music Group Ltd. e Sony/ATV Music Publishing (worldwide except Japan, ended 1995)
Avicii3.654:10
15Not for Sale
Darius & Finlay33:27
16The Other Side
Mike Vallas2:50
17Murder on the Dancefloor (radio edit)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 2002)
edit di:
Murder on the Dancefloor (album version) di Sophie Ellis‐Bextor
video musicali:
Murder on the Dancefloor di Sophie Ellis‐Bextor
registrazione di:
Murder on the Dancefloor
autore:
Gregg Alexander e Sophie Ellis‐Bextor
editore:
Keepin’ It Real, How ’Bout You?, Rondor Music (London) Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Sophie Ellis‐Bextor33:36
18I Gotta Feeling
co-produttore:
Frédéric Riesterer
produttore:
David Guetta
video musicali:
I Gotta Feeling di The Black Eyed Peas (US pop/hip hop group)
parte di:
Billboard Year-End Hot 100 singles of 2009 (numero: 4), Billboard: Greatest of All Time Hot 100 Songs (numero: 8), Billboard Year-End Hot 100 singles of 2010 (numero: 29), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 103) e BILLIONS CLUB
registrazione di:
I Gotta Feeling
paroliere:
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) e William Adams (American rapper and producer)
compositore:
David Guetta e Frédéric Riesterer
Black Eyed Peas3.754:58
19Touch the Night
RICH-MOND43:03
20Clothes Off (Nanana)
Darius & Finlay3:47
21Stars in the Sky (original mix)
Patrick Metzker5:19
22Hot in Herre
assistente tecnico di registrazione e assistente tecnico:
Nick Howard (engineer)
tecnico di registrazione e tecnico:
Brian Garten (Engineer)
produttore:
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
assistente tecnico di missaggio:
Dan Milazzo e Jeff Robinette
tecnico di missaggio:
Rich Travali (Engineer)
tecnico di missaggio associato:
Jamie Duncan
altra voce [female vocals]:
Dani Stevenson
voce:
Nelly (US rapper)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 2002) e Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (nel 2002)
registrata presso e lavorazione tecnica effettuata presso:
Right Track Recordings in Manhattan, New York, New York, Stati Uniti
mixata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti e The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2002 (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 195)
registrazione di:
Hot in Herre
paroliere:
Charles Brown (jazz guitarist/singer "The Godfather of Go-Go") e Nelly (US rapper)
autore:
Charles Brown (jazz guitarist/singer "The Godfather of Go-Go")
compositore:
Chad Hugo e Pharrell Williams
editore:
BMG Songs, Inc. (conclusa), Chase Chad Music (BMI) (conclusa), EMI April Music Inc. (conclusa), EMI Blackwood Inc. (conclusa), Ascent Music Inc., EMI Pop Music Publishing, Jackie Frost Music, Nouveau Music Company, Swing T Publishing, Universal Music–MGB Songs e Waters of the Nazareth Publishing
cita i testi di:
Bustin’ Loose
Nelly3.953:51
23Malibu
KeKe2:57
24Moves Like Jagger (studio recording from The Voice Performance)
basso :
Mickey Madden
batteria e percussione :
Matt Flynn (Maroon 5 drummer)
chitarra :
James Valentine (Maroon 5)
tastiera :
PJ Morton
voce di accompagnamento e voce principale:
Adam Levine (Maroon 5’s lead vocalist)
remix di:
Moves Like Jagger di Maroon 5 (American pop rock band) feat. Christina Aguilera
parte di:
Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2012), Billboard Year-End Hot 100 singles of 2011 (numero: 9) e Billboard Year-End Hot 100 singles of 2012 (numero: 36)
registrazione di:
Moves Like Jagger
autore:
Benjamin Levin (producer Benjamin Levin), Adam Levine (Maroon 5’s lead vocalist), Ammar Malik e Shellback
Maroon 5 & Christina Aguilera3.43:23
25Mr. Brightside
tecnico di registrazione:
Jeff Saltzman (music attorney and record producer)
produttore:
Jeff Saltzman (music attorney and record producer) e The Killers (American rock band)
tecnico di missaggio:
Mark Needham
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2004) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2017)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 4), NME: Greatest “Indie” Anthems Ever: 2007 (numero: 33), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 51), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 378)
registrazione di:
Mr. Brightside
autore:
Brandon Flowers e Dave Keuning
editore:
The Killers Publishing e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:42
26Livin’ on a Prayer
assistente tecnico:
Tim Crich
tecnico e tecnico di missaggio:
Bob Rock
produttore:
Bruce Fairbairn
basso elettrico [Bass] :
Alec John Such
batteria e percussione :
Tico Torres
chitarra acustica , chitarra elettrica , chitarra synth [IVL Guitar Synths] e talk box :
Richie Sambora
tastiera [Keyboards, Noises] :
Dave Bryan (keyboardist for Bon Jovi)
voce di accompagnamento [Backing Vocals]:
Jon Bon Jovi, Dave Bryan (keyboardist for Bon Jovi), Richie Sambora e Alec John Such
voce principale:
Jon Bon Jovi
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1986) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2011)
registrata presso:
Little Mountain Sound in Vancouver, British Columbia (Columbia Britannica), Canada
video musicali:
Livin’ on a Prayer di Bon Jovi (group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 146), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 457)
registrazione di:
Livin’ on a Prayer
autore:
Jon Bon Jovi, Desmond Child e Richie Sambora
editore:
Aggressive Music, Aggressive Music (A), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., SBK Songs Ltd., Sony/ATV Tunes LLC (ASCAP), Universal Music Group International (manages UMG’s offices in most countries outside of North America), Universal Music Works (GMR affiliated), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), April Music Inc. (nel 1986), Bon Jovi Publishing (nel 1986), Desmobile Inc. (nel 1986) e PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (nel 1986)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.14:09
27The Bad Touch
produttore:
Jimmy Pop (member of Bloodhound Gang)
tecnico di missaggio:
Raahu
batteria :
Spanky G
chitarra :
Lüpüs Thünder
moog e voce principale e voce parlata:
Jimmy Pop (member of Bloodhound Gang)
voce di accompagnamento:
DJ Q-Ball
video musicali:
The Bad Touch di Bloodhound Gang
registrazione di:
The Bad Touch
paroliere e compositore:
James Franks
editore:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (dal 2000 al ????), Hey Rudy Music Publishing (publishing company for rock band Bloodhound Gang) (dal 2000 a oggi) e The Jimmy Franks Publishing Company (dal 2000 a oggi)
Bloodhound Gang3.754:20
28Mehr Gschmust (radio edit)
Matakustix3:09
29How Bizarre
tecnico e produttore:
Alan Jansson
tecnico aggiunto e tecnico di missaggio aggiunto:
Rick Huntington
chitarra :
Lee Baker (NZ guitarist)
fisarmonica :
Hershal Herscher
tromba :
George Chisholm (jazz trombonist (1915-1997))
voce di accompagnamento:
Sina Saipaia
diritti fonografici (℗) detenuti da:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 1995)
registrazione di:
How Bizarre
autore:
Pauly Fuemana e Alan Jansson
editore:
Lamont Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 34)
OMC3.953:46
30Sorry
produttore:
BLOOD e Skrillex
parte di:
Billboard Year-End Hot 100 singles of 2016 (numero: 2), Billboard Decade End Chart: Streaming Songs (2010s) (numero: 23), Rolling Stone: The 100 Best Songs of the 2010s (numero: 29) e Pitchfork: The 200 Best Songs of the 2010s (numero: 120)
registrazione di:
Sorry
autore:
Justin Bieber, Michael Tucker, Julia Michaels, Sonny Moore e Justin Tranter (singer and songwriter)
editore:
Bieber Time Publishing, Copaface, Justin’s School for Girls, Michael Diamond Music, Thanks for the Songs Richard e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Justin Bieber43:22
31Celebration (single version)
voce di accompagnamento:
Kelly Barretto, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dee Dee Bryant, Gwen Hester, Cynthia Huggins, Joan Motley, Meekaeel Muhammad, Robert Bell, Robert Mickens, Elaine Sims, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Cedric Toon e Earl Toon, Jr.
voce principale:
James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
esecutore:
Kool & the Gang
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980, nel 2020)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 298)
registrazione di:
Celebration
autore:
Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Eumir Deodato, Robert Spike Mickens, Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang), Dennis “D.T.” Thomas (Kool & The Gang) e Earl Toon, Jr.
editore:
Delightful Music Publishing Ltd., Double F Music Co., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing WP Ltd., Fresh Start Music, Intersong-Förlagen AB, Planetary Nom (London) Ltd., Warner/Chappell Music Ltd. (1996–2019), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1980) e WB Music Corp. (1929–2019) (nel 1980)
Kool & the Gang4.44:56
32I’m Coming Out
produttore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
direttore d'orchestra:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
remixer:
Russ Terrana
arrangiatore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1980) e Motown Records (not for label use; use “Motown” instead) (nel 1980)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 385) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 436)
registrazione di:
I’m Coming Out
autore:
Bernard Edwards (American bassist and record producer) e Nile Rodgers
editore:
Bernard’s Other Music, Sony Songs e Tommy Jymi Inc.
Diana Ross3.95:21
33What Lovers Do
programmazione:
Ben Billions, Jason Evigan e Gian Stone
assistente tecnico:
John Armstrong (engineer, producer) e Eric Eylands
tecnico:
John Hanes (audio engineer, mixer), Noah “Mailbox” Passovoy e Gian Stone
co-produttore:
Ben Billions
produttore:
Jason Evigan, Jason Evigan (incarico: vocals), Noah “Mailbox” Passovoy (incarico: vocals) e Gian Stone (incarico: vocals)
produttore aggiunto:
Sam Farrar e Noah “Mailbox” Passovoy
tecnico di missaggio:
Serban Ghenea
editor:
Sam Farrar e Noah “Mailbox” Passovoy
basso :
Sam Farrar e Mickey Madden
batteria [drums] e percussione :
Matt Flynn (Maroon 5 drummer)
chitarra [guitars] :
Jesse Carmichael e James Valentine (Maroon 5)
percussione aggiunto:
Sam Farrar e Noah “Mailbox” Passovoy
tastiera [keys] :
Ben Billions, PJ Morton e Noah “Mailbox” Passovoy
voce:
Adam Levine (Maroon 5’s lead vocalist) e SZA
voce aggiuntiva:
Sam Farrar, Noah “Mailbox” Passovoy e Starrah (US singer, songwriter & rapper)
diritti fonografici (℗) detenuti da:
Interscope Records (222 Records) (not an imprint, use only for holding) (nel 2017)
registrata presso:
Chumba Meadows in Tarzana, Los Angeles, California, Stati Uniti, Conway Recording Studios in Hollywood, Los Angeles, California, Stati Uniti e Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2018 (numero: 89) e Billboard Year-End Hot 100 singles of 2017 (numero: 97)
registrazione di:
What Lovers Do
autore:
Benjamin Diehl, Elina Stridh (Swedish singer-songwriter), Jason Evigan, Adam Levine (Maroon 5’s lead vocalist), Oladayo Olatunji, Victor Rådström, Solána Rowe e Starrah (US singer, songwriter & rapper)
editore:
Bad Robot Music, Billions Enterprises, BMG Platinum Songs, People Over Planes, Songs of Influence, Songs of Universal, Inc. (BMI), Sudgee 2 Music, TDE Publishing LLC, These Are Songs of Pulse (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Warner/Chappell Music Ltd. (1996–2019)
cita la musica di:
Sexual
Maroon 53.453:22
34Dog Days Are Over
tecnico di registrazione:
Jimmy Robertson (sound engineer)
produttore:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco)
produttore aggiunto:
Isabella Summers
tecnico di missaggio:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco) e Jimmy Robertson (sound engineer)
arpa :
Tom Moth (harpist)
batteria :
Christopher Lloyd Hayden
chitarra :
Rob Ackroyd
chitarra basso e pianoforte aggiunto:
James Ellis Ford (Formerly James Ford. UK producer/engineer/drummer for Simian Mobile Disco)
pianoforte :
Isabella Summers
viola :
Bruce White (violist)
violino :
Sally Herbert (violinist, composer, and conductor) e Everton Nelson (violinist)
violoncello :
Ian Burdge (cellist)
voce principale:
Florence Welch (English singer)
diritti fonografici (℗) detenuti da:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (nel 2009)
registrata presso:
The Garden (John Foxx's studio in London) in Shoreditch, Hackney, London (Greater London), England, Regno Unito
mixata presso:
Metropolis (London) in London (Greater London), England, Regno Unito
video musicali:
Dog Days Are Over (music video) di Florence + the Machine
versioni strumentali:
Dog Days Are Over (instrumental) di Florence + the Machine
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 164)
registrazione di:
Dog Days Are Over
autore:
Isabella Summers e Florence Welch (English singer)
editore:
Florence + the Machine Limited e Universal Music Publishing (UK) Ltd.
Florence + the Machine3.84:13
35Dancing on the Ceiling
diritti fonografici (℗) detenuti da:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (nel 2003)
registrazione di:
Dancing on the Ceiling
paroliere:
Lionel Richie
compositore:
Michael Frenchik, Lionel Richie e Carlos Rios (producer/guitarist)
editore:
Brenda Richie Publishing, Concord Music Publishing LLC, Skegee Music e Brockman Music (nel 1986)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Lionel Richie7:11
36An der schönen blauen Donau, op.314
produttore:
Michel Glotz
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (dal 1980-06-13 al 1980-12-04)
direttore d'orchestra:
Herbert von Karajan (conductor) (dal 1980-06-13 al 1980-12-04)
tecnico di bilanciamento:
Günter Hermanns (producer/engineer) (dal 1980-06-13 al 1980-12-04)
registrata presso:
Berliner Philharmonie in Mitte, Berlin, Germania (dal 1980-06-13 al 1980-12-04)
registrazione di:
An der schönen blauen Donau, op. 314 (On the Beautiful Blue Danube, op. 314) (dal 1980-06-13 al 1980-12-04)
eseguita per la prima volta a:
Wien (Vienna), Austria (il 1867-02-15)
compositore:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (nel 1866)
parte di:
Works of Johann Strauss Jr. by opus number (numero: op. 314)
Berliner Philharmoniker511:48

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2020)
streaming gratuito:https://open.spotify.com/album/4sFMqikgHqww5moOBhOmSf [info]
https://www.deezer.com/album/168870232 [info]
pagina di streaming:https://tidal.com/album/152752812 [info]