Chart Hits 81, Volume 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

112"-Vinyl
Nr.TitelKünstlerBewertungLänge
A1It’s My Party
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart with Barbara Gaskin?:??
A2Open Your Heart
assistierende Programmierung und assistierende(r) Techniker(in):
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
Programmierung:
Martin Rushent
Produzent(in):
The Human League und Martin Rushent
Synthesizer:
Ian Burden (in 1981), Jo Callis (in 1981) und Philip Oakey (in 1981)
Hintergrundgesang:
Joanne Catherall (in 1981) und Susan Ann Sulley (in 1981)
Sologesang:
Philip Oakey (in 1981)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1988)
aufgenommen bei:
Genetic Studios in West Berkshire, England, Vereinigtes Königreich (in 1981)
recording of:
Open Your Heart (in 1981)
Texter:
Philip Oakey
Komponist(in):
Jo Callis und Philip Oakey
Human League3.5?:??
A3Pretend
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981)
recording of:
Pretend (1952 song popularized by Nat King Cole)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
cover recording of:
Pretend (1952 song popularized by Nat King Cole)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Alvin Stardust4?:??
A4Lay All Your Love on Me
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Rutger Gunnarsson (am 1980-09-09)
Gitarre:
Lasse Wellander (am 1980-09-09)
Keyboard und Synthesizer:
Benny Andersson (ABBA) (am 1980-09-09)
Schlagzeug:
Ola Brunkert (am 1980-09-09)
Hintergrundgesang:
Frida (Swedish singer and member of ABBA) (am 1980-09-09)
Sologesang:
Agnetha Fältskog (am 1980-09-09)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1980)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-09-09)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1980-10-10)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 49)
recording of:
Lay All Your Love on Me (am 1980-09-09)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Music Publishing (do not use as a release label!), Union Songs Music, Universal Music Publishing Group, Universal/Union Songs Musikförlag AB, Artwork Music Co., Inc. (vom 1980 bis ????) und Countless Songs, Ltd. (vom 1980 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.7?:??
A5You’ll Never KnowHi‐Gloss?:??
A6Si si je suis un rock star
Bill Wyman?:??
A7Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.1?:??
A8Prisoner
cover recording of:
Prisoner
Verfasser(in):
James Lance (Sue Saad And The Next), Tony Riparetti und Michael Towers (singer, composer, and engineer)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Sheila B. Devotion3?:??
A9Everlasting LoveRachel Sweet & Rex Smith4?:??
A10Birdie Song
Bearbeitung von:
The Birdie Song (Birdie Dance) von The Tweets (1980s English instrumental band)
recording of:
Chicken Dance (1970 version, with lyrics by Louis van Rijmenant credited as Terry Rendall) (in 1981)
publisher:
Louis Julien van Rijmenant (Belgian 1950-80s label manager, record producer) (vom 1970 bis heute)
Texter:
Terry Rendall (Belgian 1950-80s label manager, record producer) (in 1970)
Komponist(in):
Werner Thomas (in 1957)
publisher:
Eurovox Music, September Music Corp., Valentine Music Group Ltd. und Intervox Music (vom 1970 bis heute)
Version von:
Chicken Dance (original tune, no lyrics)
cover recording of:
Chicken Dance (1970 version, with lyrics by Louis van Rijmenant credited as Terry Rendall)
publisher:
Louis Julien van Rijmenant (Belgian 1950-80s label manager, record producer) (vom 1970 bis heute)
Texter:
Terry Rendall (Belgian 1950-80s label manager, record producer) (in 1970)
Komponist(in):
Werner Thomas (in 1957)
publisher:
Eurovox Music, September Music Corp., Valentine Music Group Ltd. und Intervox Music (vom 1970 bis heute)
Version von:
Chicken Dance (original tune, no lyrics)
The Tweets?:??
B1Hands Up (Give Me Your Heart)
recording of:
Hands Up (Give Me Your Heart)
Texter:
Nelly Byl (Belgian lyricist)
Verfasser(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
publisher:
Gazell Music AB, Bleu Blanc Rouge (in 1981) und Zagora (French label and publisher) (in 1981)
Version von:
Haut les mains (Donne moi ton coeur)
Ottowan2?:??
B2In and Out of Love
recording of:
In and Out of Love
Verfasser(in):
Imagination (English soul/funk band), Steve Jolley und Tony Swain (songwriter, producer)
Imagination?:??
B3Just Can’t Get Enough
Techniker(in):
John Fryer (British producer and engineer) und Eric Radcliffe (UK producer / engineer / musician)
Produzent(in):
Depeche Mode und Daniel Miller (British music producer and founder of Mute Records)
Sologesang:
Dave Gahan (in 1981-07)
phonographisches Urheberrecht (℗) von:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) und Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
aufgenommen bei:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 66) und Indie 88: Top 500 Indie Rock Songs (Nummer: 460)
recording of:
Just Can’t Get Enough
Texter und Komponist(in):
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (beendet), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.25?:??
B4Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox) (in 1980-04)
Gitarre:
Midge Ure (in 1980-04)
Keyboard und Geige / Violine:
Billy Currie (in 1980-04)
Schlagzeug:
Warren Cann (in 1980-04)
vocals:
Midge Ure (in 1980-04)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981, in 2025)
aufgenommen bei:
RAK Studios in London (Greater London), England, Vereinigtes Königreich (in 1980-04)
mixed at:
Conny’s Studio in Neunkirchen, Nordrhein-Westfalen, Deutschland (in 1980-05)
Bearbeitung von:
Vienna (original album mix) von Ultravox
Musikvideos:
Vienna (music video) von Ultravox und Vienna (uncut) von Ultravox
recording of:
Vienna (in 1980-04)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox3.35?:??
B5Heart and Soul
recording of:
Heart and Soul
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Exile?:??
B6Lock Up Your Daughters
recording of:
Lock Up Your Daughters
Verfasser(in):
Jim Lea und Neville Holder
Slade?:??
B7Piece of the Action
Produzent(in):
Andy Hill (English producer & songwriter)
produced for:
Big Note Music Productions Ltd.
recording of:
Piece of the Action
Texter und Komponist(in):
Andy Hill (English producer & songwriter)
publisher:
Paper Music Ltd.
Bucks Fizz2.75?:??
B8Can Can
recording of:
Can Can (“Bad Manners” version)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
arranger:
Louis Cook, Douglas Trendle, David Farren, Paul Hyman, Chris Kane (saxophone player), Andrew Marson, Alan Sayag, Martin Stewart (member of Bad Manners, The Selecter) und Brian Tuitt
publisher:
Magnet Music Ltd. (publisher)
Version von:
Orphée aux Enfers: Acte II, Scene 2. Galop Infernal (Orpheus in der Unterwelt: Höllengalopp, widely known as “Can-can”)
Bad Manners4?:??
B9Hooked on Classics
Produzent(in):
Jeff Jarratt (producer) und Don Reedman (producer)
Orchester:
Royal Philharmonic Orchestra
conductor:
Louis Clark
arranger:
Louis Clark
phonographisches Urheberrecht (℗) von:
RCA Ltd. (UK arm of RCA) (in 1981)
Bearbeitung von:
Hooked on Classics, Parts 1 & 2 (medley of 17 classical works) von Royal Philharmonic Orchestra, Louis Clark
medley including a recording of:
Carmen Suite no. 1: VI. Les toréadors (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer)
Arrangement von:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
medley including a recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (catch-all for arrangements)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Arrangement von:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
medley including a recording of:
Concerto in A minor for Piano and Orchestra, op. 16
Premiere in:
Copenhagen (Kopenhagen), Capital Region of Denmark (Region Hovedstaden), Dänemark (am 1869-04-03)
Komponist(in):
Edvard Grieg (composer) (in 1868)
Teil von:
Classic 100: Piano (2025) (Nummer: 13) und Works of Edvard Grieg by opus number (Nummer: op. 16)
medley including a recording of:
Flight of the Bumble Bee (catch-all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
medley including a recording of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Komponist(in):
Jean Sibelius (Finnish composer) (in 1893)
Teil von:
Works of Jean Sibelius by opus number (Nummer: op. 11)
basiert auf:
Karelia Music, JS 115
medley including a recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
medley including a recording of:
Messiah, HWV 56: Part II, no. 44. Chorus: “Hallelujah” (catch-all for arrangements)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Arrangement von:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
medley including a recording of:
Rhapsody in Blue (catch-all for unknown versions and arrangements)
Komponist(in):
George Gershwin (composer) (in 1924)
Teil von:
Classic 100: Piano (2025) (Nummer: 4)
Arrangement von:
Rhapsody in Blue (standard 1942 orchestration)
medley including a recording of:
Romeo and Juliet, TH 42, ČW 39 (catch-all for arrangements)
Komponist(in):
Pyotr Ilyich Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1869)
Arrangement von:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (Romeo und Julia, 1880 version, commonly performed)
medley including a recording of:
Symphony no. 40 in G minor, K. 550 “Great” (catch-all for arrangements and unknown versions)
Texter:
Wolfgang Amadeus Mozart (classical composer)
Arrangement von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
medley including a recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Komponist(in):
Jeremiah Clarke (English baroque composer and organist) (in 1700)
medley including a recording of:
The Year 1812, Festival Overture in E‐flat major (catch‐all for arrangements)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1880)
Arrangement von:
The Year 1812, Festival Overture in E-flat major, op. 49
Louis Clark conducting the Royal Philharmonic Orchestra1?:??

Nennungen

Veröffentlichungsgruppe

Teil von:Chart Hits (K-Tel series) (Nummer: 1981-1) (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/477628 [Info]