Pure… Classical

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Also sprach Zarathustra, op. 30: Sunrise
recording engineer:
Leslie Chase (on 1954-03-08)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Chicago Symphony Orchestra (on 1954-03-08)
conductor:
Fritz Reiner (conductor) (on 1954-03-08)
recorded at:
Symphony Center: Orchestra Hall in Chicago, Illinois, United States (on 1954-03-08)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Sonnenaufgang) (on 1954-03-08)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra, op. 30 (TrV 176)
Strauss1:34
2Fantasia on Greensleeves
violin:
David Nadien (on 1969-12-08)
orchestra:
New York Philharmonic (on 1969-12-08)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1969-12-08)
recorded at:
Philharmonic Hall, Lincoln Center (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1969-12-08)
recording of:
Fantasia on “Greensleeves” (on 1969-12-08)
composer:
Ralph Vaughan Williams (English composer) (from 1924 until 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
is based on:
Greensleeves (generic entry for traditional and unknown arrangements)
is based on:
Lovely Joan (traditional English folk song)
is based on:
Sir John in Love
Vaughan Williams5:00
3The Planets, op. 32: Mars, the Bringer of War
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1971-11-30, on 1971-12-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1971-11-30, on 1971-12-07)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-11-30, on 1971-12-07) and Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1973-06-07: organ)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (on 1971-12-07)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst6:32
4The Planets, op. 32: Jupiter, the Bringer of Jollity
producer:
Richard Killough (producer) and John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1971-11-30, on 1971-12-07)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1971-11-30, on 1971-12-07)
recorded at:
Lincoln Center, Philharmonic Hall (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (on 1971-11-30, on 1971-12-07) and Columbia 30th Street Studios in Manhattan, New York, New York, United States (on 1973-06-07: organ)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (on 1971-12-07)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Holst8:15
5Prelude in G♯ minor, op. 32, no. 12
piano:
Владимир Фельцман (Vladimir Feltsman, Russian American classical pianist)
recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Rachmaninoff3:11
6Valses poéticos: 1. Preludio. Vivace molto
harp:
Xavier de Maistre (harpist) (from 2009-09-21 until 2009-12-22)
recording of:
Valses poéticos, H.147: Preludio: Vivace molto (from 2009-09-21 until 2009-12-22)
composer:
Enrique Granados (composer)
part of:
Valses poéticos, H.147
Granados1:22
7Valses poéticos: 1: Melodico
harp:
Xavier de Maistre (harpist) (from 2009-09-21 until 2009-12-22)
recording of:
Valses poéticos, H.147: No. 1. Melódico (from 2009-09-21 until 2009-12-22)
composer:
Enrique Granados (composer)
part of:
Valses poéticos, H.147
Granados1:37
8Cancan from “Gaîté Parisienne”
orchestra:
The Philadelphia Orchestra
conductor:
Eugene Ormandy (conductor)
recording of:
Gaîté Parisienne: XVII. Cancan
orchestrator:
Manuel Rosenthal (French conductor & composer)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Gaîté parisienne
Offenbach1:59
9Maple Leaf Rag
solo piano:
Dick Hyman (jazz pianist) (in 1975)
recording of:
Maple Leaf Rag (piano rag) (in 1975)
composer:
Scott Joplin (composer and pianist) (in 1899)
part of:
Classic 100: Piano (2025) (number: 74)
Joplin2:25
10Fanfare for the Common Man
recording of:
Fanfare for the Common Man (for brass and percussion orchestra)
composer:
Aaron Copland (composer) (in 1942)
was commissioned by:
Cincinnati Symphony Orchestra and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
premiered by:
Cincinnati Symphony Orchestra (on 1943-03-12) and Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty) (on 1943-03-12)
publisher:
Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label)
Copland3:03
11Adagio for Strings, op. 11
producer:
Howard H. Scott (classical music producer)
orchestra:
The Philadelphia Orchestra (in 1957) and Philadelphia Orchestra (The Philadelphia Orchestra) (on 1957-04-14)
conductor:
Eugene Ormandy (conductor) (in 1957, on 1957-04-14)
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1961)
recorded at:
Broadwood Hotel in Philadelphia, Pennsylvania, United States (on 1957-04-14)
recording of:
Adagio for Strings (on 1957-04-14)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
recording of:
Adagio for Strings (in 1957)
orchestrator:
Samuel Barber (American composer) (in 1938)
composer:
Samuel Barber (American composer) (in 1936)
premiered by:
NBC Symphony Orchestra (on 1938-11-05) and Arturo Toscanini (conductor) (on 1938-11-05)
premiered at:
[radio broadcast] (1938-11-05)
publisher:
Chappell (Warner/Chappell Music, Inc.) and G. Schirmer Inc.
arrangement of:
String Quartet, op. 11: II. Molto adagio
Barber7:42
12Carmina Burana: O Fortuna
choir vocals:
New England Conservatory Chorus
orchestra:
Boston Symphony Orchestra
conductor:
小澤征爾 (Seiji Ozawa, conductor and composer)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Orff2:36
13Petrushka: Scene I. The Shrove-Tide Fair. Vivace
recording engineer:
John Crawford (sound engineer, mainly for RCA classical recordings) (from 1959-01-25 until 1959-01-28)
producer:
John Pfeiffer (producer and engineer)
orchestra:
Boston Symphony Orchestra (from 1959-01-25 until 1959-01-28)
conductor:
Pierre Monteux (conductor) (from 1959-01-25 until 1959-01-28)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1959-01-25 until 1959-01-28)
recording of:
Pétrouchka : Tableau Ia. Fête populaire de la semaine grasse (1911 version) (from 1959-01-25 until 1959-01-28)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
publisher:
Boosey & Hawkes Ltd.
part of:
Pétrouchka : Tableau I. Fête populaire de la semaine grasse (1911 version)
Stravinsky5:37
14Peter and the Wolf, op. 67: Peter’s March and Finale
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein (American conductor, composer, pianist)
partial recording of:
Peter and the Wolf, op. 67
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
adaptations:
פטר והזאב
Prokofiev3:15
15Suite no. 1 for Jazz Orchestra: Waltz
orchestra:
Radio-Sinfonie-Orchester Frankfurt (Frankfurt Radio Symphony)
conductor:
Dmitri Kitaenko (Dmitri Kitayenko, Soviet, Russian conductor b. 1940)
recording of:
Suite for Jazz Orchestra no. 1: I. Waltz. Moderato
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite for Jazz Orchestra no. 1
Shostakovich2:19
16Atmosphères
producer:
John McClure (recording engineer and record producer)
orchestra:
New York Philharmonic (on 1964-01-06)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1964-01-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1964-01-06)
recording of:
Atmosphères (on 1964-01-06)
composer:
György Ligeti (Austrian-Hungarian composer) (in 1961)
Ligeti6:52
17Grover’s Corners from “Our Town”
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Aaron Copland (composer)
recording of:
Music for Movies Suite: IV. Grover’s Corners (originally from the 1940 film "Our Town")
composer:
Aaron Copland (composer) (in 1940)
part of:
Music for Movies Suite
Copland3:10
18Evening Song from “Satyagraha”
producer:
Michael Riesman (American composer, conductor, keyboardist)
choir vocals:
New York City Opera Chorus (in 1984)
tenor vocals:
Douglas Perry (tenor vocalist) (in 1984)
orchestra:
New York City Opera Orchestra (in 1984)
conductor:
Christopher Keene (in 1984)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1984)
recording of:
Evening Song (originally from “Satyagraha”, adapted and compiled in "Songs from the Trilogy") (in 1984)
writer:
Vyasa (author of the Hindu epic Mahabharata)
composer:
Philip Glass (US composer & pianist)
Glass4:07

Credits

Release

ASIN:UK: B0051BNXN4 [info]

Release group

part of:Pure… (order: 16)