101 70s Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1We Are the Champions
Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
assistierende(r) Produzent(in) und Koproduzent(in):
Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Queen (UK rock group)
Bassgitarre:
John Deacon
E-Gitarre und Gitarre:
Brian May (Queen guitarist)
Klavier und Sologesang:
Freddie Mercury
Schlagzeug:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2011)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 25)
recording of:
We Are the Champions
Texter und Komponist(in):
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Queen Music Ltd.
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen3.953:01
2In a Broken Dream
Produzent(in):
Miki Dallon
Sologesang:
Rod Stewart
recording of:
In a Broken Dream
Texter und Komponist(in):
David Bentley (“in a broken dream”)
publisher:
New Songs Administration Ltd. und Young Blood Music Ltd.
Python Lee Jackson feat. Rod Stewart3:39
3Strange Kind of Woman
Produzent(in):
Deep Purple
E-Bass:
Roger Glover (in 1970-09)
E-Gitarre:
Ritchie Blackmore (in 1970-09)
Hammond-Orgel:
Jon Lord (in 1970-09)
Schlagzeug:
Ian Paice (in 1970-09)
Sologesang:
Ian Gillan (in 1970-09)
phonographisches Urheberrecht (℗) von:
HEC Enterprises Ltd. (in 1971)
recording of:
Strange Kind of Woman (in 1970-09)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing Japan C.F. division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple3.53:51
4Motor Biking
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:35
5Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:20
6Let’s Stick Together
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist) und Jon Walls
Techniker(in):
Steve Nye (producer, engineer and pianist) und John Punter
Produzent(in):
Bryan Ferry und Chris Thomas (UK record producer / remixer)
Bass:
John Wetton (von 1973 bis 1976)
Geige / Violine und Synthesizer:
Eddie Jobson (von 1973 bis 1976)
Gitarre:
Chris Spedding (von 1973 bis 1976)
Keyboard und Mundharmonika:
Bryan Ferry (von 1973 bis 1976)
Perkussion:
Morris Pert (von 1973 bis 1976)
Schlagzeug:
Paul Thompson (Roxy Music drummer) (von 1973 bis 1976)
Sopransaxophon:
Mel Collins (von 1973 bis 1976)
Tenorsaxophon:
Chris Mercer (British saxophonist) (von 1973 bis 1976)
Trompete:
Martin Drover (von 1973 bis 1976)
Chorgesang:
Vicki Brown (English pop, rock & contemporary classical singer) (von 1973 bis 1976), Doreen Chanter (von 1973 bis 1976), Helen Chappelle (von 1973 bis 1976), Jackie Sullivan (vocals & songwriter) (von 1973 bis 1976), Martha Walker (Vocalist) (von 1973 bis 1976) und Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (von 1973 bis 1976)
vocals:
Bryan Ferry (von 1973 bis 1976)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1976, in 1999)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich und Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (von 1973 bis 1976)
cover recording of:
Let’s Stick Together (von 1973 bis 1976)
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry3.352:56
7January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:29
8I’ve Got the Music in MeThe Kiki Dee Band54:59
9Burlesque
phonographisches Urheberrecht (℗) von:
Chappo Music (in 1972)
recording of:
Burlesque
Verfasser(in):
Roger Chapman und John Whitney (composer and conductor)
publisher:
EMI United Partnership Ltd.
Family4.54:02
10Judy Teen
recording of:
Judy Teen
Texter und Komponist(in):
Steve Harley
Steve Harley & Cockney Rebel53:42
11New York Groove
recording of:
New York Groove
Texter und Komponist(in):
Russ Ballard
publisher:
EMI April Music Inc. (beendet), Complete Music Ltd. und EMI Virgin Music Ltd. (do not use this as a release label!)
Hello52:44
12The Prince
Produzent(in):
Clive Langer
recording of:
The Prince
Texter und Komponist(in):
Lee “Kix” Thompson (Madness)
gewidmet:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness22:30
13Gangsters
Produzent(in):
The Specials AKA (ska band)
recording of:
Gangsters
Verfasser(in):
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter und Neville Staple
arranger:
Jerry Dammers
quotes music from:
Al Capone
The Special AKA4.252:47
14Dance With the Devil
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:33
15Romeo
recording of:
Romeo
Komponist(in):
Dicken (Jeff Pain) und Jake Carter (drum and bass producer Jake Carter)
Mr Big12:33
16Love Is the Drug
Produzent(in):
Chris Thomas (UK record producer / remixer)
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1975), Virgin EG Records Ltd. (in 1975) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1975, in 1999)
recording of:
Love Is the Drug
Texter:
Bryan Ferry
Komponist(in):
Andy Mackay (of Roxy Music)
publisher:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group, Universal Music Publishing MGB Australia, Universal Music–MGB Songs und E.G. Music Ltd. (publisher) (in 1975)
Roxy Music4.23:57
17Reasons to Be Cheerful, Part 3
Saxophon:
Davey Payne (UK saxophonist) (in 1979)
Sologesang:
Ian Dury (in 1979)
Interpret(in):
Chaz Jankel (English musician and songwriter) (in 1979)
aufgenommen bei:
Eretcia Studios in Roma (Rom), Roma, Lazio, Italien (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 20)
recording of:
Reasons to Be Cheerful, Part 3 (in 1979)
Texter:
Ian Dury
Komponist(in):
Chaz Jankel (English musician and songwriter) und Davey Payne (UK saxophonist)
Ian Dury & the Blockheads4.54:44
18Night Owl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979) und EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1979)
recording of:
Night Owl
Texter und Komponist(in):
Gerry Rafferty
Gerry Rafferty24:24
19Sail on Sailor
Produzent(in):
Carl Wilson (Beach Boys)
Sologesang:
Blondie Chaplin (singer, guitarist and songwriter)
recording of:
Sail On, Sailor
Komponist(in):
Tandyn Almer, Ray Kennedy (singer, songwriter, and record producer based in L.A.), Van Dyke Parks, Jack Rieley und Brian Wilson (Beach Boys co‐founder)
The Beach Boys3:18
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