The Astaire Story

~ Veröffentlichung von Fred Astaire (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Intermission: Jam Session for a Dancer
Fred Astaire & Oscar Peterson6:23
2Top Hat, White Tie, and Tails
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Fred Astaire & Oscar Peterson4:00
3No Strings, I’m Fancy Free
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Celesta und Klavier:
Oscar Peterson (Canadian jazz pianist and composer)
Gitarre:
Barney Kessel
Schlagzeug:
Alvin Stoller
Tenorsaxophon:
Flip Phillips
Trompete:
Charlie Shavers
vocals:
Fred Astaire (in 1952-12)
recording of:
No Strings (I’m Fancy Free) (from “Top Hat”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Fred Astaire & Oscar Peterson2:55
4I Concentrate on You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
I Concentrate on You (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1939)
publisher:
Chappell & Co., Inc. (USA)
Fred Astaire & Oscar Peterson2:44
5I’m Putting All My Eggs in One Basket
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (in 1952-12)
Texter und Komponist(in):
Irving Berlin (in 1936)
Fred Astaire & Oscar Peterson2:55
6A Fine Romance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
A Fine Romance (from “Swing Time”) (in 1952-12)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Chappell & Co.
Teil von:
Swing Time (film)
Fred Astaire & Oscar Peterson3:43
7Night and Day
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Bassgitarre:
Ray Brown (jazz bassist)
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1952-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire & Oscar Peterson4:53
8Fascinating Rhythm
recording of:
Fascinating Rhythm (for piano solo)
Komponist(in):
George Gershwin (composer) (in 1924)
arranger:
George Gershwin (composer)
Arrangement von:
Fascinatin’ Rhythm
Teil von:
George Gershwin’s Songbook (18 arrangements for piano solo by George Gershwin, 1932)
Fred Astaire & Oscar Peterson2:42
9I Love Louisa
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
Orchester:
MGM Studio Orchestra (in 1953)
conductor:
Adolph Deutsch (in 1953)
phonographisches Urheberrecht (℗) von:
Loew’s Incorporated (in 1953) und Metro–Goldwyn–Mayer Film Co. (in 1981)
recording of:
I Love Louisa (The Band Wagon) (in 1952-12)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
recording of:
I Love Louisa (The Band Wagon) (in 1953)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
Teil von:
The Band Wagon (1953 film)
Fred Astaire & Oscar Peterson2:43
10They Can’t Take That Away From Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (in 1952-12)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
Tenorsaxophon:
Flip Phillips (in 1952-12)
Trompete:
Charlie Shavers (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1952)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1952-12)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Fred Astaire & Oscar Peterson4:23
11Medium Dances
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-12)
Kontrabass [bass]:
Ray Brown (jazz bassist) (in 1952-12)
Schlagzeug:
Alvin Stoller (in 1952-12)
tap dance:
Fred Astaire (in 1952-12)
vocals:
Fred Astaire (in 1952-12)
recording of:
Medium Dances (Ad Lib) (in 1952-12)
Fred Astaire & Oscar Peterson2:02
12You’re Easy to (Dance with)
Fred Astaire & Oscar Peterson3:23
13A Needle in a Haystack
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
A Needle in a Haystack (from the 1934 film "The Gay Divorcee") (in 1952-12)
Texter:
Herb Magidson
Komponist(in):
Con Conrad (songwriter and producer)
Fred Astaire & Oscar Peterson2:23
14So Near and Yet So Far
recording of:
So Near and Yet So Far (from “You’ll Never Get Rich”)
Texter und Komponist(in):
Cole Porter (composer) (in 1941)
Fred Astaire & Oscar Peterson3:20
15A Foggy Day (in London Town)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
A Foggy Day (in London Town) (in 1952-12)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
A Damsel in Distress (1937 film score)
Fred Astaire & Oscar Peterson3:59
16Oh, Lady Be Good
recording of:
Oh, Lady Be Good!
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Fred Astaire & Oscar Peterson5:02
17Slow Dances (ad lib)
Fred Astaire & Oscar Peterson2:56
18I’m Building Up to an Awful Letdown
Fred Astaire & Oscar Peterson4:00
19Not My Girl
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1952-12)
Produzent(in):
Norman Granz
vocals:
Fred Astaire (in 1952-12)
recording of:
Not My Girl (in 1952-12)
Verfasser(in):
Fred Astaire, Desmond Carter und Van Phillips
Fred Astaire & Oscar Peterson3:39
20I Won’t Dance (alternate take)
recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
Fred Astaire & Oscar Peterson2:49
21Exit Music: The Second Astaire Blues
Fred Astaire & Oscar Peterson7:48

Nennungen

Veröffentlichungsgruppe

Wikipedia:en: The Astaire Story [Info]
Allmusic:https://www.allmusic.com/album/mw0000202081 [Info]
Wikidata:Q7714739 [Info]