| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
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| 1 | Alexander | Charlotte Hatherley | | 3:45 |
| 2 | All That Remains | Hari and Aino | | 2:26 |
| 3 | All to All | Broken Social Scene | 4 | 4:49 |
| 4 | Ambling Alp | Yeasayer | 4.85 | 3:57 |
| 5 | Ambulance | Eisley | 4 | 3:54 |
| 6 | Ascending Melody | Dirty Projectors | | 4:38 |
| 7 | Audience | Cold War Kids | | 3:01 |
| 8 | Away in a Manger | The Very Most | | 2:04 |
| 9 | Baby Let’s Go | I’m From Barcelona | | 3:47 |
| 10 | Black Balloon | The Kills | 5 | 3:45 |
| 11 | Blood | The Middle East | | 4:04 |
| 12 | Bloodbuzz Ohio- recording engineer:
- Aaron Dessner, Bryce Dessner , Peter Mavrogeorgis und Brandon Reid
- zusätzlich recording engineer:
- Christian Biegai (Sologesang), Patrick Dillett und Peter Katis
- assistierende(r) Techniker(in):
- Keith Nelson
- Ko-Techniker(in) und zusätzliche(r) Mix:
- Greg Giorgio
- Produzent(in):
- The National
- zusätzliche(r) Produzent(in):
- Aaron Dessner, Bryce Dessner und Peter Katis
- Mix:
- Peter Katis
- Bassgitarre:
- Scott Devendorf
- E-Gitarre:
- Bryce Dessner
- Perkussion und Schlagzeug:
- Bryan Devendorf
- vocals:
- Matt Berninger
- Orchestrator(in):
- Bryce Dessner und Padma Newsome
- aufgenommen bei:
- Aaron's garage (Brooklyn, NY) in Brooklyn, New York, New York, Vereinigte Staaten
- zusätzlich aufgenommen bei:
- Kampo Studios in Manhattan, New York, New York, Vereinigte Staaten (von 2009-03 bis 2010-01) und Tarquin Studios in Bridgeport, Connecticut, Vereinigte Staaten (von 2009-03 bis 2010-01)
- Musikvideos:
- Bloodbuzz Ohio von The National
- Teil von:
- Paste: The 25 Best Songs About Ohio Ever Made (Nummer: 9), Stereogum: The 200 Best Songs of the 2010s (Nummer: 70), Pitchfork: The 200 Best Songs of the 2010s (Nummer: 76) und Indie 88: Top 500 Indie Rock Songs (Nummer: 182)
- recording of:
- Bloodbuzz Ohio
- Texter:
- Matt Berninger
- Komponist(in):
- Aaron Dessner und Padma Newsome
- publisher:
- ABD 13 Music, Padma Music und Val Jester Music
| The National | 4 | 4:34 |
| 13 | Blue Skies | Noah and the Whale | 5 | 4:08 |
| 14 | Body of Years | Mother Mother | | 2:58 |
| 15 | Body Shot | Electric Six | 5 | 3:46 |
| 16 | Breakneck Speed | Tokyo Police Club | 4.5 | 3:45 |
| 17 | Capital of Norway | Making Marks | | 2:55 |
| 18 | Cement | Megan Washington | | 3:34 |
| 19 | Coin Laundry | Lisa Mitchell | 3 | 3:09 |
| 20 | Collector | Here We Go Magic | 5 | 5:00 |
| 21 | Cranberry | The Ruby Suns | | 4:52 |
| 22 | Crash Years | The New Pornographers | | 4:05 |
| 23 | Crazy Screwed Up Lady | Cosmo Jarvis | | 3:48 |
| 24 | Dance Anthem of the 80’s | Regina Spektor | 4.35 | 3:39 |
| 25 | Darling, It’s True | Locksley | | 3:05 |
| 26 | Days | Sambassadeur | 5 | 2:52 |
| 27 | Discovering America | Cursive | | 3:46 |
| 28 | Dissembler | Woodhands | 4 | 4:47 |
| 29 | Divisive | We Have Band | | 3:46 |
| 30 | Dog Days Are Over | Florence + the Machine | 3.8 | 4:10 |
| 31 | Dog in the Burning Building | Miles Kurosky | | 2:40 |
| 32 | Dog Tired at the Spring Dance Marathon | Hot Club de Paris | | 3:16 |
| 33 | Dream About the Future | The Apples in Stereo | 5 | 4:16 |
| 34 | Excuses | POP ETC | | 5:16 |
| 35 | Fall Hard | Shout Out Louds | | 3:32 |
| 36 | Feeling Pulled Apart by Horses | Thom Yorke | | 6:35 |
| 37 | Fire Dies Down | Seabear | | 4:30 |
| 38 | Fireflies | Owl City | | 3:12 |
| 39 | Flash Delirium | MGMT | 3.55 | 4:15 |
| 40 | Fleeting Moments | Pocketbooks | | 3:58 |
| 41 | Generator, Second Floor | Freelance Whales | | 4:29 |
| 42 | Gimme Sympathy | Metric | 4.25 | 3:53 |
| 43 | Go Do | Jónsi | | 4:38 |
| 44 | Gotta Keep Smiling | Scouting for Girls | | 3:07 |
| 45 | Happy Accident | Bright Eyes | | 3:12 |
| 46 | Have You Ever Heard a Digital Accordion | The Lovely Eggs | | 3:36 |
| 47 | Heads Will Roll | Yeah Yeah Yeahs | 4.05 | 3:40 |
| 48 | Heard It on the Radio | The Bird and the Bee | | 3:00 |
| 49 | Heart Echoes | Spaceships Are Cool | | 4:34 |
| 50 | Heartbeat Song | The Futureheads | 4 | 2:27 |
| 51 | Heaven and Earth | Blitzen Trapper | | 3:40 |
| 52 | Heaven’s on Fire | The Radio Dept. | 5 | 3:30 |
| 53 | Hey Boy | Magic Kids | | 2:14 |
| 54 | Holiday | Vampire Weekend | 4.15 | 2:08 |
| 55 | Home- Techniker(in):
- Mike Coykendall
- zusätzliche(r) Techniker(in):
- Kendra Lynn und Mike Mogis
- Produzent(in):
- M. Ward
- Mix:
- Mike Mogis
- mixed at:
- ARC Studios in Omaha, Nebraska, Vereinigte Staaten
- additionally engineered at:
- ARC Studios in Omaha, Nebraska, Vereinigte Staaten und Jackpot! in Portland, Oregon, Vereinigte Staaten
- engineered at:
- Blue Rooms in Portland, Oregon, Vereinigte Staaten, Jackpot! in Portland, Oregon, Vereinigte Staaten und The Village in Los Angeles, California , Vereinigte Staaten
| She & Him | | 4:38 |
| 56 | Hug the Harbour | Emma Pollock | | 3:41 |
| 57 | I Am Not a Robot | MARINA | | 3:32 |
| 58 | I Saw You Blink | Stornoway | | 3:49 |
| 59 | I Think We Are Alone Now | The Spinto Band | | 2:10 |
| 60 | Icarus | White Hinterland | | 3:45 |
| 61 | Immaterial | LoneLady | | 3:37 |
| 62 | Innocent- recording engineer:
- Jim Abbiss und Jonathan Shakhovskoy
- assistierende(r) Techniker(in):
- Helen Atkinson, Tom Hough und Ian Sherwin
- Produzent(in):
- Jim Abbiss und Kelly Jones
- Mix:
- Barny Barnicott
- zusätzliche(r) Mix:
- Jim Lowe
- Klavier:
- Jim Abbiss und Neil Cowley
- Orgel und Wurlitzer Electric Piano [Wurlitzer]:
- Neil Cowley
- zusätzlich Gitarre:
- Adam Zindani
- aufgenommen bei:
- State of the Ark in Richmond, Richmond upon Thames, London , England, Vereinigtes Königreich und Westpoint Studios in London , England, Vereinigtes Königreich
- mixed at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, Vereinigtes Königreich und State of the Ark in Richmond, Richmond upon Thames, London , England, Vereinigtes Königreich
- recording of:
- Innocent
- Texter und Komponist(in):
- Kelly Jones
| Stereophonics | | 3:38 |
| 63 | Interstate | The Automatic | | 3:33 |
| 64 | Is Love Forever | Spoon | 3 | 2:07 |
| 65 | Just Say Yes | Snow Patrol | 2.75 | 4:39 |
| 66 | Karen | CHEW LiPS | | 3:27 |
| 67 | King of Rome | Goldheart Assembly | | 4:05 |
| 68 | Kingfisher- recording engineer:
- Ryan Francesconi, Noah Georgeson (Sologesang [vocals]) und TJ Doherty (Harfe)
- Produzent(in):
- Joanna Newsom
- Mix:
- Jim O’Rourke
- accordion, Cembalo und Harmonium [pump organ]:
- Dan Cantrell
- Altblockflöte [alto recorder] und Tenorblockflöte:
- Judith Linsenberg
- Bratsche / Viola:
- Djeina Haruta
- Cello:
- Sascha Groschang
- Fidel und Rebec:
- Shira Kammen
- Geige / Violine:
- Katie Kresek und Philip Payton
- Harfe:
- Joanna Newsom
- Kaval und Tambura [Bulgarian tambura]:
- Ryan Francesconi
- Kornett:
- Eric Oberthaler
- Perkussion und Schlagzeug [drum set]:
- Neal Morgan
- Posaune:
- Andrew Strain
- viola da gamba:
- David Morris
- vocals:
- Joanna Newsom
- phonographisches Urheberrecht (℗) von:
- Drag City Records (in 2010)
- aufgenommen bei:
- King Sound & Pictures in Los Angeles, California , Vereinigte Staaten (Sologesang [vocals]), Radiostar Studios in Weed, California , Vereinigte Staaten (Harfe) und The Quarry House in Trinidad, California , Vereinigte Staaten
- mixed at:
- Magnet Studios in Roppongi, Minato , Tokyo, Japan
- recording of:
- Kingfisher
- Texter und Komponist(in):
- Joanna Newsom
| Joanna Newsom | 4.05 | 9:08 |
| 69 | Kungen | Love Is All | | 2:43 |
| 70 | Latin America | Holy Fuck | | 4:47 |
| 71 | Lewis Takes Off His Shirt | Owen Pallett | | 5:07 |
| 72 | Lips | Micachu & the Shapes | | 1:19 |
| 73 | Lisztomania | Phoenix | 4.2 | 3:58 |
| 74 | Little Lovin | Lissie | | 4:29 |
| 75 | Live Alone | Franz Ferdinand | 3.25 | 3:29 |
| 76 | Loxtep | Annuals | | 4:15 |
| 77 | Make You Mine | The Drums | | 3:20 |
| 78 | Marching Through Your Head | Zeus | | 2:24 |
| 79 | Marlene | Lightspeed Champion | | 3:51 |
| 80 | Mouthful of Wasps | Kashmir | | 5:14 |
| 81 | My Propeller | Arctic Monkeys | 3 | 3:23 |
| 82 | Not Fair- recording engineer, Programmierung, Audio-Engineering, Produzent(in) und Mix:
- Greg Kurstin
- Bass, Gitarre und Keyboard:
- Greg Kurstin
- Sologesang:
- Lily Allen
- gemixt für:
- SK1 Productions
- aufgenommen bei:
- Kingsize Soundlabs in Eagle Rock, Los Angeles, California , Vereinigte Staaten, Lypiatt Park in Gloucestershire, England, Vereinigtes Königreich, Olympic Studios in Barnes, Richmond upon Thames, London , England, Vereinigtes Königreich und The Premises Studios in Hoxton, Hackney, London , England, Vereinigtes Königreich
- mixed at:
- Echo Studio in Los Feliz, Los Angeles, California , Vereinigte Staaten
- Musikvideos:
- Not Fair (promo video) von Lily Allen
- recording of:
- Not Fair
- Texter und Komponist(in):
- Lily Allen und Greg Kurstin
- publisher:
- EMI April Music Inc., Kurstin Music und Universal Music Publishing Ltd.
| Lily Allen | 4 | 3:20 |
| 83 | Odessa | Caribou | 4.5 | 5:13 |
| 84 | Ohioho | Josiah Wolf | | 5:16 |
| 85 | On a Whim | Flying Machines | | 3:49 |
| 86 | One Life Stand | Hot Chip | 4.15 | 5:21 |
| 87 | Oslo Novelist | Grand Archives | | 3:51 |
| 88 | Permalight | Rogue Wave | 5 | 3:04 |
| 89 | Resistance | Muse | | 3:55 |
| 90 | Roll Away Your Stone | Mumford & Sons | | 4:19 |
| 91 | Romance Is Boring | Los Campesinos! | 5 | 2:33 |
| 92 | Romans 10–9 | The Mountain Goats | | 2:40 |
| 93 | Room 44 | Team Water Polo | | 3:17 |
| 94 | Rules Don’t Stop- Techniker(in) und Produzent(in):
- Ariel Rechtshaid
- zusätzliche(r) Techniker(in):
- Sam Bell und Chris Coady
- Mix:
- David Schiffman
- Editing:
- Mike Boden und Dana Nielsen
- aufgenommen bei:
- Mission Sound in Williamsburg, New York, New York, Vereinigte Staaten, Slow Death in Echo Park, Los Angeles, California , Vereinigte Staaten, Strongroom Studios in Shoreditch, Hackney, London , England, Vereinigtes Königreich und Sunset Lodge in Los Angeles, California , Vereinigte Staaten
- recording of:
- Rules Don't Stop
- Texter:
- Keith Murray
- Komponist(in):
- We Are Scientists
- publisher:
- Hevvy Coar und Sony/ATV Tunes LLC
| We Are Scientists | 4.5 | 2:15 |
| 95 | Salvation | Scanners | | 3:23 |
| 96 | Save It for Someone Who Cares | The Leisure Society | | 4:08 |
| 97 | Seventeen | Jet | 3 | 3:40 |
| 98 | Shanghaied | Bishop Allen | | 2:31 |
| 99 | Shooting Star | Pale Sunday | | 3:15 |
| 100 | Short Bursts | We Were Promised Jetpacks | | 3:37 |
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