Suddenly ’70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Joy to the World
registrazione di:
Joy to the World
paroliere e compositore:
Hoyt Axton
editore:
Rondor Music
Three Dog Night4.753:37
2Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:26
3King Tut
registrazione di:
King Tut
paroliere:
Steve Martin (comedian and banjo player)
Steve Martin2:14
4Blinded by the Light
archi :
David Millman (nel 1976)
basso :
Colin Pattenden (British bass player) (nel 1976)
batteria e percussione :
Chris Slade (nel 1976)
chitarra :
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (nel 1976)
chitarra [lead guitar] :
Dave Flett (guitar player in Manfred Mann’s Earth Band) (nel 1976)
corno [horn arrangement] :
Derek Wadsworth (nel 1976)
sassofono solista :
Barbara Thompson (nel 1976)
tastiera [keyboards] :
Manfred Mann (the person) (nel 1976)
cori:
Jane Bunting (nel 1976), Chris Sennett (nel 1976), Gillian Ainscow (nel 1976), Graham Jenkins (nel 1976), Hilary Farmborough (nel 1976), Jacqueline Nicholls (nel 1976), Jeremy Paynton-Jones (nel 1976), Laurence Holden (nel 1976), Marilyn Bennet (nel 1976), Peter Cudmore (nel 1976), Philip Keywood (nel 1976) e Stan Bailey (nel 1976)
voce:
Chris Hamlet Thompson (vocalist with Manfred Mann’s Earth Band) (nel 1976) e Manfred Mann (the person) (nel 1976)
voce di accompagnamento:
Doreen Chanter (nel 1976), Irene Chanter (nel 1976), Mick Rogers (of Manfred Mann’s Earth Band) (nel 1976), Chris Slade (nel 1976) e Susanne Lynch (nel 1976)
diritti fonografici (℗) detenuti da:
Creature Music Ltd.
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1976)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 76)
registrazione cover di:
Blinded by the Light (nel 1976)
paroliere e compositore:
Bruce Springsteen (dal 1972-08 al 1972-09)
editore:
Eldridge Publishing Co., Intersong Music Ltd., Sioux City Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Pop Music Publishing, Zomba Music e Laurel Canyon Music Ltd. (publishing company of Mike Appel and Jim Cretecos) (nel 1972)
Manfred Mann4.87:09
5Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1972), BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
campionamenti da:
Lexicon Valley #150, “Why Language Can’t Be Tamed” di John McWhorter
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Six Continents Music Publishing Inc.
Lou Reed4.254:15
6Smokin’ in the Boys’ Room
tecnico:
Michael Delugg
produttore:
Doug Morris (record executive) e Eric Stevens (producer active in the 1970s)
diritti fonografici (℗) detenuti da:
Big Tree Records (1970s/80s US) (nel 1973) e Warner Music International (trademark of Warner Music International the company) (nel 1973)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
registrazione di:
Smokin’ in the Boys Room
autore:
Cub Koda e Michael Lutz
editore:
Big Leaf Publishing, Lady J Music, Tooney Loons Publishing e Walden Music, Inc.
Brownsville Station52:58
7(Hey Baby) Go All the Way
produttore:
Jimmy Ienner (producer)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2000)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 181)
registrazione di:
Go All the Way
paroliere e compositore:
Eric Carmen
editore:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:22
8Dream Weaver
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975)
registrazione di:
Dream Weaver (Gary Wright)
paroliere e compositore:
Gary Wright (US singer/keyboardist) (nel 1975)
editore:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e WB Music Corp.
Gary Wright53:42
9Everybody Plays the Fool
registrazione di:
Everybody Plays the Fool
autore:
J.R. Bailey (singer and songwriter), Rudy Clark (US songwriter) e Ken Williams (songwriter)
editore:
Trio Music Company, Alley Music Corp. (nel 1991) e Trio Music Co., Inc. (nel 1991)
The Main Ingredient3:21
10Sylvia’s Mother
registrazione di:
Sylvia’s Mother
paroliere e compositore:
Shel Silverstein
editore:
Essex Music, Essex Music of Australia Pty. Ltd. e Evil Eye Music Inc.
Dr. Hook3:41
11Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:14
12Miracles
tecnico di registrazione:
Jeffrey Husband e Steve Mantoani
tecnico:
Larry Cox (US engineer/producer)
produttore:
Larry Cox (US engineer/producer) e Jefferson Starship
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1975)
registrata presso e mixata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
registrazione di:
Miracles (Jefferson Starship song)
paroliere e compositore:
Marty Balin
Jefferson Starship46:56
13Brother Louie
esecutore:
Ian Lloyd (of Stories)
diritti fonografici (℗) detenuti da:
Kama Sutra (nel 1973) e Kama Sutra Records (nel 1973)
registrazione cover di:
Brother Louie
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
EMI Music Publishing (PRS‐affiliated), Finchley Music e RAK Publishing Ltd.
Stories4.353:57
14Knock Three Times
produttore:
Dave Appell e The Tokens
arrangiatore:
Norman Bergen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975)
registrazione di:
Knock Three Times
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Tony Orlando & Dawn4.352:59
15Bad Bad Leroy Brown
voce:
Jim Croce (il 1972-06-02)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1972-06-02)
registrazione di:
Bad, Bad Leroy Brown (il 1972-06-02)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce4.63:01
16The Night Chicago Died
co-produttore:
Peter Callander (dal 1974 a oggi) e Mitch Murray (dal 1974 a oggi)
basso :
Cliff Fish (bassist for Paper Lace) (nel 1974)
batteria e voce principale:
Phil Wright (Lead singer and drummer of Paper Lace) (dal 1974 a oggi)
chitarra :
Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
voce di accompagnamento:
Cliff Fish (bassist for Paper Lace) (nel 1974), Chris Morris (Member of Paper Lace) (nel 1974) e Mick Vaughan (nel 1974)
registrata presso:
Majestic Studios in Clapham, Lambeth, London (Greater London), England, Regno Unito (nel 1974)
registrazione di:
The Night Chicago Died
paroliere:
Peter Callander
compositore:
Mitch Murray
Paper Lace3:30
17You Make Me Feel Like Dancing
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2006)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer3.752:53
18Swearin’ to God
Frankie Valli4:02
19Car Wash
registrazione di:
Car Wash
paroliere e compositore:
Norman Whitfield
editore:
Universal/MCA Music Ltd. (not for release label use!) e USI B Music Publishing
Rose Royce3:30
20Gonna Fly Now
tecnico:
Ami Hadani
voce principale:
DeEtta Little e Nelson Pigford
diritti fonografici (℗) detenuti da:
Metro–Goldwyn–Mayer Music Inc. (licensing of music of which MGM owns the rights and focuses on releasing soundtrack releases) (nel 1976)
registrazione di:
Gonna Fly Now
paroliere:
Carol Connors e Ayn Robbins
compositore:
Bill Conti
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
The 49th Academy Award for Best Original Song (numero: 2)
Bill Conti4.652:48