The Capitol Studios Sessions

~ Release by Jeff Goldblum & The Mildred Snitzer Orchestra (see all versions of this release, 5 available)

Tracklist

112" Vinyl
212" Vinyl
#TitleRatingLength
C1It Never Entered My Mind
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
flugelhorn and solo trumpet:
Till Brönner (German trumpet player)
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
It Never Entered My Mind
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
C2Gee Baby (Ain't I Good to You)
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
vocals:
Haley Reinhart
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
C3I Wish I Knew (How It Would Feel to Be Free)
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
I Wish I Knew How It Would Feel to Be Free
writer:
Billy Taylor (jazz/bop pianist) and Richard Lamb
publisher:
Duane Music Inc. and Westminster Music Ltd.
part of:
The Real Book (compilation of jazz standards, volume I)
?:??
D1This Bitter Earth
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
flugelhorn and solo trumpet:
Till Brönner (German trumpet player)
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
vocals:
Imelda May
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
This Bitter Earth
lyricist and composer:
Clyde Otis (American songwriter and record producer)
publisher:
Eden Music, Inc., Ensign Music, Iza Music Corp., Play Music, Inc. and Trio Music (publisher)
?:??
D2Come On-A-My House?:??
D3Caravan
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
flugelhorn and solo trumpet:
Till Brönner (German trumpet player)
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
cover recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
?:??
D4Good Nights
assistant recording engineer:
Nick Rives
recording engineer:
Ed Cherney
programming:
Chandler Harrod (engineer)
producer:
Larry Klein
mixer:
Tim Palmer (British producer/mixer)
editor:
Adam Greenspan
double bass:
Alex Frank (bassist)
drums (drum set):
Kenny Elliot
guitar:
John Storie
Hammond organ:
Joe Bagg
piano:
Jeff Goldblum
saxophone:
James King (US multi-instrumentalist, Fitz and The Tantrums)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
mixed at:
'62 Studios in Austin, Texas, United States
edited at:
Strange Cargo Studio in Los Angeles, California, United States
?:??