20th Century

~ Release by Pierre Boulez (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Lulu: Akt II, Szene I. "Sie glauben nicht, wie ich mich darauf freue"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie glauben nicht" - "Könntest du dich für heute nachmittag" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:27
2Lulu: Akt II, Szene I. "Gott sei Dank, daß wir endlich zuhause sind"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Gott sei dank, dass wir endlich" ... "Hast oben abgeschlossen?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:40
3Lulu: Akt II, Szene I. "Die Matinée wird, wie ich mir denke, bei elektrischem Licht stattfinden"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
tenor vocals [Der Kammerdiener]:
Helmut Pampuch (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Die Matinée wird, wie ich mir denke" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg6:15
4Lulu: Akt II, Szene I. "Sein Vater!" - "In Paris ist Revolution ausgebrochen"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sein Vater!" ... "Du Kreatur, die mich durch den Strassenkot" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg3:46
5Lulu: Akt II, Szene I. "Wenn sich die Menschen um meinetwillen umgebracht haben"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Dr. Schön]:
Franz Mazura (bass / baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg6:13
6Lulu: Akt II, Szene I. Verwandlung (Filmmusik)
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. Filmmusik (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg2:49
7Lulu: Akt II, Szene II. "Er läßt auf sich warten wie ein Kapellmeister"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
mezzo-soprano vocals [Gräfin Geschwitz]:
Yvonne Minton (mezzo-soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Er lässt auf sich warten" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:42
8Lulu: Akt II, Szene II. "Sie wollten der verrückten Rakete noch Geld geben!?"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
contralto vocals [Ein Gymnasiast]:
Hanna Schwarz (mezzo soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Sie wollten der verrückten Rakete" - "Mit wem habe ich ... Sie?" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg5:34
9Lulu: Akt II, Szene II. "Hü, kleine Lulu"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
baritone vocals [Schigolch]:
Toni Blankenheim (baritone) (from 1979-03 until 1979-06)
bass vocals [Rodrigo]:
Gerd Nienstedt (bass-baritone) (from 1979-03 until 1979-06)
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Hü, kleine Lulu" - "O Freiheit! Herr Gott im Himmel!" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg7:26
10Lulu: Akt II, Szene II. "Wenn deine beiden großen Kinderaugen nicht wären"
recording engineer:
Wolf‐Dieter Karwatky (from 1979-03 until 1979-06)
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
editor:
Wolf‐Dieter Karwatky
soprano vocals [Lulu]:
Teresa Stratas (soprano) (from 1979-03 until 1979-06)
tenor vocals [Alwa]:
Kenneth Riegel (tenor) (from 1979-03 until 1979-06)
orchestra:
Orchestre de l’Opéra de Paris (from 1979-03 until 1979-06)
conductor:
Pierre Boulez (composer and conductor) (from 1979-03 until 1979-06)
balance engineer:
Karl-August Naegler (balance engineer) (from 1979-03 until 1979-06)
recorded at:
IRCAM in Paris, Île-de-France, France (from 1979-03 until 1979-06)
recording of:
Lulu: Act 2. "Wenn deine beiden grossen Kinderaugen" - "Durch dieses Kleid" (from 1979-03 until 1979-06)
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg4:58
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Credits

Release group

includes:Boulez Conducts Boulez: ...Explosante-fixe... / Notations I–XII / Structures II by Boulez (composer and conductor); Boulez (composer and conductor), Pierre‐Laurent Aimard (pianist), Florent Boffard (pianist), Ensemble intercontemporain
Boulez conducts Stravinsky: Le Chant du rossignol / L’Histoire du soldat (suite) / Scherzo fantastique / Le roi des étoiles by Stravinsky (Igor Stravinsky, Russian composer); The Cleveland Orchestra, Boulez (composer and conductor)
Boulez conducts Varèse: Amériques / Arcana / Déserts / Ionisation by Varèse (composer); Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)
Boulez Conducts Webern, III by Webern (composer); Berliner Philharmoniker (Berlin Philharmonic Orchestra), Pierre Boulez (composer and conductor)
Concertos by Bartók (Béla Bartók, composer); Aimard (pianist), Stefanovich (pianist), Kremer (violinist), Bashmet (Yuri Bashmet, Russian conductor and violist), London Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Boulez (composer and conductor)
Le Marteau sans maître / Dérive 1 & 2 by Boulez (composer and conductor); Ensemble intercontemporain
Lulu by Alban Berg (Austrian composer); Teresa Stratas (soprano), Orchestre de l’Opéra de Paris, Pierre Boulez (composer and conductor), Yvonne Minton (mezzo-soprano), Hanna Schwarz (mezzo soprano), Franz Mazura (bass / baritone), Kenneth Riegel (tenor), Toni Blankenheim (baritone), Robert Tear (tenor), Helmut Pampuch (tenor)
Pierrot lunaire / Herzgewächse / Ode to Napoleon by Schoenberg (Arnold Schoenberg, composer); Christine Schäfer (soprano), Pierre Boulez (composer and conductor), David Pittman-Jennings (bass-baritone), Ensemble InterContemporain
Pli selon Pli by Pierre Boulez (composer and conductor); Christine Schäfer (soprano), Ensemble InterContemporain, Pierre Boulez (composer and conductor)
Poèmes pour Mi / Sept Haïkaï / Le Réveil des oiseaux by Olivier Messiaen (composer and organist); The Cleveland Orchestra, Pierre Boulez (composer and conductor)
Ravel: Shéhérazade / Le Tombeau de Couperin / Debussy: Trois ballades de François Villon by Maurice Ravel (French composer), Claude Debussy (French composer); Pierre Boulez (composer and conductor)
Sur Incises / Messagesquisse / Anthèmes 2 by Boulez (composer and conductor); Jean‐Guihen Queyras (French cellist), Hae-Sun Kang (violinist), Ensemble intercontemporain, Pierre Boulez (composer and conductor)
Symphony no. 3 "Song of the Night" / Violin Concerto no. 1 by Karol Szymanowski (Polish composer), Christian Tetzlaff (violinist), Wiener Philharmoniker (Vienna Philharmonic) & Pierre Boulez (composer and conductor)
The Piano Concertos by Bartók (Béla Bartók, composer); Zimerman (pianist), Andsnes (pianist), Grimaud (French pianist), Chicago Symphony Orchestra, Berliner Philharmoniker (Berlin Philharmonic Orchestra), London Symphony Orchestra, Boulez (composer and conductor)
Theseus Games / Earth Dances by Birtwistle (composer); Ensemble Modern, Brabbins (conductor), Valade (flutist and conductor), Ensemble Modern Orchestra, Boulez (composer and conductor)
Violin Concerto no. 2 / Rhapsodies nos. 1 & 2 by Bartók (Béla Bartók, composer); Gil Shaham (violinist), Chicago Symphony Orchestra, Pierre Boulez (composer and conductor)