The Very Best of Julie London

~ Pubblicazione di Julie London (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD: Disc One
#TitoloValutazioneDurata
1Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:34
2Cry Me a River
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London (nel 1955-08)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 15)
registrazione di:
Cry Me a River (nel 1955-08)
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
4.652:54
3Blue Moon
tecnico:
Ted Keep (nel 1958-07)
produttore:
Bobby Troup
voce:
Julie London (nel 1958-07)
registrazione di:
Blue Moon (nel 1958-07)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
52:31
4Sway
voce:
Julie London
registrazione di:
Sway
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
52:36
5My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria e membranofono :
Colin Bailey (drummer) (il 1965-07-12)
chitarra :
Joe Pass (jazz guitarist) (il 1965-07-12)
contrabbasso :
Monty Budwig (il 1965-07-12)
legni :
Bud Shank (il 1965-07-12)
pianoforte :
Russ Freeman (pianist) (il 1965-07-12)
strumenti:
The Bud Shank Quintet (il 1965-07-12)
voce:
Julie London (il 1965-07-12)
arrangiatore:
Russ Freeman (pianist)
registrata presso:
Pacific Jazz Studios in Los Angeles, California, Stati Uniti (il 1965-07-12)
registrazione cover di:
My Heart Belongs to Daddy (il 1965-07-12)
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (library/production music), Chappell & Co. e Chappell Music Ltd.
2:42
6When I Fall in Love
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:21
7Can’t Help Lovin’ That Man
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
voce:
Julie London (nel 1955-08)
registrazione di:
Can’t Help Lovin’ Dat Man (Show Boat) (nel 1955-08)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
T.B. Harms Co.
medley di:
Selections from "Show boat"
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
parte di:
The Real Book (compilation of jazz standards, volume I)
registrazione cover di:
Can’t Help Lovin’ Dat Man (Show Boat) (nel 1955-08)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1927)
compositore:
Jerome Kern (nel 1927)
editore:
T.B. Harms Co.
medley di:
Selections from "Show boat"
parte di:
Show Boat (1951 film)
parte di:
Show Boat: Act I
parte di:
The Real Book (compilation of jazz standards, volume I)
33:11
8Misty
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
Misty (nel 1960-08)
paroliere:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
43:11
9Lover Man
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
42:34
10Desafinado (Slightly Out of Tune)
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione di:
Slightly Out of Tune (Hendricks/Cavanaugh version)
paroliere:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) e Jon Hendricks
compositore:
Antônio Carlos Jobim
editore:
Bendig Music Corp., Corcovado Music Corp. e Hollis Music, Inc.
si basa su:
Desafinado
2:04
11Girls Talk
tecnico:
Dayton “Bones” Howe
produttore:
Richard Bock (record producer)
voce:
Julie London
arrangiatore:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
registrazione cover di:
Girl Talk
paroliere:
Bobby Troup
compositore:
Neal Hefti
parte di:
East Coast Music Association Song of the Year Nominees (numero: 1991 (Holly Cole))
2:41
12Let There Be Love
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
registrata presso:
Julie London’s living room
registrazione di:
Let There Be Love
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
2:04
13Wives and Lovers
tecnico:
Dave Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
arrangiatore:
Ernie Freeman
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
2:39
14In the Wee Small Hours of the Morning
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
In the Wee Small Hours of the Morning (nel 1960-08)
paroliere:
Bob Hilliard
compositore:
David Mann (American songwriter)
editore:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company e Rytvoc, Inc. (ASCAP)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e 日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The Real Book (compilation of jazz standards, volume I)
52:49
15Making Whoopee
2:44
16The Good Life
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
2:55
17The More I See You
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
53:01
18A Taste of Honey
tecnico:
Eddie Brackett
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione di:
A Taste of Honey
paroliere:
Ric Marlow (nel 1960)
compositore:
Bobby Scott (vocals, piano, US musician & producer) (nel 1960)
editore:
Ambassador Music Ltd. e Songfest Music Corp.
3:23
19Go Slow
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Go Slow
paroliere:
Ned Kronk
compositore:
Russell Garcia
42:15
20You and the Night and the Music
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
You and the Night and the Music (nel 1960-08)
paroliere:
Howard Dietz (librettist)
compositore:
Arthur Schwartz
editore:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. e Warner Bros. Music (publisher; do NOT use as release label)
parte di:
The Band Wagon (1953 film)
42:40
21Black Coffee
registrazione cover di:
Black Coffee (1948 song)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
3:04
22Basin Street Blues
3:09
23Blues in the Night
registrazione di:
Blues in the Night (My Mama Done Tol’ Me)
paroliere:
Johnny Mercer (nel 1941)
compositore:
Harold Arlen (nel 1941)
editore:
Warner Bros., Inc. (not for release label use!) e WB Music Corp. (1929–2019)
parte di:
The 14th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1941 nominee)
3:52
24’Round Midnight
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London (nel 1960-08)
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (nel 1960-08)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
’Round Midnight (nel 1960-08)
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
42:55
25As Time Goes By
registrazione di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
3:11
2▶CD: Disc Two

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