The Matrix (The Complete Score)

~ Release by Don Davis (see all versions of this release, 15 available)

Tracklist

1▼Digital Media
#	Title	Rating	Length
1	Logos / The Matrix Main Title mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Main Title (The Matrix) part of: The Matrix		0:53
2	Trinity Infinity mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Trinity Infinity (The Matrix) orchestrator and composer: Don Davis (American score composer) part of: The Matrix		6:01
3	Neo Con Brio mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:32
4	Follow The White Rabbit mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Follow the White Rabbit (The Matrix) part of: The Matrix	1	0:16
5	Neo On The Edge mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Neo on the Edge orchestrator and composer: Don Davis (American score composer) part of: The Matrix		3:24
6	Through The Surveillance Monitor mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:59
7	Unable To Speak mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Unable to Speak orchestrator and composer: Don Davis (American score composer) part of: The Matrix	2	1:14
8	Bait And Switch mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Bait and Switch orchestrator and composer: Don Davis (American score composer) part of: The Matrix		3:16
9	Switched For Life mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Switched for Life orchestrator and composer: Don Davis (American score composer) part of: The Matrix		3:37
10	Switched At Birth mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Switched at Birth orchestrator and composer: Don Davis (American score composer) part of: The Matrix		2:43
11	Switches Brew mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		2:28
12	Cold Hearted Switch mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Cold Hearted Switch orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:40
13	Nascent Nauseous Neo mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Nascent Nauseous Neo orchestrator and composer: Don Davis (American score composer) part of: The Matrix		4:01
14	A Morpheus Movement mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: A Morpheus Moment orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:39
15	Bow Whisk Orchestra mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Bow Whisk Orchestra orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:23
16	Domo Showdown mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Domo Showdown orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:14
17	Switch Or Break Show mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Switch or Break Show orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:05
18	Shake, Borrow, Switch mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Shake, Borrow, Switch orchestrator and composer: Don Davis (American score composer) part of: The Matrix	1	0:39
19	Switch Works Her Boa mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Switch Woks Her Boa orchestrator and composer: Don Davis (American score composer) part of: The Matrix	1	0:56
20	Bring Me Dinner mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:39
21	The System mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:38
22	Freeze Face mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Freeze Face orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:53
23	Switch Woks Her Boar mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		2:08
24	Cypher Cybernetic mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:59
25	Ignorance Is Bliss / Cyber Cyphernetic mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		1:51
26	See Who? mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States	1	0:22
27	Switch Out mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Switch Out orchestrator and composer: Don Davis (American score composer) part of: The Matrix		2:58
28	Boon Spoy mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Boon Spoy orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:08
29	Oracle Cookies mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Oracle Cookies orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:30
30	Threat Mix mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Threat Mix orchestrator and composer: Don Davis (American score composer) part of: The Matrix		6:05
31	Exit Mr. Hat mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Exit Mr. Hat orchestrator and composer: Don Davis (American score composer) part of: The Matrix		2:57
32	On Your Knees, Switch mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: On Your Knees, Switch orchestrator and composer: Don Davis (American score composer) part of: The Matrix		4:44
33	Mix The Art mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Mix the Art orchestrator and composer: Don Davis (American score composer) part of: The Matrix		2:10
34	Whoa, Switch Brokers mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Whoa, Switch Brokers orchestrator and composer: Don Davis (American score composer) part of: The Matrix		4:01
35	The Cure mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		1:35
36	It’s The Smell mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		1:57
37	The Lobby mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		0:28
38	No More Spoons mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: No More Spoons orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:03
39	Dodge This mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Dodge This orchestrator and composer: Don Davis (American score composer) part of: The Matrix		1:08
40	Fast Learning mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States		0:44
41	Ontological Shock mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Ontological Shock orchestrator and composer: Don Davis (American score composer) part of: The Matrix		4:17
42	That’s Gotta Hurt mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: That's Gotta Hurt orchestrator and composer: Don Davis (American score composer) part of: The Matrix		5:17
43	Surprise mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: Surprise! orchestrator and composer: Don Davis (American score composer) part of: The Matrix		4:07
44	He’s The One Alright mixer: Armin Steiner editor: Jordan Corngold, Lori Eschler-Frystak and Brenda Heins orchestra: Hollywood Studio Symphony field recordings: Larry Mah and John Rodd (engineer) recorded at: Hacienda Studio (synthesizer), L.A. East Studio in Salt Lake City, Utah, United States (choir vocals) and Newman Scoring Stage in Century City, Los Angeles, California, United States recording of: He's the One Alright orchestrator and composer: Don Davis (American score composer) part of: The Matrix		6:51

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purchase for download:	https://music.apple.com/us/album/1574417068 [info] https://www.qobuz.com/de-de/album/the-matrix-don-davis/o6x1g9bb9h9aa [info]
ASIN:	US: B0991NFJXY [info]
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Discogs:	https://www.discogs.com/master/298381 [info]
IMDb:	https://www.imdb.com/title/tt0133093/ [info]
Wikidata:	Q7750678 [info]

The Matrix (The Complete Score)

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