Star Profile

~ Release by Beastie Boys (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Intergalactic
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
vocals:
Biz Markie
contains samples by:
Les Baxter and The Jazz Crusaders (US jazz group)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Dessau Studios in New York, New York, United States, G-Son Studios in Atwater Village, Los Angeles, California, United States, RPM Studios in New York, New York, United States, Soho Music Studios in New York, New York, United States, Ted Diamond’s House of Hits in New York, New York, United States, The Dungeon in New York, New York, United States and The Tree House in Brooklyn, New York, New York, United States
mixed at:
RPM Studios in New York, New York, United States
samples:
Love Is Blue (L'amour est bleu) by The Jazz Crusaders (US jazz group), Planetary Citizen by Mahavishnu Orchestra, Prelude in C# minor by Les Baxter and The New Style by Beastie Boys
music videos:
Intergalactic by Beastie Boys
part of:
Indie 88: Top 500 Indie Rock Songs (number: 161)
recording of:
Intergalactic
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Mario Caldato Jr. and Michael Diamond (member of Beastie Boys)
publisher:
Skyview Music (ended), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Brooklyn Dust Music (in 1998) and PolyGram International Music Publishing, Inc. (in 1998)
quotes music from:
Morceaux de fantaisie, op. 3: No. 2. Prélude in C‐sharp minor (The Bells of Moscow)
3.53:48
2Sabotage
live recording of:
Sabotage
writer:
Adam Horovitz, Adam Nathaniel Yauch and Michael Louis Diamon (member of Beastie Boys)
publisher:
Brooklyn Dust Music, Polygram Int. Publ. GmbH, Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2:55
3Three MC’s and One DJ
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
turntable:
Mix Master Mike
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
Funky Drummer by James Brown (The Godfather of Soul) and Rob Swift vs. Rhazel by Rob Swift
recording of:
Three MC’s and One DJ
writer:
Adam Keefe Horovitz, Adam Nathaniel Yauch, Wendell Fite, Michael Anthony Schwartz and Michael Diamond (member of Beastie Boys)
publisher:
Brooklyn Dust Music, EMI April Music Inc., Grand Royal Music, PolyGram International Music Publishing, Inc. and Street N.I.G.Z. Music
2.72:49
4Super Disco Breakin’
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
vocals:
Ad‐Rock, Mike D (member of Beastie Boys) and MCA
contains samples by:
Run‐D.M.C.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
Is Manhattan in the House? (live, 1982-12-31: NYE Party) by Busy Bee (old-school hip hop MC David Parker) and Sucker M.C.’s (Krush‐Groove 1) by Run‐D.M.C.
recording of:
Super Disco Breakin’
additional writer:
Darryl McDaniels (rapper Darryl McDaniels), Joseph Simmons (US rapper Rev. Run of Run-D.M.C) and Lawrence Smith (US hip hop producer)
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, PolyGram International Music Publishing, Inc. and Protoons Inc.
3.152:08
5Just a Test2.952:14
6Egg Raid on Mojo
recording of:
Egg Raid on Mojo
writer:
John Berry (former member of Beastie Boys), Michael Diamond (member of Beastie Boys), Kate Schellenbach and Adam Yauch
publisher:
Brooklyn Dust Music, EMI April Music Inc., Luscious Jackson Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
1:20
7Song for Junior
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
flute:
Steve Slagle
keyboard:
Mark Nishita
percussion:
Eric Bobo
vibraphone:
Joe Locke (United States jazz vibraphonist)
vocals:
Jill Cunniff
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
instrumental recording of:
Song for Junior
composer:
Adam Horovitz, Jill Cunniff, Eric Bobo, Mark Nishita, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, EMI April Music Inc., Fido Speaks Music, Grand Royal Music, Luscious Jackson Music and PolyGram International Music Publishing, Inc.
1.53:48
8The Move
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
contains samples by:
Bobbito (US hip-hop DJ Bobbito Garcia, a.k.a. Cucumber Slice), Lord Sear and Los Angeles Negros
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
El rey y yo by Los Ángeles Negros, Get Out of My Life, Woman by Iron Butterfly and Gula Matari by Quincy Jones
recording of:
The Move
additional writer:
Osvaldo Geldres
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, Peer International Corporation (BMI) and PolyGram International Music Publishing, Inc.
3.353:38
9Beastie Revolution5:10
10Transit Cop
recording of:
Transit Cop
writer:
John Berry (former member of Beastie Boys), Michael Diamond (member of Beastie Boys), Kate Schellenbach and Adam Yauch
publisher:
Brooklyn Dust Music, EMI April Music Inc., Grand Royal Music, Luscious Jackson Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
11:22
11Song for the Man
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
alto saxophone:
Paul Vercesi
keyboard:
Mark Nishita
trombone:
Nelson Keene Carse
vocals:
Brooke Williams (artist/photographer Brooke Williams)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
recording of:
Song for the Man
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
PolyGram International Music Publishing, Inc. (ended), Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.653:13
12Namasté
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Namaste
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2.64:03
13Can’t, Won’t, Don’t Stop
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
turntable:
Mix Master Mike
guest lead vocals:
Biz Markie
vocals:
Biz Markie
contains samples by:
Alex Bradford & Company
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
Flash to the Beat by Grandmaster Flash & The Furious Five, Flash to the Beat, Part 1 by Grandmaster Flash, I Gotta Keep Movin' by Micki Grant and Superappin’ (No. 1) by Grandmaster Flash and the Furious Five
recording of:
Can't, Won't, Don't Stop
composer:
Beastie Boys, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
recording of:
The Grasshopper Unit (Keep Movin’)
additional writer:
Micki Grant
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, Fiddleback Music Publishing Co., Inc., PolyGram International Music Publishing, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
2.353:00
14The Maestro
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
vocals:
Nax Setevassac
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Maestro
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.152:54
15Pow
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Pow
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
2.252:16
16Cooky Puss13:20
17Instant Death
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
recording of:
Instant Death
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and PolyGram International Music Publishing, Inc.
13:18
18Jimmy James
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) by The Turtles (late 60s US rock band)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.23:10
19Electrify
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
contains samples by:
Dean Jones & Company and Leopold Stokowski (conductor)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
samples:
Company (Company, 1970 original Broadway cast) by Dean Jones & Company (Actor), Harold Hastings and Stakes Is High by De La Soul
recording of:
Electrify
additional writer:
Stephen Sondheim
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, PolyGram International Music Publishing, Inc., Quartet Music Inc., Range Road Music Inc., Rilting Music, Inc. and The Herald Square Music Co.
2.42:24
20Dedication
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
keyboard:
Mark Nishita
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
recording of:
Dedication
writer:
Adam Horovitz, Mark Nishita, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music, Fido Speaks Music and PolyGram International Music Publishing, Inc.
2.22:33
21And Me
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
recording of:
And Me
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and PolyGram International Music Publishing, Inc.
1.12:52
22Groove Holmes
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
32:32
23Sneakin’ Out the Hospital
additional engineer:
Steve Revitte and Sue Dyer
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
guest percussion and percussion:
Eric Bobo
turntable:
Mix Master Mike
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
mixed at:
RPM Studios in New York, New York, United States
instrumental recording of:
Sneakin’ Out the Hospital
composer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and PolyGram International Music Publishing, Inc.
22:45
24Body Movin’ (Fatboy Slim mix)2.85:31

Credits

Release

part of:Star Profile (All Stars series) (order: 3)
Discogs:https://www.discogs.com/release/1127537 [info]