California Concerts, Volume 2

~ Release by Gerry Mulligan (see all versions of this release, 1 available)

Annotation

Recorded live at Hoover High School, San Diego, CA.

Annotation last modified on 2018-02-11 03:15 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Makin' Whoopee
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Chico Hamilton (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live instrumental recording of:
Makin’ Whoopee! (on 1954-12-14)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:15
2Nights at the Turntable
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Chico Hamilton (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live recording of:
Nights at the Turntable (on 1954-12-14)
composer:
Gerry Mulligan
3:06
3Blues for Tiny
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Chico Hamilton (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live recording of:
Blues For Tiny (on 1954-12-14)
composer:
Red Mitchell (jazz double-bassist, composer and lyricist)
5:20
4Frenesi
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Chico Hamilton (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live instrumental recording of:
Frenesí (on 1954-12-14)
lyricist and composer:
Alberto Domínguez
3:16
5Limelite
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Chico Hamilton (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live recording of:
Limelight (on 1954-12-14)
writer and composer:
Gerry Mulligan
3:45
6People Will Say We're in Love
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano and valve trombone:
Bob Brookmeyer (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live instrumental recording of:
People Will Say We’re in Love (on 1954-12-14)
orchestrator:
Robert Russell Bennett (American composer and arranger)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
4:04
7Western Union
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
valve trombone:
Bob Brookmeyer (on 1954-12-14)
live recording of:
Western Reunion (on 1954-12-14)
composer:
Gerry Mulligan
7:16
8I Know, Don't Know Why
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
valve trombone:
Bob Brookmeyer (on 1954-12-14)
recording of:
I Know, Don't Know How (on 1954-12-14)
composer:
Gerry Mulligan
5:29
9The Red Door
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano:
Bob Brookmeyer (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
live recording of:
Red Door (on 1954-12-14)
composer:
Gerry Mulligan and Zoot Sims (US jazz saxophonist)
7:14
10Polka Dots and Moon Beams
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano:
Bob Brookmeyer (on 1954-12-14)
live instrumental recording of:
Polka Dots and Moonbeams (on 1954-12-14)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
ABC Music Co. (799 Sevenih Avenue, New York 1930s-1940s), Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher and Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
6:59
11I'll Remember April
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano:
Bob Brookmeyer (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
live instrumental recording of:
I’ll Remember April (on 1954-12-14)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music Co., MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
4:21
12There Will Never Be Another You
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano:
Gerry Mulligan (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
valve trombone:
Bob Brookmeyer (on 1954-12-14)
live instrumental recording of:
There Will Never Be Another You (on 1954-12-14)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
5:37
13It Don't Mean a Thing (If It Ain't Got That Swing)
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
valve trombone:
Bob Brookmeyer (on 1954-12-14)
live instrumental recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1954-12-14)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
3:51
14In a Sentimental Mood / Flamingo / Moon Mist
recorded in:
San Diego, California, United States (on 1954-12-14)
recording engineer:
Richard Bock (record producer) and Phil Turetsky
producer:
Richard Bock (record producer)
baritone saxophone:
Gerry Mulligan (on 1954-12-14)
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1954-12-14)
drums (drum set):
Larry Bunker (on 1954-12-14)
piano and valve trombone:
Bob Brookmeyer (on 1954-12-14)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1954-12-14)
trumpet:
Jon Eardley (US 1950-80s jazz trumpeter) (on 1954-12-14)
live medley including a instrumental recording of:
Flamingo (on 1954-12-14)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
live medley including a instrumental recording of:
In a Sentimental Mood (on 1954-12-14)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
live medley including a recording of:
Moon Mist (on 1954-12-14)
composer:
Mercer Ellington
5:50

Credits

Release

producer:Michael Cuscuna (task: Produced for release)
transferrer:Ron McMaster (US mastering & cutting engineer)
Discogs:https://www.discogs.com/release/4127202 [info]
ASIN:US: B000005H5V [info]