Hitarchief Top 2000, Volume 5

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelKünstlerBewertungLänge
1Y.M.C.A.
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Bearbeitung von:
Y.M.C.A. (album version) von Village People
recording of:
Y.M.C.A.
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
Village People4.153:43
2Shake Your Body (Down to the Ground)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1978-08)
Gitarre:
Tito Jackson (in 1978-08)
Keyboard und Synthesizer:
Mike Boddicker (in 1978-08) und Greg Phillinganes (in 1978-08)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1978-08)
Schlagzeug:
Ed Green (US violinist/percussionist) (in 1978-08)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5) (in 1978-08), Marlon Jackson (in 1978-08), Randy Jackson (brother of Michael and Janet) (in 1978-08) und Tito Jackson (in 1978-08)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978-08)
recording of:
Shake Your Body (Down to the Ground) (in 1978-08)
Texter und Komponist(in):
Michael Jackson (“King of Pop”) und Randy Jackson (brother of Michael and Janet)
publisher:
Mijac Music, Peacock Music Publishing Company, Ranjack Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jackson 54.253:45
3Que sera mi vida (If You Should Go)
Produzent(in):
Daniel Vangarde
recording of:
Que será mi vida
Texter:
Nelly Byl (Belgian lyricist) und Daniel Vangarde
Komponist(in):
Jean Kluger (Belgian producer, publisher, songwriter) und Daniel Vangarde
publisher:
Bleu Blanc Rouge und Zagora (French label and publisher)
Gibson Brothers3:52
4That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:00
5Fresh
recording of:
Fresh
Verfasser(in):
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith und James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4.44:22
6Release (the Tension)
recording of:
Release (The Tension)
Verfasser(in):
Allen Toussaint
Patti LaBelle3:57
7Daddy Cool
Produzent(in):
Frank Farian
Hintergrundgesang und Sologesang:
Marcia Barrett (in 1976), Frank Farian (in 1976) und Liz Mitchell (in 1976)
arranger:
Steven Hammer
phonographisches Urheberrecht (℗) von:
Far Music Productions GmbH (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1976)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 153)
recording of:
Daddy Cool (in 1976)
Texter:
George Reyam
Komponist(in):
Frank Farian
publisher:
BMG Music, Far Musikverlag GmbH und Intro (German publisher) (in 1976)
Boney M.4.13:28
8Baby Love
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (am 1964-08-13)
Bass:
James Jamerson (am 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (am 1964-08-13)
Gitarre:
Eddie Willis (am 1964-08-13)
Instrumente:
The Funk Brothers (am 1964-08-13)
Klavier:
Earl Van Dyke (am 1964-08-13)
Schlagzeug:
Richard "Pistol" Allen (am 1964-08-13)
Tenorsaxophon:
Henry Cosby (am 1964-08-13)
Vibraphon:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (am 1964-08-13)
Hintergrundgesang:
Florence Ballard (am 1964-08-13) und Mary Wilson (am 1964-08-13)
Sologesang:
Diana Ross (am 1964-08-13)
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) und UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
aufgenommen bei:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Vereinigte Staaten (am 1964-08-13)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 324) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 499)
recording of:
Baby Love (am 1964-08-13)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music Division
The Supremes4.352:35
9Ich bin wie Du
recording of:
Ich bin wie du
Texter:
Christian Heilburg (songwriter and producer)
Komponist(in):
Joachim Heider (producer, composer, performer)
Marianne Rosenberg3:35
10Weekend
recording of:
Weekend (Earth and Fire)
Texter und Komponist(in):
Gerard Koerts
publisher:
Nada Music (Dutch publisher)
Earth and Fire3:31
11Paloma blanca
phonographisches Urheberrecht (℗) von:
EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:47
12Da da da I Don’t Love You You Don’t Love Me Aha Aha Aha
Techniker(in):
Jim Duncombe (Swiss musician / engineer) (in 1982-01)
Produzent(in):
Klaus Voormann (in 1982-01)
E-Bass:
Klaus Voormann (in 1982-01)
E-Gitarre:
Kralle Krawinkel (in 1982-01)
Kastagnetten:
Hans‐Joachim Behrendt (in 1982-01)
Keyboard:
Stephan Remmler (in 1982-01)
Schlagzeug:
Peter Behrens (in 1982-01)
Hintergrundgesang:
Annette Humpe (in 1982-01)
Sologesang:
Stephan Remmler (in 1982)
engineered at:
Audio Studios in Berlin, Deutschland (in 1982-01) und Powerplay Studios in Maur, Zürich (Kanton Zürich), Schweiz (in 1982-01)
Bearbeitung von:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha von Trio (80s German band)
Musikvideos:
Da Da Da (I Don't Love You) von Trio (80s German band)
recording of:
Da Da Da I Don’t Love You You Don’t Love Me Aha Aha Aha (in 1982-01)
Texter und Komponist(in):
Kralle (in 1981) und Stephan Remmler (in 1981)
Übersetzer:
Kralle und Stephan Remmler
publisher:
Just Us Music Production GmbH
übersetzte Version von:
Da da da ich lieb dich nicht du liebst mich nicht aha aha aha
Trio3.353:20
13Some Kind of Wonderful
recording of:
Some Kind of Wonderful
Texter und Komponist(in):
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company und Fermata do Brasil
Grand Funk Railroad3:15
14The House of the Rising Sun
Produzent(in):
Mickie Most (English record producer)
Bassgitarre:
Chas Chandler
E-Gitarre:
Hilton Valentine
Orgel:
Alan Price
Schlagzeug:
John Steel (English musician)
Sologesang:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964), Columbia Pictures Industries, Inc. (in 1964) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 122), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. und Universal/MCA Music Ltd. (not for release label use!)
Arrangement von:
House of the Rising Sun
The Animals4.154:28
15What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:17
16Some People
Produzent(in):
Alan Tarney
vocals:
Cliff Richard
recording of:
Some People
Texter und Komponist(in):
Alan Tarney
Cliff Richard3:48
17When I Need You
recording engineer:
Howard Steele (US producer, sound engineer) (in 1976)
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Willie Weeks (US bass player) (in 1976)
Gitarre:
Dean Parks (American session guitarist) (in 1976)
Hybrid-Piano:
Michael Omartian (in 1976)
Saxophon:
George Palisky, Jr. (in 1976)
Schlagzeug:
Jeff Porcaro (in 1976)
Synthesizer:
James Newton Howard (American score composer) (in 1976)
vocals:
Leo Sayer (in 1976)
Synthesizer arranger:
James Newton Howard (American score composer)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1976), Rhino Records, Inc. (company credits only; not for release label use!) (in 1977), Silverbird Ltd. (in 1977) und Warner Music H.K. Ltd. (in 1997)
cover recording of:
When I Need You (in 1976)
Texter:
Carole Bayer Sager
Komponist(in):
Albert Hammond
publisher:
Albert Hammond Enterprises, Inc., April Music, Begonia Melodies Inc., Chappell Music (UK), Chappell Music Ltd., Empire Music Ltd., Leonard Cohen Stranger Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), P and P Songs Limited, R & M Music Inc., R & M Music Productions, Inc., Sis ’n Bro Music Company, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Sony/ATV Tree Publishing, Spoiled Rotten Kiddies Publishing, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell North America, WB Music Corp. (1929–2019) und Windswept Music (London) Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Leo Sayer44:09
18Sadness
Teil von:
ZAMU Award: Song (Nummer: 2004)
Stash4:04
19I Lie and I Cheat
phonographisches Urheberrecht (℗) von:
Antler Records (in 1987)
recording of:
I Lie and I Cheat
Verfasser(in):
Biesemans (Belgian bass guitarist) und Timmermans
Won Ton Ton53:53
20Lovin’ You
Mastering:
Kent Duncan
Techniker(in):
Malcolm Cecil und Robert Margouleff
zusätzliche(r) Techniker(in):
Gary Olazabal
Bassgitarre:
Reggie McBride
Conga:
Rocki Dzidzornu
Gitarre:
Michael Sembello
große Trommel, Becken, Mundharmonika, membranophone und Klavier:
El Toro Negro
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
Sologesang:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:45
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Veröffentlichungsgruppe

Teil von:Joe Top 2000 (Series of compilation albums by Belgian radio station Joe) (Nummer: 5) (Reihenfolge: 5)