Complete Philips Recordings

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

A limited edition, 21-CD set of John Williams' complete recordings made for Philips during his first 10 years with the Boston Pops Orchestra.

Anmerkung zuletzt geändert am 2022-02-01 08:04 UTC.

Titelliste

1▶CD: Pops on the March
2▶CD: Pops in Space
3▶CD: That's Entertainment (Pops on Broadway)
4▶CD: We Wish You a Merry Christmas
5▶CD: Pops Around the World
6▶CD: Aisle Seat
7▶CD: Out of This World
8▶CD: Peter and the Wolf / Nutcracker Suite
9▶CD: With a Song in My Heart
10▶CD: Swing, Swing, Swing
11▶CD: America, the Dream Goes On
12▼CD: On Stage
Nr.TitelKünstlerBewertungLänge
1Annie Get Your Gun: There's No Business Like Showbusiness
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Morton Stevens
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
instrumental recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”) (in 1983)
Texter und Komponist(in):
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Annie Get Your Gun
Irving Berlin3:25
2A Chorus Line: Overture
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Marvin Hamlisch
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
recording of:
A Chorus Line: Overture (in 1983)
Komponist(in):
Marvin Hamlisch
Marvin Hamlisch9:13
3Dancin': Here You Come Again
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Don Sebesky
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
instrumental recording of:
Here You Come Again (in 1983)
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
Dyad Music Ltd., EMI Music Publishing Australia Pty. Limited (not for release label use!), Screen Gems–EMI Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Summerhill Music Songs und Summerhill Songs
Barry Mann & Cynthia Weil2:58
4Sophisticated Ladies (A Tribute to Duke Ellington): a. Sophisticated Lady / b. Take the “A” Train / c. Mood Indigo / d. It Don't Mean a Thing
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Ralph Burns
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
medley including a recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1983)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Mood Indigo (1930 jazz composition and song) (in 1983)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Sophisticated Lady (in 1983)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
medley including a recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1983)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Duke Ellington / Billy Strayhorn / Duke Ellington & Barney Bigard / Duke Ellington8:23
5Cats: Memory
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Eric Knight (Alternative Rock)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
instrumental recording of:
Memory (Cats) (in 1983)
Texter:
T. S. Eliot und Trevor Nunn
zusätzliche(r) Verfasser(in):
Trevor Nunn
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Cats (Andrew Lloyd Webber musical)
Andrew Lloyd Webber4:34
6A Salute to Fred Astaire: a. Top Hat, White Tie and Tails / b. The Carioca / c. Dancing in the Dark / d. I Won't Dance / e. The Continental
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Alexander Courage
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
medley including a recording of:
Carioca (from "Flying Down to Rio") (in 1983)
Texter:
Edward Eliscu und Gus Kahn
Komponist(in):
Vincent Youmans
Teil von:
Academy Award for Best Original Song (Nummer: 1934 nominee)
medley including a recording of:
Dancing in the Dark (in 1983)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) und WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Band Wagon (1953 film)
medley including a recording of:
I Won’t Dance (1935, lyrics by Dorothy Fields, from “Roberta”) (in 1983)
Texter:
Jimmy McHugh (songwriter) und Dorothy Fields (American librettist and lyricist) (in 1935)
Komponist(in):
Jerome Kern
publisher:
Chappell Music Ltd., Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Memory Lane Music Ltd., T.B. Harms Co. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
basiert auf:
I Won’t Dance (1934, lyrics by Hammerstein/Harbach, from “Three Sisters”)
medley including a recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1983)
Texter:
Herb Magidson (in 1934)
Komponist(in):
Con Conrad (songwriter and producer) (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild und Warner Bros., Inc. (not for release label use!)
Teil von:
Academy Award for Best Original Song (Nummer: 1934 winner)
medley including a recording of:
Top Hat, White Tie and Tails (from “Top Hat”) (in 1983)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Irving Berlin / Vincent Youmans / Arthur Schwartz / Jerome Kern / Con Conrad8:29
7On Your Toes: Slaughter on Tenth Avenue
Produzent(in):
John McClure (recording engineer and record producer)
Orchester:
Boston Pops Orchestra (in 1983)
conductor:
John Williams (American score composer and conductor) (in 1983)
arranger:
Robert Russell Bennett (American composer and arranger)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1983)
recording of:
Slaughter on Tenth Avenue (in 1983)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Komponist(in):
Richard Rodgers (composer)
arranger:
Sammy Nestico
Teil von:
On Your Toes
Richard Rodgers8:46
13▶CD: Bernstein by Boston
14▶CD: Pops in Love
15▶CD: Holst: The Planets
16▶CD: Digital Jukebox
17▶CD: Lucky to Be Me
18▶CD: Salute to Hollywood
19▶CD: Pops à la Russe
20▶CD: Pops by Gershwin
21▶CD: By Request… / Pops Britannia

Nennungen

Veröffentlichungsgruppe

enthält:Aisle Seat: Great Film Music von John Williams (American score composer and conductor) & The Boston Pops Orchestra
America, The Dream Goes On von John Williams (American score composer and conductor) & The Boston Pops Orchestra
Bernstein by Boston von Bernstein (Leonard Bernstein, American conductor, composer, pianist); Boston Pops Orchestra, John Williams (American score composer and conductor)
By Request… The Best of John Williams and the Boston Pops von John Williams (American score composer and conductor) and the Boston Pops
Digital Jukebox von John Williams (American score composer and conductor) & The Boston Pops Orchestra
Lucky to Be Me von Jessye Norman (soprano) & John Williams (American score composer and conductor)
On Stage von John Williams (American score composer and conductor) & Boston Pops Orchestra
Out of This World von John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops à la Russe von John Williams (American score composer and conductor) and the Boston Pops Orchestra
Pops Around the World von John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops Britannia von Boston Pops Orchestra, John Williams (American score composer and conductor)
Pops by Gershwin von Boston Pops Orchestra
Pops in Love von John Williams (American score composer and conductor) & Boston Pops Orchestra
Pops in Space von John Williams (American score composer and conductor) & The Boston Pops Orchestra
Pops on the March von John Williams (American score composer and conductor) & The Boston Pops Orchestra
Prokofiev: Peter and the Wolf, Op. 67 / Tchaikovsky: Nutcracker Suite, Op. 71a von Prokofiev (Sergei Prokofjew, Russian composer), Tchaikovsky (Pjotr Iljitsch Tschaikowski, Russian romantic composer); Dudley Moore, John Williams (American score composer and conductor) & The Boston Pops
Salute to Hollywood von John Williams (American score composer and conductor) & The Boston Pops Orchestra
Swing, Swing, Swing von John Williams (American score composer and conductor) & The Boston Pops
That's Entertainment von John Williams (American score composer and conductor) & Boston Pops
The Planets von Gustav Holst (composer); Boston Pops, John Williams (American score composer and conductor)
We Wish You a Merry Christmas von John Williams (American score composer and conductor) & The Boston Pops Orchestra
With a Song in My Heart von Jessye Norman (soprano), Boston Pops Orchestra, John Williams (American score composer and conductor)
Teil von:Boston Pops conducted by John Williams compilations (Reihenfolge: 20)