Yesterday’s (72 Χρυσές Επιτυχίες των ΄60s)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1He Ain’t Heavy, He’s My Brother
producer:
Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) and The Hollies Ltd. (from 1969 until 1970)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1969-06-25)
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (on 1969-06-25)
writer:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) and Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:15
2Hello Mary Lou
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
phonographic copyright (℗) by:
Polydor GmbH (do not use as a release label, for company-type relationships only) and Liberty (a division of UMG Recordings, Inc.) (in 1961)
cover recording of:
Hello Mary Lou
writer:
Cayet Mangiaracina and Gene Pitney
publisher:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2.52:19
3Devil or Angel
recording of:
Devil or Angel
lyricist and composer:
Blanche Carter (The Night People)
Bobby Vee2:19
4Papa Oom Mow
The Rivingtons2:12
5Don’t Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
The Animals2:26
6Surf City
recording of:
Surf City
writer:
Jan Berry and Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean2:26
7He’s So Fine
recording of:
He’s So Fine
lyricist and composer:
Ronnie Mack (1960s US songwriter)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons1:53
8Hanky Panky
recording of:
Hanky Panky
writer:
Jeff Barry and Ellie Greenwich
publisher:
Alley Music Corp., T. M. Music (publisher) and Trio Music Co., Inc.
Tommy James & the Shondells2:53
9Blueberry Hill
cover recording of:
Blueberry Hill
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
writer:
Al Lewis (Tin Pan Alley era lyricist), Vincent Rose (early-20th century violinist, pianist, composer & bandleader) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino2:20
10Summertime Blues
Eddie Cochran1:53
11Man of Mystery
The Shadows2:01
12A Teenager in Love
performer:
Dion & The Belmonts
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 7)
recording of:
A Teenager in Love (in 1959)
lyricist:
Doc Pomus
composer:
Mort Shuman (US singer, pianist & songwriter)
Dion & The Belmonts3.652:32
13Be Bop a Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
publisher:
Lowery Music Co. Inc.
Gene Vincent4.352:36
14Mother‐In‐Law
Ernie K‐Doe2:31
15Little Deuce Coupe
recording of:
Little Deuce Coupe
lyricist and composer:
Roger Christian (US radio personality and lyricist) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Universal Music Careers
The Beach Boys1:37
16Anyone Who Had a Heart
phonographic copyright (℗) by:
Parlophone Records Ltd. (in 1964)
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
Cilla Black2:51
17Come Softly to Me
recording of:
Come Softly to Me
writer:
Gretchen Christopher, Barbara Ellis and Gary Troxel (The Fleetwoods’ lead singer and songwriter)
publisher:
Chappell Morris, EMI Unart Catalog Inc. and Unart Music Corp. (in 1958, in 1959)
The Fleetwoods2:20
18James Bond Theme
producer:
John Barry (English score composer)
conductor and performer:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
James Bond Theme (on 1962-07-23)
composer:
Monty Norman
publisher:
EMI Music Publishing (do not use as a release label!) and EMI United Partnership
part of:
James Bond themes
is based on:
Bad Sign, Good Sign (From the stage musical “A House for Mr Biswas”)
John Barry and His Orchestra1:56
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