The Lord of the Rings: The Two Towers: The Complete Recordings
~ Pubblicazione di Howard Shore (visualizza tutte le versioni di questa pubblicazione: 15 disponibili)
Annotazione
℗ «2018, 2006 Reprise Records for the U.S. and WEA International Inc. for the world outside the U.S. All Rights Reserved. Marketed by Rhino Entertainment Company, a Warner Music Group Company.»
Annotazione modificata l'ultima volta il 2024-06-28 21:35 UTC.
Elenco tracce
| 1Supporto digitale |
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| 2Supporto digitale |
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| 3Supporto digitale | ||||
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| # | Titolo | Artista | Valutazione | Durata |
| 1 | Aragorn’s Return
| Howard Shore | 2:11 | |
| 2 | War Is Upon Us
| Howard Shore | 3:36 | |
| 3 | “Where Is the Horse and the Rider?”
| Howard Shore | 6:16 | |
| 4 | The Host of the Eldar
| Howard Shore | 2:51 | |
| 5 | The Battle of the Hornburg
| Howard Shore | 2:53 | |
| 6 | The Breach of the Deeping Wall
| Howard Shore | 3:03 | |
| 7 | The Entmoot Decides
| Howard Shore | 2:07 | |
| 8 | Retreat / Haldir’s Lament
| Howard Shore feat. Elizabeth Fraser | 4:41 | |
| 9 | Master Peregrin’s Plan
| Howard Shore | 2:32 | |
| 10 | The Last March of the Ents
| Howard Shore feat. Ben Del Maestro | 2:31 | |
| 11 | The Nazgûl Attack
| Howard Shore | 2:45 | |
| 12 | Théoden Rides Forth
| Howard Shore feat. Ben Del Maestro | 5:48 | |
| 13 | The Tales That Really Matter
| Howard Shore | 12:01 | |
| 14 | “Long Ways to Go Yet” / Gollum’s Song
| Howard Shore feat. Emilíana Torrini | 8:05 | |
Accreditamenti
Pubblicazione
| direzione artistica: | Ellen Wakayama |
|---|---|
| fotografia: | Oguz Altinbilek Glenn Copus Benjamin Ealovega Jan Hendrickse Robert White (reed/bagpipe player) Ayisha Winmai |
| note di libretto: | Doug Adams (music journalist) |
| supporto a vario titolo: | Ann Barnard (incarico: music preparation) Mark Brooks (copyist) (incarico: music preparation) Jim Bruening (music editor, mix engineer) (incarico: materials preparation) Ruth Cornes (incarico: music contractor) Karen Elliott (incarico: scoring coordinator) Bill Foley (incarico: pre-production) Vic Fraser (incarico: music preparation) Alan Frey (incarico: album coordinating supervisor) David Gill (incarico: music preparation) Jeff Grace (incarico: technical coordinator) Isobel Griffiths (incarico: music contractor) Ian Hayter (incarico: music preparation) Mike Hornet (incarico: music preparation) Greg Laporta (pianist and composer) (incarico: pre-production) Kevin Mahonchuk (incarico: music preparation) Charles Portney (incarico: scoring coordinator) Jason Poss (incarico: pre-production) Matt Rocker (incarico: pre-production) Edmund Sanders (incarico: music preparation) Sue Sinclair (incarico: music example preparation and album coordination) Jill Streater (incarico: music preparation) Tim Stritmater (engineer) (incarico: pre-production) |
| tecnico di missaggio: | Peter Cobbin (recording engineer at Abbey Road Studios) |
| assistente tecnico: | Steve Browell Chris Clark (engineer) Mike Cox (engineer) Jake Jackson (recording engineer) Erik Jordan (engineer) Richard Lancaster Steve Pelluet Mirek Stiles Iain Titman Toby Wood |
| tecnico: | Andy Bradfield Pete Lewis (engineer) Alex Swift |
| produttore: | Paul Broucek Howard Shore (Canadian score composer) |
| produttore associato: | David Gleeson |
| produttore esecutivo: | Jeff Aldrich (engineer) Paul Broucek Peter Jackson (director, producer and screenwriter) Fran Walsh |
| tecnico di registrazione: | John Kurlander (engineer) |
| assistente editor: | Jonathon Stevens (engineer) |
| editor: | Andrew Dudman (UK recording engineer and mixer, early 21c) Malcolm Fife Becca Gatrell Simon Kiln Raphael Mouterde Michael Price (composer, conductor and producer of film and TV) Steven Price (English score composer) Jonathan Schultz (mastering) Nigel Scott (New Zealand technician and post production engineer) Tim Starnes (engineer) Mark Willsher (Grammy®-winning engineer & producer delivering high-end film score mixing, classical recording, and Dolby Atmos/immersive music production) John Wriggle |
| tecnico di mastering: | Peter Mew (senior sound engineer at Abbey Road Studios) |
| altri strumenti [monochord] : | Sonia Slany (violinist) |
| altri strumenti [rhaita] : | Jan Hendrickse |
| bodhrán : | Robert White (reed/bagpipe player) |
| dilruba e hardingfele [Hardanger fiddle] : | Dermot Crehan |
| sarangi : | Dermot Crehan Sylvia Hallett |
| zimbalon : | Edward Cervenka (percussionist and cimbalom player) Greg Knowles (percussionist) |
| orchestra: | London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) |
| direttore d'orchestra: | Howard Shore (Canadian score composer) |
| maestro del coro: | Terry Edwards (British choir director) Michael McCarthy (classical bass vocalist, choirmaster) |
| librettista: | Philippa Boyens J.R.R. Tolkien Fran Walsh |
| cori: | The London Oratory School Schola London Voices |
| design: | Ryan Corey |
| registrata presso: | Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito Air Lyndhurst (main recording hall of AIR Studios) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito CTS Colosseum (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Regno Unito Henry Wood Hall (London) in London (Greater London), England, Regno Unito |
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| mixata presso e mastering effettuato presso: | Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito |
Gruppo di pubblicazioni
| parte di: | The Lord of the Rings: Original Motion Picture Soundtracks (numero: 3) (ordine: 3) |
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