The Original Easy Album

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:08
2Music to Watch Girls By
recording of:
Music to Watch Girls By
Verfasser(in):
Sid Ramin und Tony Velona
publisher:
Sidray Enterprises Ltd. und Sony Music Publishing (worldwide except Japan, ended 1995)
Matt Monro2:12
3Let’s Face the Music and Dance
recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
Nat King Cole2:26
4Something
cover recording of:
Something
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Peggy Lee3:11
5Please Don’t Talk About Me When I’m Gone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
cover recording of:
Please Don’t Talk About Me When I’m Gone
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Sammy Davis, Jr.42:40
6Chicago
Produzent(in):
Teddy Reig
alto saxophone:
Marshall Royal (in 1959-01) und Frank Wess (in 1959-01)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-01)
Gitarre:
Freddie Green (in 1959-01)
Klavier:
Ralph Sharon und Count Basie (pianist) (in 1959-01)
Kontrabass:
Eddie Jones (US jazz double bassist) (in 1959-01)
Posaune:
Henry Coker (jazz trombonist) (in 1959-01), Al Grey (trombone) (in 1959-01) und Benny Powell (jazz trombonist) (in 1959-01)
Schlagzeug:
Sonny Payne (in 1959-01)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1959-01) und Billy Mitchell (US jazz saxophonist) (in 1959-01)
Trompete:
Wendell Culley (jazz trumpeter) (in 1959-01), Thad Jones (American jazz trumpeter) (in 1959-01), Joe Newman (US jazz trumpeter) (in 1959-01) und Snooky Young (in 1959-01)
vocals:
Tony Bennett (US jazz/standards vocalist) (in 1959-01)
Interpret(in):
Tony Bennett (US jazz/standards vocalist)
arranger:
Ralph Sharon
live cover recording of:
Chicago (That Toddlin’ Town) (in 1959-01)
Texter und Komponist(in):
Fred Fisher (in 1922)
publisher:
Fisher Music Corp. und Salabert
Tony Bennett42:07
7Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
Nina Simone3.652:49
8In a Sentimental Mood
Bass:
George Duvivier (am 1961-07-18)
Gitarre:
Mundell Lowe (am 1961-07-18)
vocals:
Sarah Vaughan (am 1961-07-18)
aufgenommen bei:
RKO-Pathé Studios in New York, New York, Vereinigte Staaten (am 1961-07-18)
cover recording of:
In a Sentimental Mood (am 1961-07-18)
Texter:
Manny Kurtz und Irving Mills
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music und Sony/ATV Harmony
Sarah Vaughan4:05
9Fly Me to the Moon (In Other Words)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Dinah Washington2:29
10It’s Only Love
cover recording of:
It’s Only Love (1966 song)
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
Ella Fitzgerald3:03
11Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:56
12You’re Getting to Be a Habit With Me
Mel Torme3:06
13Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
Verfasser(in):
Bob Crewe und Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. und Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Al Martino3:23
14Strangers in the Night
Vikki Carr2:24
15I’ve Got You Under My Skin
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Shirley Bassey43:34
16Crazy
Kay Starr2:57
17The Girl From Ipanema
Eartha Kitt3:04
18The Very Thought of You
Produzent(in):
Brad Benedict und Tom Morgan (producer)
Bass:
Jimmy Bond (von 1963-10-08 bis 1963-10-10)
Celesta und Klavier:
Jack Wilson (jazz pianist) (von 1963-10-08 bis 1963-10-10)
Cello:
Edgar Lustgarten (von 1963-10-08 bis 1963-10-10)
Gitarre:
Joe Pass (jazz guitarist) (von 1963-10-08 bis 1963-10-10)
membranophone:
Kenny Dennis (von 1963-10-08 bis 1963-10-10)
Saiteninstrumente:
George Poole (von 1963-10-08 bis 1963-10-10)
vocals:
Nancy Wilson (jazz/blues/soul singer) (von 1963-10-08 bis 1963-10-10)
conductor:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger) (von 1963-10-08 bis 1963-10-10)
remixer:
Malcolm Addey und Bob Norberg
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1963-10-08 bis 1963-10-10)
cover recording of:
The Very Thought of You (von 1963-10-08 bis 1963-10-10)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Nancy Wilson2:53
19On the Street Where You Live
Bobby Darin2:08
20We’ve Only Just Begun
Bing Crosby3:06
21I Got It Bad (And That Ain’t Good)
Louis Armstrong5:31

Nennungen

Veröffentlichung

ASIN:UK: B0002LNEKU [Info]