Julie London Sings the Standards

~ Pubblicazione di Julie London (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Diamonds Are a Girl’s Best Friend
produttore:
Felix Slatkin
voce:
Julie London
registrazione di:
Diamonds Are a Girl’s Best Friend (Gentlemen Prefer Blondes)
paroliere:
Leo Robin (US composer, lyricist & songwriter)
compositore:
Leo Robin (US composer, lyricist & songwriter) e Jule Styne
editore:
Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent) e Music Sales Corporation (American copyright holder in both popular and classical music)
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
parte di:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
2:00
2The More I See You
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
53:02
3Can’t Get Used to Losing You
tecnico:
Eddie Brackett
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Can’t Get Used to Losing You
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation
2:22
4Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:35
5Hello Dolly
tecnico:
Dayton “Bones” Howe
produttore:
Richard Bock (record producer)
voce:
Julie London
arrangiatore:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
registrazione di:
Hello, Dolly!
paroliere e compositore:
Jerry Herman
editore:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) e Jerryco Music Co.
sub-editore:
Warner Chappel Music Belgium NV
parte di:
Hello, Dolly!
2:59
6Light My Fire
produttore:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
voce:
Julie London
direttore d'orchestra:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
arrangiatore:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
registrazione cover di:
Light My Fire
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
3:22
7You Made Me Love You
tecnico:
Chuck Britz e Joe Sidore
produttore:
Calvin Carter
voce:
Julie London
arrangiatore:
Don Bagley
registrazione di:
You Made Me Love You (I Didn’t Want to Do It)
paroliere:
Joseph McCarthy (lyricist, 1885–1943)
compositore:
James V. Monaco
editore:
Broadway Music Corp.
parte di:
Irene (the musical)
2:18
8Mad About the Boy
tecnico:
Ted Keep
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Pete King and His Orchestra
registrazione cover di:
Mad About the Boy
paroliere e compositore:
Noël Coward
editore:
Chappell & Co. e Chappell Music Ltd.
parte di:
Words and Music
42:11
9Love Letters
registrazione cover di:
Love Letters
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony e Warner/Chappell Music Ltd. (1996–2019)
parte di:
The 18th Academy Award for Best Original Song (numero: 2)
2:52
10Blue Moon
tecnico:
Ted Keep (nel 1958-07)
produttore:
Bobby Troup
voce:
Julie London (nel 1958-07)
registrazione di:
Blue Moon (nel 1958-07)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
52:32
11What Is This Thing Called Love?
tecnico:
Ted Keep (nel 1958-07)
produttore:
Bobby Troup
voce:
Julie London (nel 1958-07)
registrazione di:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (nel 1958-07)
paroliere e compositore:
Cole Porter (composer) (nel 1929)
editore:
Harms, Inc., Warner Bros., Inc. (not for release label use!) e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Wake Up and Dream (1929 revue)
31:46
12Call Me Irresponsible
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
registrazione di:
Call Me Irresponsible
paroliere:
Sammy Cahn
compositore:
Jimmy Van Heusen
editore:
Paramount Music Corporation
parte di:
The 36th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1963 winner)
2:49
13When I Fall in Love
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
53:21
14Let There Be Love
2:06
15The Man That Got Away
registrazione di:
The Man That Got Away (A Star Is Born)
paroliere:
Ira Gershwin (nel 1953)
compositore:
Harold Arlen (nel 1953)
editore:
Chappell/Morris Ltd., Harwin Music Corporation, MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e WB Music Corp. (1929–2019)
parte di:
The 27th Academy Award for Best Original Song (numero: 2)
3:37
16Love Is Here to Stay
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
Love Is Here to Stay
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Gershwin Publishing Corp (nel 1938) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
The Goldwyn Follies
registrazione di:
Love Is Here to Stay
autore:
Tom Adair e Gordon Jenkins
53:16
17I Left My Heart in San Francisco
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
registrazione cover di:
I Left My Heart in San Francisco
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
2:48
18Wives and Lovers
tecnico:
Dave Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
arrangiatore:
Ernie Freeman
registrazione cover di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
2:41
19As Time Goes By
registrazione di:
As Time Goes By (the song from “Casablanca”)
paroliere e compositore:
Herman Hupfeld
editore:
WB Music Corp. (1929–2019) (conclusa), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Bros., Inc. (not for release label use!) (nel 1931)
sub-editore:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
parte di:
Casablanca (original soundtrack of the 1942 American film)
3:12
20Willow Weep for Me
registrazione di:
Willow Weep for Me
paroliere e compositore:
Ann Ronell (nel 1932)
editore:
Ann Ronell Music e Bourne Co. (not for release label use, this is a music publisher)
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:21
21September in the Rain
produttore:
Bobby Troup
direttore d'orchestra:
Pete King (composer/arranger)
arrangiatore:
Pete King (composer/arranger)
registrazione di:
September in the Rain (nel 1956)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
41:41
22Summertime
tecnico:
Dayton “Bones” Howe
produttore:
Richard Bock (record producer)
voce:
Julie London
arrangiatore:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
registrazione di:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
paroliere:
Ira Gershwin (nel 1934), Dorothy Heyward (playwright) (nel 1934) e DuBose Heyward (nel 1934)
compositore:
George Gershwin (composer) (nel 1934)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (nel 1935), WB Music Corp. (1929–2019) (dal 1935 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
versione di:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
3:08

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