Les 100 plus belles musiques classiques du cinéma

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

Elenco tracce

1▶CD: Les Blockbusters
2▶CD: Les Grands Classiques
3▶CD: Films préférés
4▶CD: Le piano au cinéma
5▶CD: L’opéra au cinéma
6▼CD: Le baroque au cinéma
#TitoloArtistaValutazioneDurata
1Arrivée de la reine de Saba (Quatre mariages et un enterrement)
produttore:
John Fraser (UK producer)
clavicembalo :
Ian Watson (conductor and keyboardist) (dal 1983-06-27 al 1983-06-28)
orchestra:
Academy of St Martin in the Fields (dal 1983-06-27 al 1983-06-28)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1983-06-27 al 1983-06-28)
tecnico di bilanciamento:
Stuart Eltham (engineer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1983-06-27 al 1983-06-28)
registrazione di:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (dal 1983-06-27 al 1983-06-28)
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1748)
editore:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft e Public Domain (refers to works that are in the public domain)
parte di:
Solomon, HWV 67: Act III
Georg Friedrich Händel42:51
2Fugue (Aviator)
organo :
Wayne Marshall (British pianist, organist and conductor)
registrata presso:
Coventry Cathedral in Coventry, West Midlands, England, Regno Unito
registrazione di:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
Johann Sebastian Bach6:21
3Zadok the Priest (La Folie du roi George)
cori:
Royal Choral Society (The Royal Choral Society)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
direttore d'orchestra:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
registrazione di:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1727)
eseguita per la prima volta presso:
Westminster Abbey in London (Greater London), England, Regno Unito (il 1727-10-11)
parte di:
Händel-Werke-Verzeichnis (numero: HWV 258)
parte di:
The Four Coronation Anthems
Georg Friedrich Händel6:04
4Concerto pour 2 violons en ré mineur (Les Enfants du silence)
violino :
Christian Ferras (violinist) e Yehudi Menuhin (violinist)
orchestra:
Bath Festival Orchestra
direttore d'orchestra:
Yehudi Menuhin (violinist)
registrazione parziale di:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (dal 1730 al 1731)
parte di:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:36
5Gloria in excelsis Deo (Traquée)
strumenti:
Taverner Players
cori:
Taverner Choir (nel 1992-11) e Taverner Consort (nel 1992-11)
orchestra:
Taverner Players (nel 1992-11)
direttore d'orchestra:
Andrew Parrott (conductor) (nel 1992-11)
registrata presso:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Regno Unito (nel 1992-11)
registrazione di:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (nel 1992-11)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Gloria in D major, RV 589
Antonio Vivaldi2:34
6Sonate pour viole de gambe en sol mineur (Truly, Madly, Deeply)
clavicembalo :
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba :
Jordi Savall (viol player, conductor and composer)
edit di:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio di Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
registrazione parziale di:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:34
7Adagio en sol mineur (Gallipoli)
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir Neville Marriner (conductor)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1974)
registrazione parziale di:
Adagio for Strings and Organ in G minor
compositore:
Remo Giazotto
precedentemente attribuito a:
Tomaso Giovanni Albinoni (Italian Baroque composer)
editore:
Ricordi London (Casa Ricordi sublabel for Classical music) e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:52
8Concerto pour mandoline en ut majeur (Kramer contre Kramer)
mandolino :
André Saint-Clivier (mandolin player)
orchestra:
Toulouse Chamber Orchestra
direttore d'orchestra:
Louis Auriacombe (conductor)
registrazione di:
Concerto for Mandolin in C major, RV 425: I. Allegro
compositore:
Antonio Vivaldi (Italian baroque composer and violinist)
parte di:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi3:00
9Variations Goldberg (Le Silence des agneaux)
tecnico di registrazione:
Daniel Michel (recording engineer)
produttore:
Alain Lanceron
pianoforte :
Maria Tipo (pianist) (dal 1986-06-26 al 1986-06-28)
registrata presso:
Salle Wagram in Paris, Île-de-France, Francia (dal 1986-06-26 al 1986-06-28)
registrazione di:
Goldberg-Variationen, BWV 988: Aria (opening) (dal 1986-06-26 al 1986-06-28)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Notebook for Anna Magdalena Bach (1725) (numero: 26)
parte di:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:06
10Concerto Grosso (Pirates des Caraïbes : La Malédiction du Black Pearl)
orchestra:
Bath Festival Orchestra
direttore d'orchestra:
Yehudi Menuhin (violinist)
registrazione di:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
compositore:
George Frideric Handel (German‐British baroque composer)
parte di:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel4:15
11Air (Just Married (ou presque))
tecnico:
Christopher Parker (classical recording and balance engineer, active from 1950s)
produttore:
Christopher Bishop (conductor/producer)
violino :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (dal 1973-10-01 al 1973-10-04)
orchestra:
Academy of St Martin in the Fields (dal 1973-10-01 al 1973-10-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1973-10-01 al 1973-10-04)
tecnico di bilanciamento:
Stuart Eltham (engineer)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-10-01 al 1973-10-04)
registrazione di:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (dal 1973-10-01 al 1973-10-04)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1730)
parte di:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:35
12Canon (Des gens comme les autres)
tecnico:
Christopher Parker (classical recording and balance engineer, active from 1950s)
produttore:
Christopher Bishop (conductor/producer)
violino :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (dal 1973-10-01 al 1973-10-04)
orchestra:
Academy of St Martin in the Fields (dal 1973-10-01 al 1973-10-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (dal 1973-10-01 al 1973-10-04)
tecnico di bilanciamento:
Stuart Eltham (engineer)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1973-10-01 al 1973-10-04)
registrazione di:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (dal 1973-10-01 al 1973-10-04)
compositore:
Johann Pachelbel (composer)
parte di:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel5:02
13Les 4 saisons (The Other Sister)
clavicembalo :
Paul Crocker (harpsichord) (nel 1979-12)
violino :
Yehudi Menuhin (violinist) (nel 1979-12)
orchestra:
Camerata Lysy Gstaad (nel 1979-12)
direttore d'orchestra:
Alberto Lysy (violinist and conductor) (nel 1979-12)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1979-12)
registrazione di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (nel 1979-12)
compositore:
Antonio Vivaldi (Italian baroque composer and violinist) (nel 1723)
parte di:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:12
14Jésus, que ma joie demeure (Mon beau‐père et moi)
produttore:
Christopher Bishop (conductor/producer)
cori:
King’s College Choir, Cambridge
orchestra:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
direttore d'orchestra:
Sir Neville Marriner (conductor) e Sir David Willcocks (UK composer, organist, choral conductor)
tecnico di bilanciamento:
Neville Boyling (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1972)
registrata presso:
King’s College Chapel in Cambridge, Cambridgeshire, England, Regno Unito
registrazione di:
Jesu, Joy of Man’s Desiring
orchestratore:
Leopold Stokowski (conductor)
paroliere:
Robert Bridges (poet)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
versione tradotta di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangiamento di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
registrazione di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
eseguita per la prima volta a:
Leipzig, Sachsen (Saxony), Germania (il 1723-07-02)
paroliere:
Martin Janus (German Protestant minister, c. 1620–1682) (nel 1665)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician) (nel 1723)
parte di:
Classic 100: Piano (2025) (numero: 15)
parte di:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:32
15Sarabande (Barry Lyndon)
pianoforte :
Andrei Gavrilov (pianist)
registrazione di:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
compositore:
George Frideric Handel (German‐British baroque composer)
si basa su:
Folia
parte di:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel3:03
16Concerto pour clavier n° 5 en fa mineur (Lara Croft : Tomb Raider)
produttore:
John Fraser (UK producer)
pianoforte :
Andrei Gavrilov (pianist) (nel 1986-04)
orchestra:
Academy of St Martin in the Fields (nel 1986-04)
direttore d'orchestra:
Sir Neville Marriner (conductor) (nel 1986-04)
tecnico di bilanciamento:
Mark Vigars (engineer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrata presso:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1986-04)
registrazione di:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (nel 1986-04)
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
17Concerto Brandebourgeois n° 3 (Hannibal)
orchestra:
Polish Chamber Orchestra
direttore d'orchestra:
Jerzy Maksymiuk (conductor)
esecutore:
Rachel Beckett (flute and recorder player), Zbigniew Czapczynaki e Philip Pickett (musician)
registrazione di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositore:
Johann Sebastian Bach (German Baroque period composer & musician)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
parte di:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:19
18Alléluia (Le Journal de Bridget Jones)
cori:
Choir of King’s College, Cambridge
orchestra:
Academy of St Martin in the Fields
direttore d'orchestra:
Sir David Willcocks (UK composer, organist, choral conductor)
registrazione di:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
compositore:
George Frideric Handel (German‐British baroque composer) (nel 1741)
librettista:
Charles Jennens
parte di:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:26

Accreditamenti

Gruppo di pubblicazioni

parte di:100 Best (EMI Classics) (ordine: 5)
Discogs:https://www.discogs.com/master/1225566 [info]
voce della discografia:https://www.last.fm/music/Various+Artists/100+Best+Film+Classics [info]