Alternate Takes (digital)

~ Veröffentlichung von John Coltrane (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Anmerkung

℗ «1974 Atlantic Records. Marketed by Rhino Entertainment Company, a Warner Music Group Company.»

Anmerkung zuletzt geändert am 2026-01-11 11:05 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Giant Steps (alternate take)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
4:51
2Naima (alternate take)
recording engineer:
Tom Dowd (am 1959-03-26) und Phil Iehle (am 1959-03-26)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Cedar Walton (am 1959-03-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-26)
Schlagzeug:
Lex Humphries (am 1959-03-26)
Tenorsaxophon:
John Coltrane (am 1959-03-26)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974) und Rhino Entertainment Company (not for release label use!) (in 2020)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Naima (original instrumental version) (am 1959-03-26)
Komponist(in):
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
4:31
3Like Sonny (alternate take)
recording engineer:
Tom Dowd (am 1959-03-26) und Phil Iehle (am 1959-03-26)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Cedar Walton (am 1959-03-26)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-03-26)
Schlagzeug:
Lex Humphries (am 1959-03-26)
Tenorsaxophon:
John Coltrane (am 1959-03-26)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-03-26)
recording of:
Like Sonny (am 1959-03-26)
Komponist(in):
John Coltrane
named after artist:
Sonny Rollins (American saxophonist)
publisher:
Jowcol Music
6:08
4Cousin Mary (alternate take)
recording engineer:
Tom Dowd (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Cousin Mary (original instrumental version) (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
5:50
5I’ll Wait and Pray (alternate take)
recording engineer:
Tom Dowd (am 1959-11-24)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Wynton Kelly (am 1959-11-24)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-11-24)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1959-11-24)
Tenorsaxophon:
John Coltrane (am 1959-11-24)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-11-24)
instrumental recording of:
I’ll Wait and Pray (am 1959-11-24)
Verfasser(in):
Jerry Valentine (trombone, aka Jerry Valentine) und George Treadwell
3:31
6Countdown (alternate take)
recording engineer:
Tom Dowd (am 1959-05-04)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-04)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-04)
Schlagzeug:
Art Taylor (am 1959-05-04)
Tenorsaxophon:
John Coltrane (am 1959-05-04)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-04)
recording of:
Countdown (am 1959-05-04)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
4:35
7Body and Soul (alternate take)
recording engineer:
Tom Dowd (am 1960-10-24)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
McCoy Tyner (jazz pianist) (am 1960-10-24)
Kontrabass:
Steve Davis (post-bop contrabassist who played with Coltrane) (am 1960-10-24)
Schlagzeug:
Elvin Jones (jazz drummer) (am 1960-10-24)
Tenorsaxophon:
John Coltrane (am 1960-10-24)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1960-10-24)
instrumental recording of:
Body and Soul (am 1960-10-24)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:58
8Syeeda’s Song Flute (alternate take)
recording engineer:
Tom Dowd (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Mix:
İlhan Mimaroğlu (Turkish-American electronic composer) (Aufgabe: re-mix engineer)
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1959-05-05)
recording of:
Syeeda's Song Flute (am 1959-05-05)
Komponist(in):
John Coltrane
7:11