Classic Cuts Presents: 70s Night: The Definitive DJ Collection: T to Z

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Y.M.C.A.
leitende(r) Produzent(in):
Henri Belolo
Produzent(in):
Jacques Morali
Bearbeitung von:
Y.M.C.A. (album version) von Village People
recording of:
Y.M.C.A.
Texter:
Victor Edward Willis (member of the Village People)
Komponist(in):
Jacques Morali
publisher:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") und Zomba Music Publishing Ltd.
Village People4.153:41
2In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin23:17
3Low Rider
recording engineer:
Ed Barton (engineer), Andrew Berliner und Chris Huston
Partner-Produzent(in):
Lonnie Jordan und Howard E. Scott (US funk/rock guitarist, member of War)
Produzent(in):
Jerry Goldstein (producer, record label owner and publisher)
Mix:
Ed Barton (engineer)
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War4.653:11
4Ring My Bell
recording of:
Ring My Bell (Anita Ward song)
Texter und Komponist(in):
Frederick Knight
publisher:
Peermusic Pty. Ltd. (Australia), Two Knight Publishing Co. und Universal Music Publishers MGB Australia Pty Ltd
Anita Ward43:16
5You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:20
6Julie Do ya Love Me
White Plains2:30
7Play That Funky Music
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
Bearbeitung von:
Play That Funky Music von Wild Cherry (1970s US funk rock band, known for “Play That Funky Music”)
recording of:
Play That Funky Music (in 1976)
Texter und Komponist(in):
Robert W. Parissi (Rob Parissi)
publisher:
Bema Music (publisher), RWP Music, Sweet City Records Inc. und Universal/MCA Music Ltd. (not for release label use!)
Wild Cherry4.153:09
8Gonna Get Along Without You Now
cover recording of:
Gonna Get Along (Without Ya Now)
Texter und Komponist(in):
Milton Kellem
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Viola Wills3:13
9Telephone Man
Meri Wilson1:57
10Mull of Kintyre
Assistent recording engineer:
Tim Summerhayes (von 1977-08-09 bis 1977-10)
recording engineer:
Geoff Emerick (British recording engineer) (von 1977-08-09 bis 1977-10)
Produzent(in):
Paul McCartney (The Beatles)
Mix:
Geoff Emerick (British recording engineer)
Akustikgitarre:
Denny Laine (von 1977-08-09 bis 1977-10) und Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
akustische Bassgitarre und Sologesang:
Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10)
Dudelsack:
John Lang Brown (von 1977-08-09 bis 1977-10), Campbelltown Pipe Band (von 1977-08-09 bis 1977-10), Archie Coffield (von 1977-08-09 bis 1977-10), Dougie Lang (von 1977-08-09 bis 1977-10), John McGeachy (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Tony Wilson (bagpipes) (von 1977-08-09 bis 1977-10)
E-Gitarre:
Denny Laine (von 1977-08-09 bis 1977-10)
Perkussion:
Linda McCartney (von 1977-08-09 bis 1977-10)
Schlagzeug:
Tommy Blue (von 1977-08-09 bis 1977-10), Joe English (von 1977-08-09 bis 1977-10), Campbell Maloney (von 1977-08-09 bis 1977-10) und Jimmy McGeachy (von 1977-08-09 bis 1977-10)
Hintergrundgesang:
Denny Laine (von 1977-08-09 bis 1977-10), Linda McCartney (von 1977-08-09 bis 1977-10), Paul McCartney (The Beatles) (von 1977-08-09 bis 1977-10), Ian McKerral (von 1977-08-09 bis 1977-10) und Dave Paton (von 1977-08-09 bis 1977-10)
phonographisches Urheberrecht (℗) von:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
aufgenommen bei:
Spirit of Ranachan Studio in Scotland, Vereinigtes Königreich (am 1977-08-09) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1977-10)
recording of:
Mull of Kintyre (von 1977-08-09 bis 1977-10)
Verfasser(in):
Denny Laine und Paul McCartney (The Beatles)
publisher:
ATV Music
Wings2.84:41
11Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.454:02
12See My Baby Jive
Wizzard4:56
13Are You Ready to Rock
Wizzard2:28
14Sir Duke
Programmierung:
Charles Brewer, John Fischbach und Stevie Wonder
Produzent(in):
Stevie Wonder
alto saxophone:
Hank Redd
Bassgitarre:
Nathan Watts
Gitarre:
Ben Bridges und Michael Sembello
Perkussion, Rhodes Piano und Sologesang:
Stevie Wonder
Schlagzeug:
Raymond Pounds
Tenorsaxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
Trompete:
Steve Madaio und Raymond Maldonado
arranger:
Stevie Wonder
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
recording of:
Sir Duke
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
Stevie Wonder4.43:51
15Superstition
recording engineer:
Joan DeCola und Austin Godsey
Moog-Programmierung:
Malcolm Cecil (in 1972) und Robert Margouleff (in 1972)
Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Mix:
Malcolm Cecil und Robert Margouleff
Clavinet, Moog und Schlagzeug:
Stevie Wonder (in 1972)
Saxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (in 1972)
Trompete:
Steve Madaio (in 1972)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 74)
recording of:
Superstition
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.84:23
16Stand by Your Man
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Sologesang:
Tammy Wynette (in 1968)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 473)
recording of:
Stand by Your Man (in 1968)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Tammy Wynette
publisher:
Al Gallico Music Corp., EMI Al Gallico Music Corp., EMI Blackwood Music Inc. und EMI Music Publishing Ltd. (PRS‐affiliated)
Tammy Wynette3.82:37
17Making Plans for Nigel
recording of:
Making Plans for Nigel
Texter und Komponist(in):
Colin Moulding
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (Publishers) Ltd.
XTC4:07
18Love Is in the Air
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1978)
recording of:
Love Is in the Air
Verfasser(in):
Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd. und Warner/Chappell Music Ltd. (1996–2019)
John Paul Young3:25
19Heart of Gold
recording engineer:
Elliot Mazer (am 1971-02-08)
Produzent(in):
Elliot Mazer und Neil Young (Canadian singer, songwriter & musician)
Akustikgitarre und Sologesang:
Neil Young (Canadian singer, songwriter & musician) (am 1971-02-08)
Bass:
Tim Drummond (am 1971-02-08)
Gitarre:
Teddy Irwin (guitarist) (am 1971-02-08)
Pedal-Steel-Gitarre:
Ben Keith (am 1971-02-08)
Schlagzeug:
Kenny Buttrey (am 1971-02-08)
Gast Hintergrundgesang:
Linda Ronstadt (am 1971-02-08) und James Taylor (singer-songwriter and guitarist) (am 1971-02-08)
Gast-Interpret(in):
The Stray Gators
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Reprise Records (in 2022)
aufgenommen bei:
Quadrafonic Sound Studio in Nashville, Tennessee, Vereinigte Staaten (am 1971-02-08)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 259) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 297)
recording of:
Heart of Gold (am 1971-02-08)
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Hipgnosis Songs Fund Limited, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und Silver Fiddle Music (in 1971)
Neil Young4.33:06
20Let’s All Chant
Michael Zager Band5:45

Nennungen

Veröffentlichungsgruppe

Teil von:Classic Cuts Presents: 70s Night: The Definitive DJ Collection (Nummer: 15/16) (Reihenfolge: 8)