80s Classics 80s Pop 80s Bangers 80s Songs

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Countries excluded (Apple Music + Deezer + Spotify)

(As of 2020-08-03).

  • Northern America: 🇺🇸 United States (us)
  • South America: 🇫🇰 Falkland Islands (Malvinas) (fk)
  • Northern Europe: 🇸🇯 Svalbard and Jan Mayen (sj)
  • Western Africa: 🇧🇫 Burkina Faso (bf) 🇬🇳 Guinea (gn) 🇹🇬 Togo (tg)
  • Eastern Africa: 🇧🇮 Burundi (bi) 🇩🇯 Djibouti (dj) 🇪🇷 Eritrea (er) 🇪🇹 Ethiopia (et) 🇮🇴 British Indian Ocean Territory (io) 🇰🇲 Comoros (km) 🇸🇴 Somalia (so)
  • Middle Africa: 🇨🇫 Central African Republic (cf) 🇬🇶 Equatorial Guinea (gq) 🇸🇹 Sao Tome and Principe (st)
  • Southern Africa: 🇱🇸 Lesotho (ls)
  • Southern Asia: 🇦🇫 Afghanistan (af) 🇧🇩 Bangladesh (bd) 🇵🇰 Pakistan (pk)
  • South-Eastern Asia: 🇧🇳 Brunei Darussalam (bn) 🇹🇱 Timor-Leste (tl)
  • Oceania: 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf)
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Countries where available (Apple Music + Deezer + Spotify)

(As of 2020-08-03).

  • Northern America: 🇲🇽 Mexico (mx) 🇧🇲 Bermuda (bm) 🇨🇦 Canada (ca)
  • Central America: 🇧🇿 Belize (bz) 🇨🇷 Costa Rica (cr) 🇬🇹 Guatemala (gt) 🇭🇳 Honduras (hn) 🇳🇮 Nicaragua (ni) 🇵🇦 Panama (pa) 🇸🇻 El Salvador (sv)
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  • South America: 🇦🇷 Argentina (ar) 🇧🇴 Bolivia (bo) 🇧🇷 Brazil (br) 🇨🇱 Chile (cl) 🇨🇴 Colombia (co) 🇪🇨 Ecuador (ec) 🇵🇪 Peru (pe) 🇵🇾 Paraguay (py) 🇺🇾 Uruguay (uy) 🇻🇪 Venezuela (ve) 🇬🇾 Guyana (gy) 🇸🇷 Suriname (sr)
  • Western Europe: 🇦🇹 Austria (at) 🇧🇪 Belgium (be) 🇨🇭 Switzerland (ch) 🇩🇪 Germany (de) 🇫🇷 France (fr) 🇱🇺 Luxembourg (lu) 🇳🇱 Netherlands (nl) 🇱🇮 Liechtenstein (li) 🇲🇨 Monaco (mc)
  • Northern Europe: 🇩🇰 Denmark (dk) 🇪🇪 Estonia (ee) 🇫🇮 Finland (fi) 🇬🇧 United Kingdom (gb) 🇮🇪 Ireland (ie) 🇮🇸 Iceland (is) 🇱🇹 Lithuania (lt) 🇱🇻 Latvia (lv) 🇳🇴 Norway (no) 🇸🇪 Sweden (se)
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  • Eastern Europe: 🇧🇬 Bulgaria (bg) 🇧🇾 Belarus (by) 🇨🇿 Czech Republic (cz) 🇭🇺 Hungary (hu) 🇲🇩 Moldova (md) 🇵🇱 Poland (pl) 🇷🇴 Romania (ro) 🇷🇺 Russian Federation (ru) 🇸🇰 Slovakia (sk) 🇺🇦 Ukraine (ua) 🇽🇰 Kosovo (xk)
  • Northern Africa: 🇩🇿 Algeria (dz) 🇪🇬 Egypt (eg) 🇹🇳 Tunisia (tn) 🇱🇾 Libyan Arab Jamahiriya (ly) 🇲🇦 Morocco (ma)
  • Western Africa: 🇧🇯 Benin (bj) 🇨🇻 Cape Verde (cv) 🇬🇭 Ghana (gh) 🇬🇲 Gambia (gm) 🇬🇼 Guinea-Bissau (gw) 🇱🇷 Liberia (lr) 🇲🇱 Mali (ml) 🇲🇷 Mauritania (mr) 🇳🇪 Niger (ne) 🇳🇬 Nigeria (ng) 🇸🇱 Sierra Leone (sl) 🇸🇳 Senegal (sn) 🇨🇮 Cote D’Ivoire (ci)
  • Eastern Africa: 🇰🇪 Kenya (ke) 🇲🇬 Madagascar (mg) 🇲🇺 Mauritius (mu) 🇲🇼 Malawi (mw) 🇲🇿 Mozambique (mz) 🇸🇨 Seychelles (sc) 🇹🇿 Tanzania (tz) 🇺🇬 Uganda (ug) 🇿🇼 Zimbabwe (zw) 🇷🇼 Rwanda (rw) 🇿🇲 Zambia (zm)
  • Middle Africa: 🇦🇴 Angola (ao) 🇨🇬 Congo (cg) 🇹🇩 Chad (td) 🇨🇩 Congo, Democratic Republic (cd) 🇨🇲 Cameroon (cm) 🇬🇦 Gabon (ga)
  • Southern Africa: 🇧🇼 Botswana (bw) 🇳🇦 Namibia (na) 🇸🇿 Swaziland (sz) 🇿🇦 South Africa (za)
  • Western Asia: 🇦🇪 United Arab Emirates (ae) 🇦🇲 Armenia (am) 🇦🇿 Azerbaijan (az) 🇧🇭 Bahrain (bh) 🇮🇱 Israel (il) 🇯🇴 Jordan (jo) 🇰🇼 Kuwait (kw) 🇱🇧 Lebanon (lb) 🇴🇲 Oman (om) 🇶🇦 Qatar (qa) 🇸🇦 Saudi Arabia (sa) 🇹🇷 Turkey (tr) 🇾🇪 Yemen (ye) 🇬🇪 Georgia (ge) 🇮🇶 Iraq (iq) 🇵🇸 Palestinian Territory, Occupied (ps)
  • Central Asia: 🇰🇬 Kyrgyzstan (kg) 🇰🇿 Kazakhstan (kz) 🇹🇯 Tajikistan (tj) 🇹🇲 Turkmenistan (tm) 🇺🇿 Uzbekistan (uz)
  • Southern Asia: 🇧🇹 Bhutan (bt) 🇮🇳 India (in) 🇱🇰 Sri Lanka (lk) 🇳🇵 Nepal (np) 🇲🇻 Maldives (mv)
  • Eastern Asia: 🇨🇳 China (cn) 🇭🇰 Hong Kong (hk) 🇯🇵 Japan (jp) 🇰🇷 Korea (kr) 🇲🇳 Mongolia (mn) 🇲🇴 Macao (mo) 🇹🇼 Taiwan (tw)
  • South-Eastern Asia: 🇮🇩 Indonesia (id) 🇰🇭 Cambodia (kh) 🇱🇦 Lao People’s Democratic Republic (la) 🇲🇾 Malaysia (my) 🇵🇭 Philippines (ph) 🇸🇬 Singapore (sg) 🇹🇭 Thailand (th) 🇻🇳 Viet‐Nam (vn) 🇲🇲 Myanmar (mm)
  • Oceania: 🇦🇺 Australia (au) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇹🇴 Tonga (to)
  • Melanesia: 🇫🇯 Fiji (fj) 🇵🇬 Papua New Guinea (pg) 🇸🇧 Solomon Islands (sb) 🇻🇺 Vanuatu (vu)
  • Micronesia: 🇫🇲 Micronesia, Federated States of (fm)

Available on Apple Music, but not iTunes

Anmerkung zuletzt geändert am 2020-08-03 08:59 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:45
2When Doves Cry
Produzent(in):
Prince (“The Artist Formerly Known as…”)
drum machine [Linn LM-1], E-Gitarre, Synthesizer [Oberheim] und Synthesizer [Yamaha DX7]:
Prince (“The Artist Formerly Known as…”) (von 1984-03-01 bis 1984-03-02)
Sologesang:
Prince (“The Artist Formerly Known as…”) (am 1984-03-01)
arranger:
Prince (“The Artist Formerly Known as…”)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1984-03-01)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 37), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When Doves Cry (am 1984-03-01)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions und Controversy Music
Prince4.25:53
3Ain’t Nobody
alto saxophone:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Bass:
Bobby Watson (bassist)
flute:
Gary Herbig, Ernie Watts (jazz and blues saxophonist) und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
Tony Maiden
Keyboard:
Kevin Murphy (American keyboardist, Rufus & The American Breed) und David “Hawk” Wolinski
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Tenorsaxophon:
Gary Herbig und Ernie Watts (jazz and blues saxophonist)
Trompete:
Jerry Hey
zusätzlich Synthesizer:
James Newton Howard (American score composer)
vocals:
Chaka Khan und Tony Maiden
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 88) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 403)
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan3.74:40
4Blue Monday
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983, in 1987)
Samples:
Uran von Kraftwerk
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (Nummer: 61) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 235)
recording of:
Blue Monday
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) und Zomba Music Publishing Ltd.
New Order3.77:31
5True (single edit)
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1983) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
Musikvideos:
True von Spandau Ballet
recording of:
True
Texter und Komponist(in):
Gary Kemp
publisher:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. und Reformation Publishing Inc.
Spandau Ballet3.655:28
6Hungry Like the Wolf (2009 remaster)
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 196)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:41
7Orinoco Flow (2009 remaster)
Techniker(in):
Ross Cullum und Nicky Ryan
Koproduzent(in):
Ross Cullum und Enya (Irish singer-songwriter)
Produzent(in):
Nicky Ryan
Mix:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Instrumente und vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) und Nicky Ryan
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (vom 1988 bis heute) und WEA Records Ltd. (holding company based in the UK) (in 1988)
aufgenommen bei:
Orinoco Studios in Southwark, London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Orinoco Flow von Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Enya4.34:29
8Love Shack (edit)
Produzent(in):
Don Was
Bearbeitung von:
Love Shack von The B‐52s
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s3.654:18
9Holding Back the Years (2008 remastered version)
recording of:
Holding Back the Years
Texter:
Mick Hucknall (lead singer of Simply Red)
Komponist(in):
Mick Hucknall (lead singer of Simply Red) und Neil Moss
publisher:
EMI April Music Inc., EMI Songs Ltd. und So What Ltd
Simply Red44:12
10West End Girls (2001 remaster)
Techniker(in):
David Jacob
Produzent(in):
Stephen Hague
Hintergrundgesang, Sologesang und Sprecher:
Neil Tennant
zusätzlich vocals:
Helena Springs
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985, in 1991)
Musikvideos:
West End Girls von Pet Shop Boys
recording of:
West End Girls (in 1985)
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
publisher:
10 Music Ltd., Edition Meridian, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), Cage Music Ltd. (vom 1984 bis heute) und CBS, Inc. (US broadcasting company; file no releases here!) (vom 1984 bis heute)
Pet Shop Boys3.84:05
11I Want to Know What Love Is (1999 remaster)
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
12Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
13What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
Tina Turner4.153:47
14Here I Go Again (1987 version; 2017 remaster)
Produzent(in):
Kevin Elson, Keith Olsen (US producer and engineer) und Mike Stone (producer and engineer, 1960s–80s)
Mix:
Keith Olsen (US producer and engineer)
E-Bass:
Neil Murray (British bass guitar player)
E-Gitarre und Hintergrundgesang:
John Sykes
Gast-Keyboard und Keyboard:
Don Airey und Bill Cuomo
Perkussion und Schlagzeug:
Aynsley Dunbar
Solo-E-Gitarre:
Adrian Vandenberg
Sologesang:
David Coverdale
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1987) und Whitesnake Productions (Overseas) Ltd. (in 1987)
mixed at:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Here I Go Again ’87 von Whitesnake
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 17)
recording of:
Here I Go Again
Verfasser(in):
David Coverdale und Bernie Marsden
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996) (beendet), EMI Music Publishing (WP) Ltd., EMI Music Publishing Scandinavia AB, Seabreeze Music Ltd., Songs of Windswept Pacific, Warner/Chappell Music Scandinavia AB, Windswept Pacific Music Ltd., Windswept Pacific Music Ltd. (publishing company), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Whitesnake4.054:36
15I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:39
16The Cutter
Techniker(in):
David Bascombe, Dave Woolley, Colin Fairley, Paul Cobald, Steve Prestige und Steve Short (sound engineer & producer)
Produzent(in):
Kingbird
Bass:
Les Pattinson
Gast-Saiteninstrumente:
Shankar (L. Shankar)
Gitarre:
Ian McCulloch (Echo & the Bunnymen) und Will Sergeant
Schlagzeug:
Pete de Freitas
vocals:
Ian McCulloch (Echo & the Bunnymen)
recording of:
The Cutter
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen43:53
17Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:18
18This Charming Man (2011 remaster)
Techniker(in):
Phil Bush (engineer, composer and musician) und Neil King (sound engineer)
Produzent(in):
John Porter (producer and musician US and UK)
Bassgitarre:
Andy Rourke
Gitarre, Gitarre und Mundharmonika und Mundharmonika:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
vocals:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1983)
Musikvideos:
This Charming Man von The Smiths (1980s English rock band)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 11) und Indie 88: Top 500 Indie Rock Songs (Nummer: 36)
recording of:
This Charming Man
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.82:43
19It’s My Life (1997 remaster)
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:52
20Don’t Get Me Wrong (2007 remaster)
Techniker(in):
Bruce Lampcov
Produzent(in):
Bob Clearmountain und Jimmy Iovine
Mix:
Bob Clearmountain
Bass:
Chucho Merchán
Gitarre:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) und Robbie McIntosh (English guitarist for The Pretenders)
Klavier und Synthesizer:
Wix (UK / Paul Wickens)
Perkussion und Schlagzeug:
Steve Jordan (US drummer/multi-instrumentalist, composer & producer)
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd. (holding company based in the UK) und Warner Music UK Ltd. (not for release label use!) (in 2007)
recording of:
Don’t Get Me Wrong
Texter und Komponist(in):
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
publisher:
Clive Banks Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hynde House of Hits Music
Pretenders4.23:48
21Babooshka (2018 remaster)
assistierende(r) Techniker(in):
John Barratt (British audio engineer) (von 1979-09 bis 1980-05)
Techniker(in):
Jon Kelly (engineer at Air London Studios) (von 1979-09 bis 1980-05)
Produzent(in):
Kate Bush und Jon Kelly (engineer at Air London Studios)
Analoger Synthesizer [CS 80] und Sologesang:
Kate Bush (von 1979-09 bis 1980-05)
Balalaika:
Paddy Bush (von 1979-09 bis 1980-05)
E-Bass:
John Giblin (von 1979-09 bis 1980-05)
E-Gitarre:
Brian Bath (von 1979-09 bis 1980-05) und Alan Murphy (UK session guitarist) (von 1979-09 bis 1980-05)
Rhodes Piano [Fender Rhodes]:
Max Middleton (von 1979-09 bis 1980-05)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel) (von 1979-09 bis 1980-05)
Hintergrundgesang:
Paddy Bush (von 1979-09 bis 1980-05) und Gary Hurst (von 1979-09 bis 1980-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980), Novercia Ltd. (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05) und Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1979-09 bis 1980-05)
recording of:
Babooshka (von 1979-09 bis 1980-05)
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Kate Bush Music Ltd.
Kate Bush3.453:19
22Forever Young
recording engineer, Programmierung und Mix:
Wolfgang Loos (von 1984-07 bis 1984-08)
zusätzlich recording engineer:
Uli Rudolf (von 1984-07 bis 1984-08)
assistierende Programmierung:
Boris Balin und Thomas Beck (technical assistant, likely German)
Produzent(in):
Wolfgang Loos und Colin Pearson (producer and violinist)
Bass:
Ken Taylor (von 1984-07 bis 1984-08)
drum machine:
Bernhard Lloyd (von 1984-07 bis 1984-08)
Keyboard:
Bernhard Lloyd (von 1984-07 bis 1984-08) und Frank Mertens (German synthpop keyboardist Frank Sorgatz) (von 1984-07 bis 1984-08)
Schlagzeug:
Curt Cress (von 1984-07 bis 1984-08)
zusätzlich Keyboard:
Wolfgang Loos (von 1984-07 bis 1984-08)
Hintergrundgesang:
Gulfstream (von 1984-07 bis 1984-08) und The Rosie Singers (von 1984-07 bis 1984-08)
Sologesang:
Marian Gold (von 1984-07 bis 1984-08)
arranger:
Alphaville (German synth pop band) und Wolfgang Loos
phonographisches Urheberrecht (℗) von:
WEA MUSIK GMBH (company, not a label) (vom 1984 bis heute) und wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
aufgenommen bei und mixed at:
Studio 54 (Berlin recording studio) in Deutschland (von 1984-07 bis 1984-08)
recording of:
Forever Young (von 1984-07 bis 1984-08)
Texter:
Marian Gold
Komponist(in):
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold und Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. und Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.53:47
23Road to Nowhere (2005 remaster)
recording engineer und Mix:
Eric “E.T.” Thorngren
assistierende(r) Techniker(in):
Melanie West (engineer) (Aufgabe: second engineer)
Produzent(in):
Talking Heads
Bass-Synthesizer [synth bass]:
Tina Weymouth
Gast-accordion:
Jimmy MacDonell
Gast-Bongos, Gast-Conga und Gast-Tamburin:
Steve Scales
Gast-Saxophon:
Lenny Pickett (saxophone)
Gast-washboard:
Andrew Cader
Gitarre:
David Byrne (Talking Heads) und Jerry Harrison (Talking Heads & producer)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer)
Schlagzeug:
Chris Frantz
Gast Hintergrundgesang:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves und Kurt Yahijian
Hintergrundgesang:
Jerry Harrison (Talking Heads & producer) und Tina Weymouth
Sologesang:
David Byrne (Talking Heads)
vocals:
David Byrne (Talking Heads)
arranger:
David Byrne (Talking Heads), Chris Frantz, Jerry Harrison (Talking Heads & producer) und Tina Weymouth
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Sire Records Company (not for release label use!) (in 1985) und Talking Heads Tours Inc. (in 1985)
aufgenommen bei und mixed at:
Sigma Sound (New York) in New York, New York, Vereinigte Staaten
Musikvideos:
Road to Nowhere (music video) von Talking Heads
recording of:
Road to Nowhere
Texter und Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. und Warner Bros. Music Corp.
Talking Heads4.24:20
24Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.453:27
25All Right
recording engineer und Mix:
Chet Himes
assistierende(r) Techniker(in):
Stuart Gitlin und Margaret Gwynne (engineer)
zusätzliche(r) Techniker(in):
John Guess, Lee Herschberg, Mark Linett und Richard Mullen
assistierende(r) Produzent(in):
Rob Meurer und Michael Ostin
Produzent(in):
Michael Omartian
Solo-Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Sologesang:
Christopher Cross (US singer‐songwriter)
zusätzlich vocals:
Michael McDonald (R&B & soul singer)
conductor:
Michael Omartian
Saiteninstrumente arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer und Michael Omartian
concertmaster:
Assa Drori
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1983) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
produced for:
Free Flow Productions
aufgenommen bei:
Pop ’n’ Roll Studios in Santa Monica, California (Kalifornien), Vereinigte Staaten, Studio South in Austin, Texas, Vereinigte Staaten, The Aspen Studios in Aspen, Colorado, Vereinigte Staaten und Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
All Right
Texter und Komponist(in):
Christopher Cross (US singer‐songwriter)
publisher:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:16
26Life in a Northern Town
Produzent(in):
David Gilmour (Pink Floyd), Nick Laird-Clowes und George Nicholson (engineer, producer)
zusätzliche(r) Produzent(in):
David Gilmour (Pink Floyd)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 54)
recording of:
Life in a Northern Town
Verfasser(in):
Gilbert Gabriel und Nick Laird-Clowes
gewidmet:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:17
27Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:28
28The Look
Programmierung:
Anders Herrlin (in 1988-08) und Clarence Öfwerman (in 1988-08)
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1988-08)
E-Gitarre:
Jonas Isacsson (in 1988-08)
Hi-Hat und Schlagzeug:
Pelle Alsing (in 1988-08)
Keyboard:
Clarence Öfwerman (in 1988-08)
klassiche Gitarre:
Erik Borelius (in 1988-08)
Saxophon:
Erik Häusler (in 1988-08)
Slide-Gitarre:
Janne Oldaeus (in 1988-08)
Hintergrundgesang:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) und Clarence Öfwerman (in 1988-08)
Sologesang:
Marie Fredriksson (in 1988-08) und Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographisches Urheberrecht (℗) von:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) und EMI Svenska AB (not for release label use!)
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
The Look (in 1988-08)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.63:57
29Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:27
30Somewhere in My Heart
Produzent(in):
Michael Jonzun
recording of:
Somewhere in My Heart
Texter und Komponist(in):
Roddy Frame
publisher:
Complete Music Ltd.
Aztec Camera3.654:00
31La bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:54
32St. Elmos Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
33Give Me the Night
Produzent(in):
Quincy Jones
Bass:
Abraham Laboriel
Bass-Synthesizer [synthesizer bass]:
Richard Tee
flute und Saxophon:
Kim Hutchcroft und Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
Gitarre:
George Benson (jazz guitarist/singer) und Lee Ritenour
Hybrid-Piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
John “JR” Robinson (session drummer)
Synthesizer:
Michael Boddicker
Trompete:
Jerry Hey
Hintergrundgesang:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray und Jocelyn Allen
Sologesang:
George Benson (jazz guitarist/singer)
Horn arranger und Saiteninstrumente arranger:
Jerry Hey
arranger:
Quincy Jones und Rod Temperton
vocals arranger:
Rod Temperton
Bearbeitung von:
Give Me the Night von George Benson (jazz guitarist/singer)
recording of:
Give Me the Night
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson4.53:43
34I Keep Forgettin’ (Every Time You’re Near)
Produzent(in):
Ted Templeman und Lenny Waronker
Bassgitarre:
Louis Johnson (bass, member of Brothers Johnson)
Clavinet:
Greg Phillinganes
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes Piano, Synthesizer und Sologesang:
Michael McDonald (R&B & soul singer)
Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
Verfasser(in):
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford und Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) und Yellow Dog Music Inc
Version von:
I Keep Forgettin’
Michael McDonald43:42
35Hard to Say I’m Sorry (2007 remaster)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry
Verfasser(in):
Peter Cetera (in 1982) und David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) und Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:41
36Baby Jane (2008 remaster)
Techniker(in):
George Tutko (engineer, producer)
Koproduzent(in):
Jim Cregan (producer & member of Family) und George Tutko (engineer, producer)
Produzent(in):
Tom Dowd und Rod Stewart
Mix:
Jim Cregan (producer & member of Family), Tom Dowd und George Tutko (engineer, producer)
recording of:
Baby Jane
Texter:
Rod Stewart
Komponist(in):
Jay Davis (guitarist)
publisher:
Cardinal Music Ltd. und Carlin Music Corp.
Rod Stewart4:43
37Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:24
38You Might Think
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
You Might Think
publisher:
Ric Ocasek (in 1983)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc.
The Cars4.73:05
39Gold (non stop edit)
recording of:
Gold
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3:54
40The Best (edit)
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman und Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989)
Bearbeitung von:
The Best von Tina Turner
Musikvideos:
The Best von Tina Turner
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner3.854:14
41Love Wars
recording of:
Love Wars
Verfasser(in):
Cecil Womack und Linda Womack
Komponist(in):
Zekuumba Zekkariyas und Zeniya Zekkariyas
publisher:
Next Flight Music
Womack & Womack5:59
42Twist in My Sobriety
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) und WEA Records Ltd. (holding company based in the UK) (in 1988)
recording of:
Twist in My Sobriety (in 1988)
Texter und Komponist(in):
Tanita Tikaram
publisher:
Brogue Music, Warner Basart (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:51
43Wind Beneath My Wings
Produzent(in):
Arif Mardin
Sologesang:
Bette Midler
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 1) und Alan Cross: Hurricane Songs (Nummer: 10)
cover recording of:
Wind Beneath My Wings
Verfasser(in):
Larry Henley (singer songwriter) und Jeff Silbar
publisher:
Silbar’Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bette Midler54:54
44Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Rhino UK (company credits only; do NOT use as release label) (in 2019)
kostenlos streamen:https://open.spotify.com/album/1M1mTwRAsuOQCQLhO87RrX [Info]
https://www.deezer.com/album/102204002 [Info]
Streaming-Seite:https://music.apple.com/gb/album/1469963894 [Info]
https://music.apple.com/mx/album/1469963894 [Info]