Kantaten: BWV 19, 40, 70, 140, 149, 180

~ Release by J.S. Bach; Selig, Reichelt, Hellmann, Jelden, Stämpfli, Heinrich-Schütz-Chor Heilbronn, Pforzheimer Kammerorchester, Fritz Werner (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Kantate, BWV 19 "Es erhub sich ein Streit": (Coro): "Es erhub sich ein Streit"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:22
2Kantate, BWV 19 "Es erhub sich ein Streit": Recitativo (Basso): "Gottlob! der Drache liegt"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
bass vocals:
Jakob Stämpfli (operatic bass / recording engineer) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:06
3Kantate, BWV 19 "Es erhub sich ein Streit": Aria (Soprano): "Gott schickt uns Mahanaim zu"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:37
4Kantate, BWV 19 "Es erhub sich ein Streit": Recitativo (Tenore): "Was ist der schnöde Mensch"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:58
5Kantate, BWV 19 "Es erhub sich ein Streit": Aria (Tenore): "Bleibt, ihr Engel, bleibt bei mir!"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach6:28
6Kantate, BWV 19 "Es erhub sich ein Streit": Recitativo (Soprano): "Laßt uns das Angesicht"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
soprano vocals:
Édith Selig (soprano) (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:59
7Kantate, BWV 19 "Es erhub sich ein Streit": Choral (Coro): "Laß dein’ Engel mit mir fahren"
recording engineer:
Peter Willimoës (engineer) (in 1964-06)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-06)
orchestra:
Pforzheim Chamber Orchestra (in 1964-06)
conductor:
Fritz Werner (German conductor and organist) (in 1964-06)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-06)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (in 1964-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:48
8Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": (Coro): "Wachet auf, ruft uns die Stimme"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach8:38
9Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Recitativo (Tenore): "Er kommt, der Bräutgam kommt"
tenor vocals:
Helmut Krebs (tenor) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:01
10Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Aria (Duetto: Soprano, Basso): "Wenn kömmst du, mein Heil?"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:44
11Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Choral (Tenore): "Zion hört die Wächter singen"
tenor vocals:
Helmut Krebs (tenor) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:08
12Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Recitativo (Basso): "So geh herein zu mir"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:32
13Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Aria (Duetto: Soprano, Basso): "Mein Freund ist mein! Und ich bin sein!"
bass vocals:
Franz Kelch (from 1959-10-24 until 1959-10-30)
soprano vocals:
Ingeborg Reichelt (German soprano) (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:10
14Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": Choral (Coro): "Gloria sei dir gesungen"
choir vocals:
Heinrich-Schütz-Chor Heilbronn (from 1959-10-24 until 1959-10-30)
orchestra:
Pforzheim Chamber Orchestra (from 1959-10-24 until 1959-10-30)
conductor:
Fritz Werner (German conductor and organist) (from 1959-10-24 until 1959-10-30)
recorded at:
Bartholomäuskirche in Ilsfeld, Baden-Württemberg, Germany (from 1959-10-24 until 1959-10-30)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 1959-10-24 until 1959-10-30)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach2:21
15Kantate, BWV 149 "Man singet mit Freuden vom Sieg": (Coro): "Man singet mit Freuden vom Sieg"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": I. Coro "Man singet mit Freuden vom Sieg" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach4:42
16Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Aria (Basso): "Kraft und Stärke sei gesungen"
producer:
Michel Garcin (French producer)
bass vocals:
Erich Wenk (bass-baritone) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": II. Aria (Bass) "Kraft und Stärke sei gesungen" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach3:15
17Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Recitativo (Alto): "Ich fürchte mich vor tausend feinden nicht"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": III. Recitativo (Alt) "Ich fürchte mich vor tausend Feinden nicht" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach1:01
18Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Aria (Soprano): "Gottes Engel weichen nie"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
soprano vocals:
Agnes Giebel (soprano) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": IV. Aria (Sopran) "Gottes Engel weichen nie" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach6:13
19Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Recitativo (Tenore): "Ich danke dir, mein lieber Gott"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": V. Recitativo (Tenor) "Ich danke dir, mein lieber Gott, dafür" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach0:48
20Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Aria (Duetto: Alto, Tenore): "Seid wachsam, ihr heiligen Wächter"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
alto vocals:
Claudia Hellmann (contralto) (in 1964-10)
tenor vocals:
Georg Jelden (German tenor, then (after 1973) baryton) (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VI. Aria (Duetto Alt, Tenor) "Seid wachsam, ihr heiligen Wächter" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1728)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach3:55
21Kantate, BWV 149 "Man singet mit Freuden vom Sieg": Choral (Coro): "Ach Herr, lass dein lieb Engelein"
recording engineer:
Peter Willimoës (engineer) (in 1964-10)
producer:
Michel Garcin (French producer)
choir vocals:
Heinrich-Schütz-Chor Heilbronn (in 1964-10)
orchestra:
Pforzheim Chamber Orchestra (in 1964-10)
conductor:
Fritz Werner (German conductor and organist) (in 1964-10)
recorded at:
Heilbronn Harmonie (1958-2001) in Heilbronn, Baden-Württemberg, Germany (in 1964-10)
recording of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg": VII. Choral "Ach Herr, laß dein lieb Engelein" (in 1964-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
librettist:
Martin Schalling (in 1569)
part of:
Breitkopf 389 Choralgesänge (number: 155)
part of:
Kantate, BWV 149 "Man singet mit Freuden vom Sieg"
Johann Sebastian Bach2:20
2▶CD