Essential Baroque

~ Parution par Various Artists (afficher toutes les versions de cette parution, 2 proposées)

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noTitreArtisteÉvaluationDurée
1Te Deum, H. 146: Prélude
chœurs :
Choir of King’s College, Cambridge
recording of :
Te Deum, H. 146: Prélude
compositeur :
Marc‐Antoine Charpentier (composer)
éditeur :
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
partie de :
Te Deum, H. 146
Marc‐Antoine Charpentier1:46
2Was mir behagt, ist nur die muntre Jagd, BWV 208: IX. Schafe können sicher weiden
producteur :
John Fraser (UK producer)
orgue :
Ian Watson (conductor and keyboardist) (du 1983-06-27 au 1983-06-28)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1983-06-27 au 1983-06-28)
conductor :
Sir Neville Marriner (conductor) (du 1983-06-27 au 1983-06-28)
arrangeur et orchestrateur :
Sir Neville Marriner (conductor)
régisseur musical :
Stuart Eltham (engineer)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1983-06-27 au 1983-06-28)
recording of :
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden” (orchestrated by Marriner) (du 1983-06-27 au 1983-06-28)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
orchestration de :
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
Johann Sebastian Bach4:33
3The Four Seasons, Violin Concerto in F minor, op. 8 no. 4, RV 297 "Winter": II. Largo
clavecin :
Paul Crocker (harpsichord) (le 1979-12)
violon :
Yehudi Menuhin (violinist) (le 1979-12)
orchestre :
Camerata Lysy Gstaad (le 1979-12)
conductor :
Alberto Lysy (violinist and conductor) (le 1979-12)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1981)
enregistré à :
Abbey Road Studios dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (le 1979-12)
recording of :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (le 1979-12)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist) (le 1723)
partie de :
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:06
4Suite in D major: Prince of Denmark's March "Trumpet Voluntary"
orgue :
Jane Parker‐Smith (organist) (le 1977-05)
trompette :
Maurice André (French trumpeter) (le 1977-05)
arrangeur :
Jean‐Michel Defaye (French composer, conductor and pianist)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1978)
enregistré à :
Église protestante Saint-Pierre-le-Jeune dans Strasbourg, Bas-Rhin, Grand Est (Great East), France (le 1977-05)
recording of :
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (le 1977-05)
compositeur :
Jeremiah Clarke (English baroque composer and organist)
arrangement de :
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
recording of :
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
compositeur :
Jeremiah Clarke (English baroque composer and organist) (le 1700)
Jeremiah Clarke2:49
5Partita for Solo Violin no. 3 in E major, BWV 1006: I. Preludio
violon :
Josef Suk (violinist/conductor, 1929–2011)
recording of :
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1720)
partie de :
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:35
6Guitar Concerto in D major, RV 93: II. Largo
guitare :
Christopher Parkening (guitarist) (le 1993-05)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1993-05)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1993-05)
enregistré à :
Blackheath Halls dans London (Londres, Greater London), England, Royaume-Uni (le 1993-05)
recording of :
Concerto for Lute in D major, RV 93: II. Largo (catch-all for arrangements) (le 1993-05)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
arrangement de :
Concerto for Lute in D major, RV 93: II. Largo
partie de :
Concerto for Lute in D major, RV 93 (catch-all for arrangements)
Antonio Vivaldi4:35
7Concerto for Two Violins in D minor, BWV 1043: II. Largo ma non tanto
violon :
Christian Ferras (violinist) et Yehudi Menuhin (violinist)
orchestre :
Bath Festival Orchestra
recording of :
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (du 1730 au 1731)
partie de :
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach7:40
8Vespro della Beata Vergine (1610): Psalm 112 - Laudate pueri
instruments :
Early Music Consort of London
chœurs :
Choir of King’s College, Cambridge
conductor :
Philip Ledger
recording of :
Vespro della Beata Vergine, SV 206: IV. Psalmus II "Laudate pueri Dominum"
compositeur :
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
partie de :
Vespro della Beata Vergine, SV 206 (for chorus & instruments)
Claudio Monteverdi5:48
9Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
producteur :
John Fraser (UK producer)
clavecin [harpsichord continuo] :
George Malcolm (English harpsichordist, conductor) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
hautbois :
Celia Nicklin (oboist) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
recorder :
Philip Pickett (musician) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
trompette :
Mark Bennett (trumpeter) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
violon :
Kenneth Sillito (violinist) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
conductor :
Sir Neville Marriner (conductor) (du 1985-11-01 au 1985-11-04, le 1985-11-13)
régisseur musical :
Stuart Eltham (engineer)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) et Warner Classics UK (not for release label use! for copyrights use only)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1985-11-01 au 1985-11-04, le 1985-11-13)
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (du 1985-11-01 au 1985-11-04)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (le 1985-11-13)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach2:47
10Funeral Sentences and Funeral Music for Queen Mary: March, Z. 860i
instruments :
Philip Jones Brass Ensemble
chœurs :
Choir of King’s College, Cambridge
conductor :
Sir Philip Ledger
recording of :
Funeral Music on the Death of Queen Mary: I. March, Z. 860
compositeur :
Henry Purcell (Baroque composer)
partie de :
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell1:38
11Funeral Sentences, and Funeral Music for Queen Mary: Thou know'st Lord, Z. 58B
instruments :
Philip Jones Brass Ensemble
chœurs :
Choir of King’s College, Cambridge
conductor :
Sir Philip Ledger
recording of :
Funeral Music on the Death of Queen Mary: VI. Anthem, Z. 58b "Thou knowest, Lord"
compositeur :
Henry Purcell (Baroque composer)
partie de :
Henry Purcell: An Analytical Catalogue of His Music (numéro : Z. 58b)
partie de :
Music for the Funeral of Queen Mary, Z. 860
Henry Purcell2:21
12Harpsichord Concerto no. 5 in F minor, BWV 1056: II. Largo
clavecin :
George Malcolm (English harpsichordist, conductor)
orchestre :
Menuhin Festival Orchestra
conductor :
Yehudi Menuhin (violinist)
recording of :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:17
13Ouverture-Suite for Flute and Strings in A minor, TWV 55:a2: V. Réjouissance. Viste
producteur :
Christopher Bishop (conductor/producer)
clavecin :
Christopher Hogwood (conductor, harpsichordist) (du 1973-10-01 au 1973-10-04)
contrebasse :
John Gray (double bass player) (du 1973-10-01 au 1973-10-04)
recorder :
David Munrow (UK early music historian & musician) (du 1973-10-01 au 1973-10-04)
violon :
Carmel Kaine (violinist) (du 1973-10-01 au 1973-10-04)
violoncelle :
Kenneth Heath (cellist) (du 1973-10-01 au 1973-10-04)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1973-10-01 au 1973-10-04)
conductor :
Sir Neville Marriner (conductor) (du 1973-10-01 au 1973-10-04)
régisseur musical :
Stuart Eltham (engineer)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (du 1973-10-01 au 1973-10-04)
recording of :
Ouverture-Suite, TWV 55:a2: V. Réjouissance (for recorder or flute and strings) (du 1973-10-01 au 1973-10-04)
compositeur :
Georg Philipp Telemann (composer)
partie de :
Ouverture-Suite, TWV 55:a2
Georg Philipp Telemann2:19
14The Well-Tempered Clavier, Book I, Prelude and Fugue no. 1 in C major, BWV 846: Prelude
clavecin :
Bob van Asperen (harpsichordist and organist)
recording of :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (du 1989 au 1990)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1722)
partie de :
Notebook for Anna Magdalena Bach (Petits livres de notes d'Anna Magdalena Bach, 1725) (numéro : 29)
partie de :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
révision de :
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:46
15Guitar Concerto in C major, RV 425: III. Allegro
guitare :
Christopher Parkening (guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of :
Concerto for Mandolin in C major, RV 425: III. Allegro
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi4:16
16Brandenburg Concerto no. 3 in G major, BWV 1048: I. —
orchestre :
Linde Consort (Swiss ensemble led by Hans-Martin Linde)
conductor :
Hans-Martin Linde (flutist and conductor)
recording of :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
partie de :
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:45
17Musette and Tambourin en rondeau from Les Fêtes d'Hébé
conductor :
Raymond Leppard (conductor and harpsichordist)
recording of :
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 9. Tambourin en rondeau
compositeur :
Jean‐Philippe Rameau (French composer of the Baroque era)
partie de :
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
recording of :
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet): 13. Musette en rondeau
compositeur :
Jean‐Philippe Rameau (French composer of the Baroque era)
partie de :
Les Fêtes D'Hébé (Paris, 1739. Suite From The Opéra-ballet)
Jean‐Philippe Rameau2:59
18Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie
producteur :
John Fraser (UK producer)
clavecin [harpsichord continuo] :
Alastair Ross (organist and harpsichordist) (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
flûte :
William Bennett (flautist) (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
violoncelle [cello continuo] :
Denis Vigay (cellist) (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
conductor :
Sir Neville Marriner (conductor) (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
régisseur musical :
Stuart Eltham (engineer)
droits phonographiques (℗) par :
Warner Classics UK (not for release label use! for copyrights use only) (le 1985)
enregistré à :
Abbey Road Studios: Studio 1 dans St John's Wood, Westminster, London (Londres, Greater London), England, Royaume-Uni (le 1984-11-03, du 1984-11-05 au 1984-11-06, le 1984-11-08)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (le 1984-11-03)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (du 1984-11-05 au 1984-11-06)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of :
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (le 1984-11-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
Johann Sebastian Bach1:24
19Keyboard Sonata in B-flat major, Kk. 202
clavecin :
Bob van Asperen (harpsichordist and organist)
recording of :
Sonata in B-flat major, K 202, L 498: Allegro
compositeur :
Domenico Scarlatti (composer)
partie de :
Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (numéro : 202) et Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (numéro : 498)
Domenico Scarlatti3:51
20Wachet auf, ruft uns die Stimme, BWV 140: No. 4. Choral. "Zion hört die Wächter singen"
chœurs :
Süddeutscher Madrigalchor
orchestre :
Consortium Musicum
conductor :
Wolfgang Gönnenwein (conductor)
recording of :
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen”
première en :
Leipzig, Sachsen (Saxony), Allemagne (le 1731-11-25)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1731)
est basée sur :
Wachet auf, ruft uns die Stimme
partie de :
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:24
21Lute Concerto in D major, RV 93: I. Allegro
cordes :
Danske Strings
instruments :
Wim ten Have (Classical viola and viol player)
luth :
Anthony Bailes (lutenist)
recording of :
Concerto for Lute in D major, RV 93: I. Allegro giusto
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto for Lute in D major, RV 93
Antonio Vivaldi3:36
22Messiah, HWV 56: No. 44. Hallelujah
producteur :
Christopher Bishop (conductor/producer)
chœurs :
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (du 1966-06-29 au 1966-08-09)
voix de soprano :
Elizabeth Harwood (soprano)
voix solo :
Dame Janet Baker (mezzo‐soprano and alto), Paul Esswood (countertenor), Elizabeth Harwood (soprano), Raimund Herincx (bass-baritone) et Robert Tear (tenor)
orchestre :
English Chamber Orchestra (du 1966-06-29 au 1966-08-09)
conductor :
Sir Charles Mackerras (Australian conductor) (du 1966-06-29 au 1966-08-09)
arrangeur :
Basil Lam (English producer, harpsichordist)
régisseur musical :
Neville Boyling (engineer) (du 1966-06-29 au 1966-08-09)
droits phonographiques (℗) par :
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (le 1967)
enregistré à :
Kingsway Hall dans London (Londres, Greater London), England, Royaume-Uni (du 1966-06-29 au 1966-08-09)
recording of :
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (du 1966-06-29 au 1966-08-09)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1741)
librettiste :
Charles Jennens
partie de :
Messiah, HWV 56: Part II
George Frideric Handel4:00