La Divina: Maria Callas in All Her Roles

~ Release by Maria Callas (see all versions of this release, 3 available)

Annotation

The complete collection of Warner Classics (EMI) recordings by Maria Callas. Includes all her studio and live recordings on 131 CDs, 3 Blu-Rays of concert videos, a DVD-ROM (libretti, texts, recording sheets, interviews), a 148-page hardcover book, and an NFT with digital content.

The CDs also include studio alternate takes and working sessions from the 1960s (previously unreleased), and Julliard Master classes.

Annotation last modified on 2025-01-14 10:48 UTC.

Tracklist

1▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1) (Studio, Recorded 1954)
2▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2) (Studio, Recorded 1954)
3▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1954)
4▶CD: Vincenzo Bellini: Norma (Act 1 beginning) (Studio, Recorded 1960)
5▶CD: Vincenzo Bellini: Norma (Act 1 conclusion) (Studio, Recorded 1960)
6▶CD: Vincenzo Bellini: Norma (Act 2) (Studio, Recorded 1960)
7▶CD: Vincenzo Bellini: I puritani (Act 1) (Studio, Recorded 1953)
8▶CD: Vincenzo Bellini: I puritani (Acts 2 & 3) (Studio, Recorded 1953)
9▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Studio, Recorded 1957)
10▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Studio, Recorded 1957)
11▶CD: Georges Bizet: Carmen (Act 1, Act 2 beginning) (Studio, Recorded 1964)
12▶CD: Georges Bizet: Carmen (Act 2 conclusion, Acts 3 & 4) (Studio, Recorded 1964)
13▶CD: Luigi Cherubini: Medea (Act 1) (Studio, Recorded 1957)
14▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Studio, Recorded 1957)
15▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1953)
16▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1953)
17▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Studio, Recorded 1959)
18▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Studio, Recorded 1959)
19▶CD: Ruggero Leoncavallo: I pagliacci (Studio, Recorded 1954)
20▶CD: Pietro Mascagni: Cavalleria rusticana (Studio, Recorded 1953)
21▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1952)
22▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1952)
23▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1952)
24▶CD: Amilcare Ponchielli: La Gioconda (Act 1) (Studio, Recorded 1959)
25▶CD: Amilcare Ponchielli: La Gioconda (Act 2) (Studio, Recorded 1959)
26▶CD: Amilcare Ponchielli: La Gioconda (Acts 3 & 4) (Studio, Recorded 1959)
27▶CD: Giacomo Puccini: La bohème (Acts 1 & 2) (Studio, Recorded 1956)
28▶CD: Giacomo Puccini: La bohème (Acts 3 & 4) (Studio, Recorded 1956)
29▶CD: Giacomo Puccini: Madama Butterfly (Act 1, Act 2 beginning) (Studio, Recorded 1955)
30▶CD: Giacomo Puccini: Madama Butterfly (Act 2 conclusion) (Studio, Recorded 1955)
31▶CD: Giacomo Puccini: Manon Lescaut (Acts 1 & 2) (Studio, Recorded 1957)
32▶CD: Giacomo Puccini: Manon Lescaut (Acts 3 & 4) (Studio, Recorded 1957)
33▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1953)
34▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1953)
35▶CD: Giacomo Puccini: Tosca (Act 1) (Studio, Recorded 1964 & 1965)
36▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Studio, Recorded 1964 & 1965)
37▶CD: Giacomo Puccini: Turandot (Acts 1 & 2) (Studio, Recorded 1957)
38▶CD: Giacomo Puccini: Turandot (Acts 3) (Studio, Recorded 1957)
39▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 beginning) (Studio, Recorded 1957)
40▶CD: Gioachino Rossini: Il barbiere di Siviglia (Act 1 conclusion, Act 2) (Studio, Recorded 1957)
41▶CD: Gioachino Rossini: Il turco in Italia (Act 1) (Studio, Recorded 1954)
42▶CD: Gioachino Rossini: Il turco in Italia (Act 2) (Studio, Recorded 1954)
43▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Studio, Recorded 1955)
44▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Studio, Recorded 1955)
45▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Studio, Recorded 1956)
46▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
47▶CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48▶CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49▶CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50▶CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54▼CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
#TitleArtistRatingLength
1Il trovatore: Act I, Scene 1. “All'erta! All'erta!” (Ferrando, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “All'erta! All'erta!” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:03
2Il trovatore: Act I, Scene 1. “Di due figli vivea padre beato” (Ferrando, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Di due figli vivea padre beato” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:45
3Il trovatore: Act I, Scene 1. “Abbietta zingara, fosca vegliardo!” (Ferrando, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:35
4Il trovatore: Act I, Scene 1. “Brevi e tristi giorni visse” (Ferrando, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “E il padre? – Brevi e tristi giorni visse” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:57
5Il trovatore: Act I, Scene 1. “Sull'orlo dei tetti” (Ferrando, Coro)
producer:
Walter Legge (British classical producer)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 1. “Sull'orlo dei tetti” (Ferrando, retainers, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:21
6Il trovatore: Act I, Scene 2. “Che più l'arresti?” (Ines, Leonora)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Che più t'arresti?” (Ines, Leonora) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:17
7Il trovatore: Act I, Scene 2. “Tacea la notte placida” (Leonora)
producer:
Walter Legge (British classical producer)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tacea la notte placida!” (Leonora, Ines) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi3:34
8Il trovatore: Act I, Scene 2. “Quanto narrasti di turbamento m'ha piena l'alma!” (Ines, Leonora)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Quanto narrasti di turbamento” (Ines, Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi0:50
9Il trovatore: Act I, Scene 2. “Di tale amor” (Leonora)
producer:
Walter Legge (British classical producer)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di tale amor, che dirsi” (Leonora, Ines) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:41
10Il trovatore: Act I, Scene 2. “Tace la notte!” (Conte)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Tace la notte!” (Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:49
11Il trovatore: Act I, Scene 2. “Il trovator! Io fremo!…Deserto sulla terra” (Conte, Manrico)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:45
12Il trovatore: Act I, Scene 2. “Anima mia!…Più dell'usato” (Conte, Leonora, Manrico)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Anima mia!” ... “Piu dell'usato” (Leonora, Manrico, Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi1:59
13Il trovatore: Act I, Scene 2. “Di geloso amor sprezzato” (Conte, Leonora, Manrico)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
recording of:
Il trovatore: Atto I, scena 2. “Di geloso amor sprezzato” (Conte Luna, Leonora, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi2:41
14Il trovatore: Act II, Scene 1. “Vedi! le fosche notturne spoglie” (Coro delle incudini)
producer:
Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:59
15Il trovatore: Act II, Scene 1. “Stride las vampa!” (Azucena)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:41
16Il trovatore: Act II, Scene 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Zingaro)
producer:
Walter Legge (British classical producer)
bass vocals [Uno zingaro]:
Giulio Mauri (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (zingari, Azucena, Manrico, uno zingaro) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:02
17Il trovatore: Act II, Scene 1. “Soli or siamo” (Manrico, Azucena)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Soli or siamo” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:01
18Il trovatore: Act II, Scene 1. “Condotta ell'era in ceppi” (Manrico, Azucena)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:51
19Il trovatore: Act II, Scene 1. “Non son tuo figlio!” (Manrico, Azucena)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Non son tuo figlio?” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:28
20Il trovatore: Act II, Scene 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:09
21Il trovatore: Act II, Scene 1. “L'usato messo Ruiz invia!” (Manrico, Azucena, Messo)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Un messo]:
Renato Ercolani (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “L'usato messo Ruiz invia!” ... “Mi vendica!” (Manrico, Azucena) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:26
22Il trovatore: Act II, Scene 1. “Perigliarti ancor languente” (Azucena, Manrico)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals [Azucena]:
Fedora Barbieri (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 1. “Perigliarti ancor languente” (Azucena, Manrico) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:30
23Il trovatore: Act II, Scene 2. “Tutto è deserto” (Conte, Ferrando)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:34
24Il trovatore: Act II, Scene 2. “Il balen del suo sorriso” (Conte)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:15
25Il trovatore: Act II, Scene 2. “Qual suono! Oh ciel!” (Conte, Ferrando, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Qual suono! Oh ciel” (Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi0:50
26Il trovatore: Act II, Scene 2. “Per me ora fatale” (Conte, Ferrando, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Per me ora fatale” (Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:51
27Il trovatore: Act II, Scene 2. “Ah! se l'error t'ingombra” (Conte, Ferrando, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Ah! se l'error t'ingombra” (nuns, Conte Luna, Ferrando, retainers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:01
28Il trovatore: Act II, Scene 2. “Perché piangete?…O dolci amiche” (Leonora, Ines, Conte, Coro)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “Perché piangete” ... “O dolci amiche” (Leonora, Ines, Conte Luna, nuns)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi2:17
29Il trovatore: Act II, Scene 2. “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ines, Coro, Ferrando, Ruiz)
producer:
Walter Legge (British classical producer)
baritone vocals [Il conte di Luna]:
Rolando Panerai (baritone) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
bass vocals [Ferrando]:
Nicola Zaccaria (operatic bass) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
mezzo-soprano vocals [Ines]:
Luisa Villa (mezzo-soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
soprano vocals [Leonora]:
Maria Callas (soprano) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Manrico]:
Giuseppe Di Stefano (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
tenor vocals [Ruiz]:
Renato Ercolani (tenor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
conductor:
Herbert von Karajan (conductor) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
chorus master:
Norberto Mola (chorus master) (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-08-03 until 1956-08-04, from 1956-08-06 until 1956-08-09)
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (from 1956-08-03 until 1956-08-04)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “E deggio, e posso crederlo?” (Leonora, Conte Luna, Manrico, Ines, Ferrando, Ruiz, nuns, soldiers) (from 1956-08-06 until 1956-08-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:46
55▶CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56▶CD: The First Recordings (1949) (Studio, Recorded 1949)
57▶CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58▶CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59▶CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60▶CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61▶CD: Callas at La Scala (Studio, Recorded 1955)
62▶CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63▶CD: Mad Scenes (Studio, Recorded 1958)
64▶CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65▶CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66▶CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67▶CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68▶CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69▶CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70▶CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71▶CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72▶CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73▶CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74▶CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75▶CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76▶CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77▶CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78▶CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79▶CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80▶CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81▶CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82▶CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83▶CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84▶CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85▶CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86▶CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87▶CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88▶CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89▶CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)
91▶CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 3 & 4) (Live, Recorded 1957)
92▶CD: Giacomo Puccini: Tosca (Act 1) (Live, Recorded 1964)
93▶CD: Giacomo Puccini: Tosca (Acts 2 & 3) (Live, Recorded 1964)
94▶CD: Gioachino Rossini: Armida (Act 1) (Live, Recorded 1952)
95▶CD: Gioachino Rossini: Armida (Acts 2 & 3) (Live, Recorded 1952)
96▶CD: Gaspare Spontini: La vestale (Act 1) (Live, Recorded 1954)
97▶CD: Gaspare Spontini: La vestale (Acts 2 & 3) (Live, Recorded 1954)
98▶CD: Giuseppe Verdi: Aida (Acts 1 & 2) (Live, Recorded 1951)
99▶CD: Giuseppe Verdi: Aida (Acts 3 & 4) (Live, Recorded 1951)
100▶CD: Giuseppe Verdi: Un ballo in maschera (Act 1, Act 2 beginning) (Live, Recorded 1957)
101▶CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Live, Recorded 1957)
102▶CD: Giuseppe Verdi: Macbeth (Acts 1 & 2) (Live, Recorded 1952)
103▶CD: Giuseppe Verdi: Macbeth (Acts 3 & 4) (Live, Recorded 1952)
104▶CD: Giuseppe Verdi: Nabucco (Parts 1 & 2) (Live, Recorded 1949)
105▶CD: Giuseppe Verdi: Nabucco (Parts 3 & 4) (Live, Recorded 1949)
106▶CD: Giuseppe Verdi: Rigoletto (Act 1) (Live, Recorded 1952)
107▶CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Live, Recorded 1952)
108▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1955)
109▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1955)
110▶CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Live, Recorded 1958)
111▶CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Live, Recorded 1958)
112▶CD: Giuseppe Verdi: I vespri siciliani (Acts 1 & 2) (Live, Recorded 1951)
113▶CD: Giuseppe Verdi: I vespri siciliani (Act 3) (Live, Recorded 1951)
114▶CD: Giuseppe Verdi: I vespri siciliani (Acts 4 & 5) (Live, Recorded 1951)
115▶CD: Richard Wagner: Parsifal (Act 1 beginning) (Live, Recorded 1950)
116▶CD: Richard Wagner: Parsifal (Act 1 conclusion • Act 2) (Live, Recorded 1950)
117▶CD: Richard Wagner: Parsifal (Act 3) (Live, Recorded 1950)
118▶CD: Live in Turin 1951 / Live in Rome 1952 / Live in San Remo 1954 (Live, Recorded 1951, 1952 & 1954)
119▶CD: Live in Milan 1956 / Live in Athens 1957 (Live, Recorded 1956 & 1957)
120▶CD: In Rehearsal Dallas 1957 (Live, Recorded 1957)
121▶CD: Live in London 1958 & 1959 (Live, Recorded 1958 & 1959)
122▶CD: Live in Paris 1958 (Live, Recorded 1958)
123▶CD: Live in Hamburg 1959 (Live, Recorded 1959)
124▶CD: Live in Stuttgart 1959 (Live, Recorded 1959)
125▶CD: Live in Amsterdam 1959 (Live, Recorded 1959)
126▶CD: Live in London 1961 & 1962 (Live, Recorded 1961 & 1962)
127▶CD: Live in Paris 1963 & 1976 (Live, Recorded 1963 & 1976)
128▶Blu-ray: La Callas…Toujours - Paris 1958 (Live, Recorded 1958)
129▶Blu-ray: Maria Callas in Concert - Hamburg 1959 & 1962 (Live, Recorded 1959 & 1962)
130▶Blu-ray: Maria Callas at Covent Garden 1962 & 1964 (Live, Recorded 1962 & 1964)
131▶CD: Bonus: Studio alternate takes and working sessions 1960-1964
132▶CD: Maria Callas at Julliard: the Master Classes - 1
133▶CD: Maria Callas at Julliard: the Master Classes - 2
134▶CD: Maria Callas at Julliard: the Master Classes - 3
135▶Data DVD-R: Libretti, Texts, Interviews, Recording sheets