Der Messias

~ Release by George Frideric Handel; Gächinger Kantorei Stuttgart, Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
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1Der Messias: Zweiter Teil. Chor: Kommt her und seht das Lamm!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 16. Coro: “Kommt her und seht das Lamm!” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:22
2Der Messias: Zweiter Teil. Arie: Er ward verschmahet
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 17. Aria: “Er ward verschmähet” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel11:32
3Der Messias: Zweiter Teil. Chor: Wahrlich, wahrlich! Er litt unsre Qual
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 18. Coro: “Wahrlich, wahrlich!” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:59
4Der Messias: Zweiter Teil. Chor: Durch seine Wunden sind wir geheilet
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 19. Coro: “Durch seine Wunden sind wir geheilet” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:49
5Der Messias: Zweiter Teil. Chor: Wie Schafe geh'n
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 20. Coro: “Wie Schafe geh'n” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:50
6Der Messias: Zweiter Teil. Accompagnato-Rezitativ: Und alle, die ihn seh'n
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 21. Recitativo strumentato: “Und alle, die ihn seh'n” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:44
7Der Messias: Zweiter Teil. Chor: Er trauete Gott
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 22. Coro: “Er trauete Gott” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:25
8Der Messias: Zweiter Teil. Accompagnato-Rezitativ: Die Schmach bricht ihm sein Herz
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 23a. Recitativo strumentato: “Die Schmach bricht ihm sein Herz” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:12
9Der Messias: Zweiter Teil. Arie: Schau hin und sieh!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 23b. Aria: “Schau hin und sieh!” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:38
10Der Messias: Zweiter Teil. Accompagnato-Rezitativ: Er ist dahin aus dem Lande der Lebenden
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 24a. Recitativo strumentato: “Er ist dahin aus dem Lande der Lebenden” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:32
11Der Messias: Zweiter Teil. Arie: Doch du liessest ihn im Grabe nicht
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 24b. Aria: “Doch du ließest ihn im Grabe nicht” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:12
12Der Messias: Zweiter Teil. Chor: Machet das Tor weit
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 25a. Coro: “Machet das Tor weit” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:15
13Der Messias: Zweiter Teil. Rezitativ: Zu welchen von den Engeln hat er je gesagt
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 25b. Recitativo: “Zu welchen von den Engeln hat er je gesagt” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:15
14Der Messias: Zweiter Teil. Chor: Der Herr gab das Wort
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 26. Coro: “Der Herr gab das Wort” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:10
15Der Messias: Zweiter Teil. Arie: Wie lieblich ist der Boten Schritt
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 27. Aria: “Wie lieblich ist der Boten Schritt” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:08
16Der Messias: Zweiter Teil. Chor: Ihr Schall ging aus
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 28. Coro: “Ihr Schall ging aus” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:23
17Der Messias: Zweiter Teil. Arie: Warum entbrennen die Heiden
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 29. Aria: “Warum entbrennen die Heiden” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel4:52
18Der Messias: Zweiter Teil. Chor: Brecht entzwei die Ketten alle
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 30a. Coro: “Brecht entzwei die Ketten alle” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:52
19Der Messias: Zweiter Teil. Rezitativ: Der da wohnet im Himmel
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 30b. Recitativo: “Der da wohnet im Himmel” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:13
20Der Messias: Zweiter Teil. Arie: Du zerschlagst sie mit dem Eisenszepter
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 31. Aria: “Du zerschlägst sie” (tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor)
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:08
21Der Messias: Zweiter Teil. Chor: Halleluja
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil II, Nr. 32. Coro: “Hallelujah” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
part of:
Der Messias, K. 572: Teil II (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel4:15
22Des Messias: Dritter Teil. Arie: Ich weiss, dass mein Erloser lebet
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 33. Aria: “Ich weiß, daß mein Erlöser lebet” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel5:24
23Des Messias: Dritter Teil. Chor: Wie durch Einen der Tod
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 34a. Coro primo: “Wie durch Einen der Tod” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34b. Coro secondo: “So man durch Einen die Auferstehung” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34c. Coro terzo: “Denn wie durch Adam alle sterben” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
recording of:
Der Messias, K. 572: Teil III, Nr. 34d. Coro quarto: “Also wird, wer starb” (in 1991)
orchestrator and arranger:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:10
24Des Messias: Dritter Teil. Accompagnato-Rezitativ: Merkt auf!
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35a. Recitativo strumentato: “Merkt auf!” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:37
25Des Messias: Dritter Teil. Arie: Sie schallt, die Posaun'
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
bass vocals:
Alastair Miles (operatic bass) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35b. Aria: “Sie schallt, die Posaun” (bass) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:26
26Des Messias: Dritter Teil. Rezitativ: Dann wird erfullt
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 35c. Recitativo: “Dann wird erfüllt” (soprano II) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel0:21
27Des Messias: Dritter Teil. Duet: O Tod, wo ist dein Pfeil
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano II]:
Cornelia Kallisch (German mezzo-soprano) (in 1991)
tenor vocals:
Roberto Saccà (tenor) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 36. Duetto: “O Tod, wo ist dein Pfeil” (soprano II, tenor) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:42
28Des Messias: Dritter Teil. Chor: Doch Dank sei Dir Gott
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 37a. Coro: “Doch Dank sei Dir Gott” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel2:17
29Des Messias: Dritter Teil. Accompagnato-Rezitativ: Wenn Gott ist fur uns
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
soprano vocals [soprano I]:
Donna Brown (soprano) (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 37b. Recitativo strumentato: “Wenn Gott ist für uns” (soprano I) (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel1:35
30Des Messias: Dritter Teil. Chor: Wurdig ist das Lamm
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 38a. Coro: “Würdig ist das Lamm” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
version of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen”
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:35
31Des Messias: Dritter Teil. Chor: Amen
recorded in:
Stuttgart, Baden-Württemberg, Germany (in 1991)
producer:
Joachim Augustin (producer)
choir vocals:
Gächinger Kantorei Stuttgart (in 1991)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble) (in 1991)
conductor:
Helmuth Rilling (conductor) (in 1991)
recording of:
Der Messias, K. 572: Teil III, Nr. 38b. Coro ultimo: “Amen” (in 1991)
orchestrator:
Wolfgang Amadeus Mozart (classical composer)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Der Messias, K. 572: Teil III (arr. W.A. Mozart)
Wolfgang Amadeus Mozart, George Frideric Handel3:08