The Complete Columbia, CBS and Sony Recordings

~ Release by Michael Tilson Thomas (see all versions of this release, 1 available)

Tracklist

1CD: McLaughlin: Apocalypse
2CD: Silverman: Elephant Steps
3CD: Orff: Carmina Burana
4CD: Beethoven: König Stephan / Elegischer Gesang / Opferlied / Bundeslied / Meeresstille und glückliche Fahrt
5CD: Gershwin: Rhapsody in Blue / An American in Paris
6CD: Dvořák: The American Flag / Suite in A major “American”
7CD: Gershwin: Broadway Overtures
8CD: The Complete Music of Carl Ruggles (1)
9CD: The Complete Music of Carl Ruggles (2)
10CD: Tchaikovsky: Orchestral Suite no. 3
11CD: Beethoven: Symphony no. 6
12CD: Respighi: Feste romane / Fontane di Roma
13CD: Tchaikovsky: Manfred Symphony
14CD: Tchaikovsky: Orchestral Suites nos. 2 & 4
15CD: Stravinsky: Petrouchka
16CD: Gershwin Live!
17CD: Beethoven: Symphony no. 4 / “Ah! perfido!”
18CD: Ives: Symphony no. 2
19CD: Prokofiev: Lieutenant Kijé Suite / Suite from “The Love for Three Oranges”
20CD: Beethoven: Symphony no. 5 / Egmont Overture
21CD: Debussy: La Mer / Nocturnes
22CD: Mendelssohn: Violin Concerto / Saint‐Saëns: Violin Concerto no. 3
23CD: Beethoven: Symphony no. 7
24CD: Ives: Symphony no. 3 / Orchestral Set no. 2
25CD: Bernstein on Broadway
26CD: Gershwin: Rhapsody in Blue / 3 Preludes / Second Rhapsody
27CD: Beethoven: Symphonies nos. 1 & 2
28CD: Brahms: Piano Quartet / J.S. Bach: Chorale Preludes
29CD: Beethoven: Symphony no. 8
30CD: Beethoven: Symphony no. 9
31CD: Copland: Old American Songs / Canticle of Freedom / 4 Motets
32CD: Gershwin: Of Thee I Sing
33CD: Gershwin: Let ’Em Eat Cake
34CD: Ives: New England Holidays / The Unanswered Question / Central Park in the Dark / The Unanswered Question
35CD: Beethoven: Symphony no. 3 / 12 Contredanses
36CD: Mahler: Symphony no. 3 (Mvts. I‐III)
37CD: Mahler: Symphony no. 3 (Mvts. IV‐VI) / Rückert‐Lieder
38CD: Weill: Die Sieben Todsünden / Kleine Dreigroschenmusik
39CD: Ravel: Ma mère l’Oye / Rapsodie espagnole / Boléro
40CD: R. Strauss: Ein Heldenleben / Till Eulenspiegels lustige Streiche
41CD: Prokofiev: Piano Concertos nos. 1 & 2
42CD: McLaughlin: Guitar Concerto / Duos for Guitar and Piano
43CD: Puccini: Tosca (Act I)
44CD: Puccini: Tosca (Act II & III)
#TitleArtistRatingLength
1Tosca: Atto II. “Tosca è un buon falco!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:17
2Tosca: Atto II. “Ha più forte sapore”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:21
3Tosca: Atto II. “O galantuomo, come andò la caccia?”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:05
4Tosca: Atto II. “Meno male!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
choir vocals:
Hungarian State Radio and Television Chorus (Hungarian Radio and Television Chorus) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Meno male!” – “Egli è là” – “Tal violenza” (Scarpia, Spoletta, Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:42
5Tosca: Atto II. “Ov’è Angelotti?“
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Mario, tu qui?” … "Pria le forme ordinarie” (Tosca, Cavaradossi, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:10
6Tosca: Atto II. “Ed or fra noi parliam da buoni amici”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:12
7Tosca: Atto II. “Sciarrone: che dice il cavalier?”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:56
8Tosca: Atto II. “Orsù, Tosca, parlate”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:07
9Tosca: Atto II. “Nel pozzo, nel giardino!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:38
10Tosca: Atto II. “Nel pozzo del giardino! Va’, Spoletta!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Nel pozzo del giardino! Va, Spoletta!” (Tosca, Scarpia, Sciarrone, Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:46
11Tosca: Atto II. “Salvatelo!” … “lo? Voi!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Salvatelo! … Io? … Voi!” … “La povera mia cena fu interrotta” (Tosca, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:08
12Tosca: Atto II. “Se la giurata fede devo tradir”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Come tu mi odii!” (Tosca, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Se la giurata fede debbo tradir” (Scarpia, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:45
13Tosca: Atto II. “Vissi d’arte”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:33
14Tosca: Atto II. “Vedi" … "le man giunte io stendo”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:44
15Tosca: Atto II. “E qual via scegliete?”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
baritone vocals [Scarpia]:
Juan Pons (baritone) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto II. “È morto! Or gli perdono!” (Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “E qual via scegliete?” – “Tosca, finalmente mia” (Scarpia, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini7:06
16Tosca: Atto III. “lo de’ sospiri te ne rimanno tanti”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
alto vocals [pastore]:
Benedek Héja (Hungarian classical vocalist) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. Preludio: Andante sostenuto (Orchestra) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. Preludio: Lento (Le campane suonano mattutino) (Orchestra) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
version of:
Tosca: 3. Akt. Einleitung zu „Und es blitzten die Sterne“
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:08
17Tosca: Atto III. “Mario Cavaradossi? A voi”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
bass vocals [carceriere]:
Gregor József (Hungarian operatic bass) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:56
18Tosca: Atto III. “E lucevan le stelle”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III: [Dolcissimo espressivo] (Orchestra) (intro to “E lucevan le stelle”) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:17
19Tosca: Atto III. “Ah! Franchigia a Floria Tosca”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Il tuo sangue o il mio amore volea” (Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:46
20Tosca: Atto III. “Oh dolci mani mansuete e pure”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:44
21Tosca: Atto III. “Senti, l’ora è vicina”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
bass vocals [carceriere]:
Gregor József (Hungarian operatic bass) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “Amaro sol per te m’era il morire” (Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “Senti, l’ora è vicina” (Tosca, Cavaradossi) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:06
22Tosca: Atto III. “E non giungono”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
bass vocals [carceriere]:
Gregor József (Hungarian operatic bass) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Cavaradossi]:
José Carreras (Spanish tenor) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “E non giungono” (Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:59
23Tosca: Atto III. “Come è lunga l’attesa!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:25
24Tosca: Atto III. “Presto, su! Mario!”
recording engineer:
Michael Gray (UK classical recording engineer)
producer:
David Mottley (producer) and Jenő Simon
bass vocals [Sciarrone]:
József Németh (Hungarian operatic baritone, 1942–2025) (from 1988-12-14 until 1988-12-22)
soprano vocals [Tosca]:
Marton Éva (soprano) (from 1988-12-14 until 1988-12-22)
tenor vocals [Spoletta]:
Ferenc Gerdesits (Hungarian operatic tenor and rock singer) (from 1988-12-14 until 1988-12-22)
orchestra:
Magyar Állami Hangversenyzenekar (Hungarian National Philharmonic)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1988-12-14 until 1988-12-22)
phonographic copyright (℗) by:
Hungaroton Classic Kft. (Hungaroton Classic Ltd., not a release label, for copyrights use only)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1988-12-14 until 1988-12-22)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1988-12-14 until 1988-12-22)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:21
45CD: Brahms: Serenade no. 1 / Tragische Ouvertüre / Akademische Festouvertüre
46CD: Ives: Symphonies nos. 1 & 4 / Hymns
47CD: R. Strauss: Also sprach Zarathustra / Don Juan
48CD: Tchaikovsky: Swan Lake (1)
49CD: Tchaikovsky: Swan Lake (2)
50CD: Adam: Giselle ou Les Wilis
51CD: Brahms: Serenade no. 2 / Variations on a Theme by Joseph Haydn / Hungarian Dances
52CD: Janáček: Glagolitic Mass / Sinfonietta
53CD: Debussy: Prélude à l’après‐midi d’un faune / La boîte à joujoux / Jeux
54CD: Prokofiev: Symphonies nos. 1 & 5
55CD: Debussy: Le Martyre de saint Sébastien
56CD: Bartók: Violin Concerto no. 2 / Violin Rhapsodies nos. 1 & 2
57CD: Beethoven: Piano Concerto no. 1 / Mozart: Flute & Harp Concerto in C major
58CD: Rachmaninoff: Piano Concerto no. 2 / Saint‐Saëns: The Swan · Cello Concerto no. 1 / Copland: Clarinet Concerto / Jenkins: Goodbye
59CD: Stravinsky: Symphony of Psalms / Symphony in C / Symphony in 3 Movements
60CD: R. Strauss: Lieder
61CD: Prokofiev: Romeo and Juliet
62CD: Villa‐Lobos: Bachianas Brasileiras nos. 4, 5, 7 & 9 / Chôros no. 10
63CD: Copland: Piano Concerto / Orchestral Variations / Symphony no. 2 / Symphonic Ode
64CD: Stravinsky in America
65CD: Mahler: Das Klagende Lied
66CD: Berlioz: Symphonie fantastique / Lélio, ou Le Retour à la vie
67CD: Gershwin: Catfish Row Suite / Second Rhapsody
68CD: Gershwin: An American in Paris / Concerto in F
69CD: New World Jazz
70CD: Mahler: Symphony no. 7 (Mvts. I–III)
71CD: Mahler: Symphony no. 7 (Mvts. IV–V)
72CD: Stravinsky: L’Oiseau de feu
73CD: Stravinsky: Le Sacre du printemps
74CD: Stravinsky: Perséphone
75CD: Copland: Billy the Kid Suite / Appalachian Spring Suite / 4 Dance Episodes from “Rodeo” / Fanfare for the Common Man
76CD: Mackey: Tuck and Roll / Lost and Found / Eating Greens
77CD: Charles Ives – An American Journey
78CD: Tchaikovsky: Violin Concerto / Méditation / Dance russe
79CD: Rachmaninoff: Piano Concerto no. 2 / Liszt: Piano Concerto no. 1
80CD: Tchaikovsky: Piano Concerto no. 1 / Stravinsky: Pétrouchka