Bigger Better Power Ballads (Is the first compilation in this series, not II or III)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1The Final Countdown
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
video musicale per:
The Final Countdown di Europe (Swedish band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 66) e Cachitos Nochevieja 2022 (numero: 155)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.055:09
2Love Is a Battlefield
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984)
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar44:10
3When I See You Smile
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989)
registrazione di:
When I See You Smile
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Universal/MCA Music Ltd. (not for release label use!)
Bad English44:17
4Is This Love
produttore:
Mike Stone (producer and engineer, 1960s–80s)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
è stato produttore per:
Mike Stone Enterprises
registrazione di:
Is This Love (Whitesnake song)
autore:
David Coverdale e John Sykes
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake33:58
5Too Much Ain’t Enough Love
tecnico:
Al Wright (Engineer), Jonathan Cain, Jim Gaines e Robert Missbach
produttore:
Jonathan Cain e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Al Wright (Engineer) e Mike Stone (producer and engineer, 1960s–80s)
basso :
Randy Jackson (former bassist with Journey and American Idol judge)
batteria :
Tony Brock
chitarra :
Diesel (Australian pop rock aka Mark Lizotte) e Neal Schon
tastiera :
Jonathan Cain
voce di accompagnamento:
Venetta Fields e Wendy Matthews (Australian adult alternative pop singer)
voce principale:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
diritti fonografici (℗) detenuti da:
Freight Train Music (nel 1996)
registrata in aggiunta presso:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia e Vertigo Sound in Novato, California, Stati Uniti
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia e Vertigo Sound in Novato, California, Stati Uniti
registrazione di:
Too Much Ain’t Enough Love
autore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Tony Brock, Jonathan Cain, Randy Jackson (former bassist with Journey and American Idol judge) e Neal Schon
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Mushroom Music Publishing, Universal Music Publishing Group, Pty. Ltd, Warner Chappell e Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes3:42
6Joey
produttore:
Concrete Blonde e Chris Tsangarides
basso :
James Mankey e Johnette Napolitano
batteria :
Paul Thompson (Roxy Music drummer)
chitarra :
James Mankey
voce:
Johnette Napolitano
diritti fonografici (℗) detenuti da:
International Record Syndicate, Inc. (nel 1990)
prodotta presso:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Regno Unito
registrazione di:
Joey
paroliere e compositore:
Johnette Napolitano
editore:
International Velvet Music
Concrete Blonde4.254:08
7The Flame
tecnico:
Phil Kaffel
produttore:
Richie Zito
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1988), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988)
registrazione di:
The Flame (nel 1988)
autore:
Nick Graham (British singer, songwriter, bassist, keyboardist, Atomic Rooster member) e Bob Mitchell (UK production music composer & songwriter)
editore:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Hit & Run Music (Publishing) Ltd, Lorimar Music Corp., Sony Music Publishing (UK) Limited (2003–2008, 2021–present), Sony/ATV Music Publishing, Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cheap Trick4.25:39
8The Whole of the Moon
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Mick Glossop (producer & engineer)
batteria :
Chris Whitten (nel 1985-05)
chitarra e pianoforte :
Mike Scott (The Waterboys) (nel 1985-05)
percussione :
Martin Ditcham (nel 1985-05)
sassofono :
Anthony Thistlethwaite (nel 1985-05)
sintetizzatore e sintetizzatore basso :
Karl Wallinger (nel 1985-05)
tromba :
Roddy Lorimer (nel 1985-05)
voce:
Mike Scott (The Waterboys) (nel 1985-05)
voce di accompagnamento:
Max Edie (nel 1985-05) e Karl Wallinger (nel 1985-05)
diritti fonografici (℗) detenuti da:
Ensign Records Ltd. (company; do NOT use as release label) (nel 1985), Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1985) e Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 2020)
registrazione di:
The Whole of the Moon (nel 1985-05)
paroliere e compositore:
Mike Scott (The Waterboys)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Waterboys4.455:01
9Show Me Heaven
diritti fonografici (℗) detenuti da:
MCA (1967–2003; name as in imprint during 1972–1990) (nel 1990) e The David Geffen Company (legal rights relating to Geffen Records) (nel 1990)
registrazione di:
Show Me Heaven
autore:
Eric Rackin (Production music composer), Maria McKee e Jay Rifkin
editore:
BMG Music Publishing (Malaysia) Sdn. Bhd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) e Famous Music Publishing Limited (renamed into BMG FM Music Ltd. on 2013-05-13)
Maria McKee33:49
10Every Rose Has Its Thorn
tecnico:
Duane Baron
produttore:
Tom Werman
tecnico di missaggio:
Duane Baron, John Purdell e Tom Werman
batteria :
Rikki Rockett
chitarra :
C.C. DeVille
chitarra basso :
Bobby Dall
voce principale:
Bret Michaels
esecutore:
Poison (US glam metal band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1988), Enigma (1980s US rock & alternative) (nel 1988) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1996)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 34)
registrazione di:
Every Rose Has Its Thorn
autore:
Bobby Dall, C.C. DeVille, Bret Michaels e Rikki Rockett
compositore:
Siddhartha Khosla (American singer and score composer)
editore:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Songs Inc.
Poison43:47
11Here Without You
assistente tecnico di registrazione:
Honchol Sin e Tom Sweeney (US engineer)
tecnico di registrazione:
Steve Churchyard, Geoff Ott e Rick Parashar
tecnico di registrazione aggiunto:
Steve Churchyard
supporto a vario titolo:
Susie Katayama
assistente tecnico:
Gordon Sran e Latif Tayour
tecnico:
Geoff Ott, Rick Parashar e Steve Churchyard
produttore:
Rick Parashar
assistente tecnico di missaggio:
Dean Maher e Paul Silveira
tecnico di missaggio:
Jack Joseph Puig e Randy Staub
editor:
Geoff Ott e Rick Parashar
archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
batteria :
Josh Freese (American drummer)
chitarra :
Chris Henderson (member of 3 Doors Down) e Matt Roberts (guitarist for 3 Doors Down)
chitarra basso :
Todd Harrell
organo Hammond [Hammond B3] :
Rick Hopkins (keyboards)
percussione :
Matthew Burgess
voce principale:
Brad Arnold (vocalist for 3 Doors Down)
direttore d'orchestra:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
primo violino:
Joel G. Derouin
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 2002)
registrata presso:
Greenhouse Studios (Burnaby, BC, Canada) in Burnaby, British Columbia (Columbia Britannica), Canada, London Bridge Studios in Seattle, Washington, Stati Uniti e Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Armory Studios in Vancouver, British Columbia (Columbia Britannica), Canada
remixata presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Here Without You
autore:
Brad Arnold (vocalist for 3 Doors Down), Todd Harrell, Chris Henderson (member of 3 Doors Down) e Matt Roberts (guitarist for 3 Doors Down)
editore:
Escatawpa Songs e Songs of Universal, Inc. (BMI)
3 Doors Down4.43:57
12From This Moment On
registrazione di:
From This Moment On
autore:
Robert John “Mutt” Lange (Robert John Lange) e Shania Twain
editore:
Loon Echo, Inc., Out-of-Pocket Productions Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Shania Twain3:43
13Walking in Memphis
tecnico di registrazione, tecnico e tecnico di missaggio:
Ben Wisch
produttore:
Marc Cohn e Ben Wisch
basso e organo :
John Leventhal
batteria :
Dennis McDermott
chitarra :
Marc Cohn e John Leventhal
organo Hammond :
Chris Palmaro
tastiera :
Eric Rehl
voce:
Marc Cohn
voce di accompagnamento:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) e Darryl Tookes
voce di accompagnamento ospite:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1991) e Warner Music H.K. Ltd. (nel 1997)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 415)
registrazione di:
Walking in Memphis
paroliere e compositore:
Marc Cohn
editore:
BMG Music e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:15
14Drops of Jupiter
tecnico di registrazione:
Nick DiDia e Brett Eliason
programmazione:
Scott Underwood (Drummer for Train)
assistente tecnico:
Karl Egsieker e Steve Genewick
tecnico:
Steve Churchyard
tecnico aggiunto:
Ryan Williams (US recording engineer/producer)
produttore:
Brendan O’Brien (engineer)
tecnico di missaggio:
John Burton (engineer), Brett Eliason e Brendan O’Brien (engineer)
basso :
Charlie Colin e Rob Hotchkiss
batteria :
Scott Underwood (Drummer for Train)
chitarra e voce di accompagnamento:
Charlie Colin, Rob Hotchkiss e Jimmy Stafford (member of Train)
mandolino :
Jimmy Stafford (member of Train)
percussione :
Pat Monahan e Scott Underwood (Drummer for Train)
pianoforte :
Chuck Leavell
tastiera :
Brendan O’Brien (engineer) e Scott Underwood (Drummer for Train)
viola :
Evan Wilson (viola player)
violino :
Michael Markman
violoncello :
Dan Smith (cellist) e Suzie Katayama
voce principale:
Pat Monahan
direttore d'orchestra:
Paul Buckmaster
arrangiatore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 2001)
video musicali:
Drops of Jupiter di Train (US pop rock band)
parte di:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) e My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
registrazione di:
Drops of Jupiter
autore:
Charlie Colin, Rob Hotchkiss, Pat Monahan, Jimmy Stafford (member of Train) e Scott Underwood (Drummer for Train)
editore:
Blue Lamp Music, EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!) e EMI Music Publishing Ltd. (PRS‐affiliated)
Train4.54:20
15Lightning Crashes
tecnico:
Lou Giordano (Boston engineer)
produttore:
Jerry Harrison (Talking Heads & producer) e Live (US alt rock band)
produttore esecutivo:
Gary Kurfirst
tecnico di missaggio:
Tom Lord‐Alge
basso :
Patrick Dahlheimer
batteria :
Chad Gracey
chitarra elettrica [lead] :
Chad Taylor (US guitarist for Live)
chitarra elettrica [rhythm] :
Ed Kowalczyk
voce:
Ed Kowalczyk
diritti fonografici (℗) detenuti da:
Radioactive Records (US rock) (nel 1994) e Radioactive Records, J.V. (nel 1994)
registrata presso:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Stati Uniti
mixata presso:
Music Head Recording in Lake Geneva, Wisconsin, Stati Uniti
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 476)
registrazione di:
Lightning Crashes
paroliere:
Ed Kowalczyk
compositore:
Patrick Dahlheimer, Chad Gracey, Ed Kowalczyk e Chad Taylor (US guitarist for Live)
editore:
Universal Music Publishing MGB Australia
Lïve45:24
16What’s Up?
tecnico di registrazione:
David Tickle (nel 1992)
tecnico di mastering:
Stephen Marcussen (mastering engineer)
tecnico:
Mark Hensley
tecnico aggiunto:
Jessie Kanner (1980s–90s assistant engineer/mixer, Lion Share Recording Studios), Kent Mactke, Laurent Tardy e Paul Dieter (American sound engineer and producer.)
produttore e tecnico di missaggio:
David Tickle
basso :
Christa Hillhouse (nel 1992)
batteria :
Dawn Richardson (nel 1992)
chitarra :
Louis Metoyer (nel 1992) e Roger Rocha (nel 1992)
chitarra acustica e chitarra elettrica :
Linda Perry (rock singer‐songwriter & producer) (nel 1992)
voce:
Christa Hillhouse (nel 1992) e Linda Perry (rock singer‐songwriter & producer) (nel 1992)
diritti fonografici (℗) detenuti da:
Interscope Records (part of UMG Recordings, Inc.) (nel 1992, nel 1993)
registrata presso:
Groove Masters in Santa Monica, California, Stati Uniti (nel 1992), The Bunker (nel 1992) e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (nel 1992)
mixata presso:
The Bunker
registrazione di:
What’s Up? (nel 1992)
paroliere e compositore:
Linda Perry (rock singer‐songwriter & producer)
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Harmony, Sony/ATV Harmony UK, Stuck in the Throat e Stuck in the Throat Music
4 Non Blondes4.354:12
17Crying
registrata a:
Nashville, Tennessee, Stati Uniti (il 1961-06-26)
produttore:
Fred Foster (il 1961-06-26)
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1961-06-26)
chitarra :
Boudleaux Bryant (il 1961-06-26), Harold Bradley (il 1961-06-26) e Scotty Moore (American guitarist and recording engineer) (il 1961-06-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1961-06-26)
pianoforte :
Floyd Cramer (il 1961-06-26)
voce:
Roy Orbison (il 1961-06-26)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) e Monument Record Corp. (not for release label use!) (nel 1961)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 69) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 461)
registrazione di:
Crying (il 1961-06-26)
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music Ltd. (UK), Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Rondor Music (Australia) P/L, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Roy Orbison4.652:46
18Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce principale solista:
Bobby Hatfield (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1965, nel 1968) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:36
19The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:35
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