Women & Songs: Beginnings

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1God Bless the Child
registrata a:
New York, New York, Stati Uniti (il 1956-06-07)
basso e contrabbasso :
Aaron Bell (jazz double bassist) (il 1956-06-07)
batteria :
Lenny McBrowne (US jazz drummer) (il 1956-06-07)
chitarra :
Kenny Burrell (il 1956-06-07)
clarinetto :
Tony Scott (bop/jazz clarinetist, arranger & conductor) (il 1956-06-07)
pianoforte :
Wynton Kelly (il 1956-06-07)
sassofono tenore :
Paul Quinichette (il 1956-06-07)
tromba :
Charlie Shavers (il 1956-06-07)
voce:
Billie Holiday (il 1956-06-07)
registrata presso:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, Stati Uniti
registrazione di:
God Bless the Child (il 1956-06-07)
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday4:00
2What a Diff’rence a Day Makes
registrata a:
New York, New York, Stati Uniti (il 1959-02-19)
produttore:
Clyde Otis (American songwriter and record producer)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-02-19)
chitarra :
Kenny Burrell (il 1959-02-19)
contrabbasso :
Milt Hinton (il 1959-02-19)
flauto :
Jerome Richardson (il 1959-02-19)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1959-02-19)
sassofono baritono :
Charles Davis (saxophone player) (il 1959-02-19)
voce:
Dinah Washington (il 1959-02-19)
voce principale:
Dinah Washington (il 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (il 1959-02-19)
direttore d'orchestra:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (il 1959-02-19)
arrangiatore:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
registrazione cover di:
What a Diff’rence a Day Made (il 1959-02-19)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Dinah Washington2.82:32
3Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.23:23
4Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:27
5Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:27
6Downtown
voce:
Petula Clark (English singer & actress) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.43:12
7Walkin’ After Midnight
registrazione cover di:
Walkin’ After Midnight
paroliere:
Don Hecht
compositore:
Alan Block e Don Hecht
editore:
Acuff-Rose Music Limited (UK), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Music Publishing LLC (1995–2020)
Patsy Cline2:01
8Ode to Billy Joe
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1967)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 412)
registrazione di:
Ode to Billie Joe (nel 1967-03)
paroliere e compositore:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
editore:
Larry Shayne Music, Inc. e Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:16
9Put a Little Love in Your Heart
registrazione di:
Put a Little Love in Your Heart
autore:
Jackie DeShannon, Jimmy Holiday (American singer, songwriter, producer) e Randy James Myers
editore:
EMI Catalogue Partnership e EMI Unart Catalog Inc.
Jackie DeShannon2:35
10Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:40
11Let’s Call the Whole Thing Off
registrazione cover di:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald4:31
12My Guy
basso :
James Jamerson (nel 1964)
batteria :
Benny Benjamin (US drummer) (nel 1964)
chitarra :
Robert White (US funk/soul guitarist) (nel 1964) e Eddie Willis (nel 1964)
organo :
Earl Van Dyke (nel 1964)
pianoforte :
Johnny Griffith (nel 1964)
strumenti:
The Funk Brothers (nel 1964)
tromba :
Russell Conway (trumpet player) (nel 1964) e Herbert Williams (trumpet player) (nel 1964)
trombone :
George Bohanon (nel 1964) e Paul Riser (nel 1964)
vibrafono :
Dave Hamilton (US guitar/vibraphone player) (nel 1964)
voce di accompagnamento:
The Andantes (nel 1964), Marlene Barrow (nel 1964), Louvain Demps (nel 1964) e Jackie Hicks (nel 1964)
voce principale:
Mary Wells (Motown singer) (nel 1964)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (nel 1964)
registrazione di:
My Guy (nel 1964)
paroliere e compositore:
Smokey Robinson
editore:
Jobette Music (UK) Ltd.
Mary Wells4.22:53
13You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.554:20
14The Rose
produttore:
Paul A. Rothchild
produttore aggiunto:
Bill Gazecki
voce:
Bette Midler (nel 1979)
voce principale:
Bette Midler (nel 1979)
arrangiatore archi :
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arrangiatore:
Paul A. Rothchild
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrazione di:
The Rose (nel 1979)
paroliere e compositore:
Amanda McBroom
editore:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:34
15Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:30
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Accreditamenti

Gruppo di pubblicazioni

parte di:Women & Songs (series of annual Canadian compilation releases that feature only female artists) (ordine: 4)
Wikidata:Q8031282 [info]