Kong: Skull Island: Original Motion Picture Soundtrack

~ Release by Henry Jackman (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1South Pacific
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
South Pacific
composer:
Stephen Hilton and Henry Jackman (English score composer)
0:36
2The Beach
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Beach
composer:
Jack Dolman, Stephen Hilton and Henry Jackman (English score composer)
1:28
3Project Monarch
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Project Monarch
composer:
Stephen Hilton and Henry Jackman (English score composer)
2:02
4Packard's Blues
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Packard's Blues
composer:
Alex Belcher (American score composer) and Henry Jackman (English score composer)
1:15
5Assembling the Team
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Assembling the Team
composer:
Stephen Hilton and Henry Jackman (English score composer)
1:49
6Into the Storm
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Into the Storm
composer:
Alex Belcher (American score composer), Stephen Hilton and Henry Jackman (English score composer)
2:45
7The Island
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Island
composer:
Henry Jackman (English score composer)
1:16
8Kong the Destroyer
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Kong the Destroyer
composer:
Stephen Hilton and Henry Jackman (English score composer)
3:44
9Monsters Exist
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Monsters Exist
composer:
Stephen Hilton and Henry Jackman (English score composer)
2:28
10Spider Attack
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Spider Attack
composer:
Alex Belcher (American score composer), Stephen Hilton and Henry Jackman (English score composer)
1:40
11Dominant Species
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Dominant Species
composer:
Alex Belcher (American score composer), Halli Cauthery and Henry Jackman (English score composer)
2:00
12The Temple
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Temple
composer:
Stephen Hilton and Henry Jackman (English score composer)
5:47
13Grey Fox
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Grey Fox
composer:
Halli Cauthery and Henry Jackman (English score composer)
2:34
14Kong the Protector
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Kong the Protector
composer:
Halli Cauthery and Henry Jackman (English score composer)
1:49
15Marlow's Farewell
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Marlow's Farewell
composer:
Halli Cauthery, Stephen Hilton and Henry Jackman (English score composer)
2:38
16Lost
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Lost
composer:
Alex Belcher (American score composer), Stephen Hilton and Henry Jackman (English score composer)
1:28
17The Boneyard
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Boneyard
composer:
Alex Belcher (American score composer), Stephen Hilton and Henry Jackman (English score composer)
1:53
18Ambushed
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Ambushed (Kong: Skull Island)
composer:
Henry Jackman (English score composer) and Francesco Lupica (drummer, percussionist and composer)
2:22
19The Heart of Kong
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Heart of Kong
composer:
Halli Cauthery, Stephen Hilton and Henry Jackman (English score composer)
2:11
20Man Vs. Beast
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Man vs. Beast
composer:
Alex Belcher (American score composer), Stephen Hilton and Henry Jackman (English score composer)
2:32
21Creature From the Deep
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Creature from the Deep
composer:
Halli Cauthery, Stephen Hilton and Henry Jackman (English score composer)
2:45
22The Battle of Skull Island
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
The Battle of Skull Island
composer:
Stephen Hilton and Henry Jackman (English score composer)
5:47
23King Kong
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
King Kong
composer:
Halli Cauthery and Henry Jackman (English score composer)
2:42
24Monster Mash
recording engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) and Nick Wollage
producer:
Henry Jackman (English score composer)
assistant mixer:
Forest Christenson
mixer:
Alan Meyerson
editor:
Clint Bennett (engineer), Jack Dolman and Catherine Wilson (Music Editor at Remote Control Productions)
conductor:
Gavin Greenaway
phonographic copyright (℗) by:
WaterTower Music
recorded at:
Air Lyndhurst Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Remote Control Productions in Santa Monica, California, United States
engineered at:
Newman Scoring Stage in Century City, Los Angeles, California, United States
recording of:
Monster Mash
composer:
Halli Cauthery and Henry Jackman (English score composer)
1:27

Credits

Release group

part of:MonsterVerse (media franchise) (order: 2)
Wikidata:Q112132151 [info]