Das Beste aus dem Musikladen: Die legendären Pop-Hits

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1It Never Rains in Southern California
registrazione di:
It Never Rains in Southern California (nel 1972)
autore:
Albert Hammond e Mike Hazlewood
editore:
April Music Inc. (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI April Music Inc.
Albert Hammond3.83:52
2San Francisco (Be Sure to Wear Flowers in Your Hair)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie2:58
3All I Have to Do Is Dream
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers2:18
4Heartbeat
registrazione cover di:
Heartbeat
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
Showaddywaddy2:47
5I Got You Babe
voce:
Sonny Bono (nel 1965) e Cher (nel 1965)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 331) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 444)
registrazione di:
I Got You Babe (nel 1965)
paroliere e compositore:
Sonny Bono
editore:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) e Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
6Rivers of Babylon
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett, Frank Farian e Liz Mitchell
diritti fonografici (℗) detenuti da:
Hansa (nel 1978)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.44:21
7L.O.D. (Love on Delivery)
produttore:
Ben Findon (songwriter and producer)
direttore d'orchestra:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
registrazione di:
L.O.D. (Love on Delivery)
autore:
Ben Findon (songwriter and producer) e Billy Ocean
Billy Ocean2:43
8Blame It on the Boogie
tecnico:
Don Murray (producer / engineer)
produttore esecutivo:
Mike Atkinson e Bobby Colomby
tecnico di missaggio:
John Luongo
basso :
Gary King (jazz bassist, arranger and songwriter) (nel 1978) e Nathan Watts (nel 1978)
batteria e percussione :
Rick Morotta (US drummer/percussionist) (nel 1978)
chitarra :
Roland Bautista (nel 1978), Tito Jackson (nel 1978) e Mike Sembello (nel 1978)
congas :
Laudir de Oliveira (nel 1978) e Claudio Slon (nel 1978)
flauto , sassofono e tromba :
Seawind Horns
tastiera :
Greg Phillinganes (nel 1978)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson e Randy Jackson (brother of Michael and Janet)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978)
arrangiatore corno :
Jerry Hey
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Dawnbreakers Studios in Los Angeles, California, Stati Uniti, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Total Experience Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione cover di:
Blame It on the Boogie (nel 1978)
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
registrazione di:
Blame It on the Boogie
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
The Jacksons4.33:31
9What a Difference a Day Makes
registrazione cover di:
What a Diff’rence a Day Made
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Esther Phillips3:11
10Use It Up and Wear It Out
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
edit di:
Use It Up and Wear It Out di Odyssey (originally US family act Lopez Sisters, now UK fronted by Steven Collazo)
registrazione di:
Use It Up and Wear It Out
autore:
Lawrence Russell Brown (lyricist) e Sandy Linzer
editore:
ATV Music Ltd., Chappell & Co Ltd., Featherbed, Larball Music (publisher), Peermusic (UK) Limited, Unichappell (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Odyssey4.54:58
11You Make Me Feel Like Dancing
tecnico di registrazione:
Bill Schnee
assistente tecnico:
Dana Latham
produttore:
Richard Perry (producer)
basso :
Chuck Rainey (American bassist)
batteria :
Steve Gadd (drummer)
chitarra :
Larry Carlton e Ray Parker Jr.
clavinet :
John Barns
voce:
Leo Sayer
voce di accompagnamento:
Clydie King, Becky Louis e Sherlie Matthews (US vocalist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1976) e Silverbird Ltd. (nel 1976)
registrazione di:
You Make Me Feel Like Dancing
paroliere:
Leo Sayer
compositore:
Vini Poncia
editore:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music e Silverbird Songs Ltd.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:41
12If You Can’t Give Me Love
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1978, nel 1980) e RAK Records Ltd. (nel 1978)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione di:
If You Can’t Give Me Love (nel 1980)
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. e Universal Music–MGB Songs
Suzi Quatro4.53:52
13Love Is a Battlefield
produttore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo (multi-instrumentalist, songwriter, producer) e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:08
14Jolene
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1972-05-03) e Buck Trent (il 1972-05-03)
basso :
Bobby Dyson (il 1972-05-03)
batteria :
Kenny Malone (session drummer/percussion) (il 1972-05-03)
chitarra :
Dolly Parton (il 1972-05-03)
chitarra [rhythm guitar] :
Dave Kirby (US country singer/songwriter) (il 1972-05-03)
chitarra elettrica :
Jimmy Colvard (American session guitarist) (il 1972-05-03)
chitarra steel :
Stu Basore (il 1972-05-03)
pianoforte :
Hargus "Pig" Robbins (il 1972-05-03)
violino folk :
Johnny Gimble (il 1972-05-03) e Mack Magaha (Bluegrass Fiddler) (il 1972-05-03)
voce:
Dolly Parton (il 1972-05-03)
voce di accompagnamento:
Joe Babcock (il 1972-05-03), Dolores Edgin (il 1972-05-03), June Page (il 1972-05-03) e Hurshel Wiginton (il 1972-05-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1973) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1972-05-03)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 217)
registrazione di:
Jolene (il 1972-05-03)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton4.252:41
15Some Broken Hearts Never Mend
registrazione cover di:
Some Broken Hearts Never Mend
paroliere e compositore:
Wayland Holyfield
Telly Savalas2:38
16Tears on My Pillow
registrazione di:
Tears on My Pillow (Johnny Nash song)
paroliere e compositore:
Ernie Smith
editore:
EMI Songs Ltd.
registrazione cover di:
Tears on My Pillow (Johnny Nash song)
paroliere e compositore:
Ernie Smith
editore:
EMI Songs Ltd.
Johnny Nash33:17
17Masterpiece
produttore:
Roberto Fusar Poli e Paul Micioni
registrazione di:
Masterpiece
autore:
Gazebo (80s Italian synth‐pop artist Paul Mazzolini “I Like Chopin”) e Pierluigi Giombini (arranger ,composer and producer)
Gazebo4:12
18Why Can’t We Live Together
registrazione di:
Why Can’t We Live Together (nel 1972-08)
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas44:49
19Love Makes You Crazy
Mike Batt3:33
20Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson (pianist and songwriter)
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc. (BMI)
Blondie3.552:16
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ASIN:DE: B0099NUUOA [info]