So Smooth / We Get Letters

~ Veröffentlichung von Perry Como (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1It's a Good Day
arranger:
Joe Lipman (Joseph P. Lippman)
recording of:
It’s a Good Day
Verfasser(in):
Dave Barbour und Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. und Michael H. Goldsen Inc.
1:46
2As Time Goes By
recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
3:15
3I've Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
2:24
4My Funny Valentine
cover recording of:
My Funny Valentine (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
2:47
5For Me and My Gal
cover recording of:
For Me and My Gal (in 1955)
Texter:
E. Ray Goetz (in 1917) und Edgar Leslie (in 1917)
Komponist(in):
George W. Meyer (Tin Pan Alley songwriter) (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Mills Music Inc. (ASCAP-affiliated) und Redwood Music Ltd. (Carlin)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
For Me and My Gal (1942 movie)
2:36
6I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
2:50
7Breezin' Along With the Breeze
recording of:
Breezin’ Along With the Breeze
Texter:
Haven Gillespie (in 1926) und Seymour Simons (in 1926)
Komponist(in):
Richard A. Whiting (composer) (in 1926)
2:20
8It's the Talk of the Town
recording of:
It’s the Talk of the Town
Texter:
Al J. Neiburg (lyricist) und Marty Symes (lyricist)
Komponist(in):
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
3:43
9You Do Something to Me
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
1:56
10It Happened in Monterey
recording of:
It Happened in Monterey
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Mabel Wayne
publisher:
CBS Feist Catalog, Inc. und EMI United Partnership Ltd.
3:05
11One for My Baby (And One More for the Road)
recording of:
One for My Baby (and One More for the Road)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. und Harwin Music
Teil von:
The Sky’s the Limit (1943 film)
3:46
12In the Still of the Night
recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
2:48
13Swinging Down the Lane
recording of:
Swingin’ Down the Lane
Texter:
Gus Kahn
Komponist(in):
Isham Jones
publisher:
CBS Feist Catalog, Inc., Warner Bros., Inc. (not for release label use!) und Leo Feist, Inc. (am 1923-02-26)
2:14
14It's Easy to Remember
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recording of:
It’s Easy to Remember (and So Hard to Forget)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:16
15South of the Border
recording of:
South of the Border (Down Mexico Way)
Verfasser(in):
Michael Carr (songwriter) und Jimmy Kennedy (Irish songwriter)
publisher:
Shapiro, Bernstein & Co., Inc. und Peter Maurice Music Co. Ltd. (am 1939-03-30)
2:18
16That's What I Like
recording of:
That's What I Like
Texter:
Bob Hilliard
Komponist(in):
Jule Styne
2:40
17Honey, Honey (Bless Your Heart)
2:42
18Angry
recording of:
Angry
Texter:
Dudley Mecum
Komponist(in):
Henry Brunies, Merritt Brunies und Jules Cassard
2:21
19They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
2:31
20Sposin'
recording of:
S’posin’
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
3:40
21I Had the Craziest Dream
phonographisches Urheberrecht (℗) von:
RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recording of:
I Had the Craziest Dream
Texter:
Mack Gordon
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Springtime in the Rockies (1942)
2:37
22'Deed I Do
cover recording of:
’Deed I Do
Texter:
Walter Hirsch
Komponist(in):
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
2:00
23Somebody Loves Me
recording of:
Somebody Loves Me
Texter:
Buddy DeSylva und Ballard MacDonald
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., Redwood Music Ltd. (Carlin) und Stephen Ballentine Music Publishing Co.
Teil von:
Broadway Rhythm (film)
3:22
24Sleepy Time Gal
recording of:
Sleepy Time Gal
Texter:
Joseph R. Alden und Raymond B. Egan
Komponist(in):
Ange Lorenzo und Richard A. Whiting (composer)
2:16

Nennungen

Veröffentlichung

ASIN:US: B00005B518 [Info]

Veröffentlichungsgruppe

enthält:So Smooth
We Get Letters