Samba pa ti

~ Release by Santana (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Black Magic Woman (single version)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-04)
congas:
Michael Carabello (percussionist) (on 1970-07-04) and Jose Chepito Áreas (on 1970-07-04)
guitar:
Carlos Santana (on 1970-07-04)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04)
membranophone:
Michael Shrieve (drummer) (on 1970-07-04)
timbales:
Jose Chepito Áreas (on 1970-07-04)
vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-04) and Carlos Santana (on 1970-07-04)
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970, in 1974)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-04)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 28)
cover recording of:
Black Magic Woman (on 1970-07-04)
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
3.83:14
2Samba pa ti
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie (keyboardist and vocalist) and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
3.754:33
3Oye como va
engineer:
David Brown (US producer, engineer – Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (percussionist) (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (drummer) (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (keyboardist and vocalist) (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
3.854:16
4Let the Children Play
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recording of:
Let the Children Play
writer:
Leon Patillo and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:43
5Gipsy Woman
cover recording of:
Gypsy Woman
lyricist and composer:
Curtis Mayfield
publisher:
EMI Tunes Ltd, EMI Waterford Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and Curtom Publishing Co Inc (from 1961 to ????)
4:27
6Soul Sacrifice
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (in 1969-05)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (percussionist) (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (drummer) (in 1969-05, on 1969-05-12)
guitar:
Carlos Santana (in 1969-05, on 1969-05-12)
organ:
Gregg Rolie (keyboardist and vocalist) (in 1969-05, on 1969-05-12)
percussion:
José “Chepito” Áreas (in 1969-05) and Michael Carabello (percussionist) (in 1969-05)
arranger:
Alberto Gianquinto
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969-05, on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
recording of:
Soul Sacrifice (on 1969-05-12)
composer:
David Brown (US bassist for Santana/Allman Brothers/31st of February), Marcus Malone (US percussionist, member of Santana), Gregg Rolie (keyboardist and vocalist) and Carlos Santana
publisher:
Careers‐BMG Music Publishing, Petra Music and Universal Music (plain logo: “Universal Music”)
3.356:37
7Europa (Earth’s Cry, Heaven’s Smile)
assistant engineer:
Susan Foot (recording engineer)
engineer:
Fred Catero and David Rubinson
producer:
David Rubinson and David Rubinson & Friends, Inc.
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1975-12-16)
congas:
Armando Peraza (percussionist) (on 1975-12-16)
drums (drum set):
Leon Ndugu Chancler (on 1975-12-16) and Michael Shrieve (drummer) (on 1975-12-16)
guitar:
Carlos Santana (on 1975-12-16)
keyboard:
Tom Coster (on 1975-12-16)
percussion:
Jose Chepito Áreas (on 1975-12-16) and Armando Peraza (percussionist) (on 1975-12-16)
piano:
Leon Patillo (on 1975-12-16)
saxophone:
Jules Broussard (on 1975-12-16)
vocals:
Leon Patillo (on 1975-12-16) and Carlos Santana (on 1975-12-16)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1975-12-16)
recording of:
Europa (Earth’s Cry, Heaven’s Smile) (on 1975-12-16)
composer:
Tom Coster and Carlos Santana
publisher:
Light Music (US publishing label), Rondor Music (London) Ltd. and Wixen Music Publishing, Inc.
4.24:59
8She’s Not There
producer:
Tom Coster and Carlos Santana
phonographic copyright (℗) by:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1977), RCA/Jive Label Group (holding company, not a release label) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
She’s Not There
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
34:03
9Stormy
assistant engineer:
Gary Boatner (engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
recording of:
Stormy (from 1978-07 until 1978-08)
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
14:45
10Lightning in the Sky
engineer:
David DeVore and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
The Automatt in San Francisco, California, United States
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
Lightning in the Sky
writer:
Carlos Santana and Chris Solberg
publisher:
Light Music (US publishing label) and Urmila Music
13:48
11Shango
recording of:
Shangó
composer:
Armando Peraza (percussionist), Raul Rekow and Orestes Vilató (percussionist playing bongos and timbales)
publisher:
Light Music (US publishing label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
1:33
12I Love You Too Much
assistant engineer:
Wayne Lewis (engineer)
engineer and mixer:
Fred Catero
associate producer:
Fred Catero and The Santana Band (US Latin, blues, & rock band)
producer:
Devadip Carlos Santana and Bill Graham (San Francisco Bay Area promoter)
bass guitar:
David Margen
bongos:
Armando Peraza (percussionist)
congas:
Raul Rekow
drums (drum set):
Graham Lear
electric guitar [lead guitar]:
Devadip Carlos Santana
keyboard:
Richard Baker (US keyboardist for Santana) and Alan Pasqua
organ and piano:
Richard Baker (US keyboardist for Santana)
percussion:
Devadip Carlos Santana, Armando Peraza (percussionist), Raul Rekow and Orestes Vilató (percussionist playing bongos and timbales)
timbales:
Orestes Vilató (percussionist playing bongos and timbales)
background vocals and lead vocals:
Alexander J. Ligertwood
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recorded at and mixed at:
The Automatt in San Francisco, California, United States
instrumental cover recording of:
I Love You Much Too Much
lyricist:
Chaim Tauber
composer:
Alexander Olshanetsky
translator:
Don Raye
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal Music Corp. (USA, affiliated with ASCAP) and Universal‐MCA Music Publishing (US)
2.654:43
13Flor d’Luna (Moonflower)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
cover recording of:
Flor d’Luna (Moonflower)
lyricist and composer:
Tom Coster
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label) and Rondor Music (London) Ltd.
34:51
14Hold On
assistant engineer:
Maureen Droney
co-engineer:
Will Herold
engineer and mixer:
Jim Gaines
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
assistant mixer:
Ben King (engineer)
bass guitar:
David Margen
bongos:
Armando Peraza (percussionist)
congas:
Armando Peraza (percussionist) and Raul Rekow
drums (drum set):
Graham Lear
guitar:
Devadip Carlos Santana
guitar [rhythm guitar] and lead vocals:
Alexander J. Ligertwood
keyboard:
Richard Baker (US keyboardist for Santana)
timbales:
Orestes Vilató (percussionist playing bongos and timbales)
background vocals:
Devadip Carlos Santana, Armando Peraza (percussionist), Raul Rekow and Orestes Vilató (percussionist playing bongos and timbales)
arranger:
John Ryan (producer a/k/a “The Chicago Kid”) and Santana Band (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
produced for:
Chicago Kid Productions
recorded at and mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
3.654:30